Yeah, sorry about that. The PM's I'd received were either sexually motivated or members who had some very very VERY strong opinions about my posts. After the 20th B-word and C-word I was over it.
I understand. I have had the fortunate of not experiencing any bad PMs myself.
And you shouldn't be pleased with it, you're an artist, and more than likely you're never be pleased with it, but writing is like oil paintings you can add layers and layers and layers. One of the best discipline is to remember who's story it is, how does these events effect the lead character from start to middle to finish of the tale. And what I meant by final Borg story would only center on TNG cast, but doesn't have to mean the last Borg story ever. When you write let the characters drive the story; allow them to take you where the story needs to go?
Okay then I had quite misunderstood you earlier, thinking you wanted to see a story in which the Borg appear for the final time (they get defeated/destroyed in this one story).
So far I had treated all my Borg ideas as action style stories with the characters coming second but trying to do a character driven story intermixed with the appearance of the Borg would be quite something else.
In this case I could even drop the whole "The Borg seek to assimilate Earth/The Federation" type of plot again. They might still be around because they want to assimilate something but perhaps instead the ship and the crew should be the ones mostly in jeopardy.
One fanfic idea I once had for an own created crew storyline which took elements from a story concept not used for a game was that the Borg sent a fleet to the Alpha/Beta Quadrant to look for something.
This something would revealed to be a Borg-Iconian hybrid created by a scientist who wanted to use to to travel to the Delta Quadrant and Borg homeworld to find and extract his assimilated daughter from the Borg Collective.
My own crew after discovering the hybrid realized that they could not allow the Borg to incorporate it into the Collective as otherwise the Borg would gain the ability to travel wherever they wanted in the galaxy and beyond instantaneously, but some of them end up being forced to travel with the scientist to the Borg homeworld where the scientist learns that his daughter was killed/terminated when she and other drones tried to assimilate a race with a high resistance factor.
One of my main characters who paid attention during when the nature of the Borg Collective was explained asks if copies of the memories, the personality of the dead daughter (she would be revealed to be a Starfleet officer who was assimilated during a Borg incursion) was still stored in the Collective and have those copied to the Borg-Iconian hybrid, making it into a duplicate of the daughter.
The drone now having a personality helps the characters to return to the Alpha/Beta Quadrant but the Borg ships there are now closing in on their location.
The drone once again uses its Iconian gate ability and sends the cubes far away.
With the Borg gone for now there is now a new problem, the Borg-Iconian hybrid is to powerful. The major governments will fight over its technology and the Borg will eventually return to claim her.
Seeing no other solution the daughter/drone decides to remove her own presence from the galaxy, taking her father with her as she goes wherever the surviving Iconians went to after Iconia was destroyed.
I would not use all of that story but it might be interesting of doing something with the plot concept of the Borg looking for something, hence why they are ignoring planets and ships.
But it is going to take quite a while before I come up with something that I am really happy with.
I'd preferred the concept done on TNG series but with a bigger budget; Alice Krige is a good actress but too many times when these talents go into a Star Trek film they immediately try to jump over the bar of the great Ricardo Montalban. Thinking that's how Star Trek villains are supposed to be... like something out of a James Bond movie.
That was a major problem with a lot of the later movies, almost all sought to do "Wrath of Khan" all over again.
You mean like how the Borg were treated on TNG and that type of story telling? I think that would be much better than another big Hollywood style action flick as the television show (before Discovery) at least ran at a more calmer suspenseful pace and the focus was not alone on action.
Perhaps a television special/two episodes connected to another like VOY's "Dark Frontier" and "Flesh and Blood".