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Tarantino Trek - what could we expect?

To put it another way, I still recall all the furor over Abrams saying he didn't get Star Trek, that he was more a Star Wars guy. That he had found it boring or something else. So many people jumped on that and pointed to it as a one of Abrams' disqualifications for directing Trek.

QT is demonstrating a similar lack of understanding but we just want him to tell whatever story? I struggle with this.

I found it refreshing that Abrams made that statement. And his two films turned out to be my favourite Trek movies (and second only to my favourite TOS episodes) in all the Trek I've watched since 1973 (and that includes all the shows and movies on multiple occasions).

As far as Tarantino goes, I'm willing to give him the benefit of the doubt because I'm a huge fan of his work. But beyond that, in part owing to being a big fan of his and having read many interviews (not only "hot takes"), I rarely take him entirely at his word when he gives the kinds of comments he's made about Trek in recent interviews. I have a friend who is very similar to Tarantino in the way he expresses himself, including a tendency to give "hot takes" that are more over the top than his real attitude when devoting his serious attention to work. Whether one likes Tarantino's work, he is a talented filmmaker and a professional (no, not perfect--no such thing [except Hitchcock--fight me ;)]) and I strongly suspect he doesn't find it as confusing as he makes it appear (like my friend, he's not above "stirring the pot" for his own amusement).

While I would love a Tarantino Trek, as I would a Tarantino Bond (in large part because I think he'd insist on making it a period piece--something I wish the Bond franchise would do when Craig is finished, but that's for another discussion), I'd hardly bet the farm on it actually happening. Wouldn't be the first project he's talked up, only to abandon (either out of loss of interest, or some other set of circumstances).

In any case, the ultimate result will be one of two things--it will be appreciated by Trek fans, or it won't (as appears to be the case for all Trek films). It will not kill the film franchise dead nor will it radically transform all of Trek into Tarantino-land. Trek will survive.

As for Kelvin Trek specifically, I'd love to have more--I wish it became a TV series with that cast (though I know it won't). But if it ends as is, I will continue to enjoy the trilogy (especially the first two) for years to come.
 
So what appeals to you about Kelvin Kirk is the idea that he's totally different from Prime Kirk? Okay, so how are we supposed to differentiate Kelvin Kirk further from Prime Kirk AT THIS POINT besides the fact that he had a different upbringing? We saw it full on in 2009, but it was always leading up to him growing up to become a less impulsive and more thoughtful commander as we eventually saw him by BEYOND, which was a lot closer to the Kirk of TOS where he was feeling the burdens of command and being less of a skirt chaser.

At least to me, the point of creating the alternate timeline wasn't just to set up a completely different universe with completely different versions of the classic characters, but that we get to revisit those classic characters but now in a timeline that wasn't beholden to the old canon so filmmakers were free to do what they want. If a filmmaker wanted to have a story as extreme as one where actually Kirk quits the service (and doesn't come back), they could actually do that without worrying if it doesn't line up with the timeline.

Tl dr: I really don't think you can tell a good story with these characters if you ignore, well, the story they have.

Sure you can. TOS did it with every episode. That show wasn't one big story being told over the course of a series, and there's no lingering threads with the way BEYOND ended. All we know from that point on is that Kirk and crew got a new ship to have further adventures, and that Chekov will likely not be around.
 
I found it refreshing that Abrams made that statement. And his two films turned out to be my favourite Trek movies (and second only to my favourite TOS episodes) in all the Trek I've watched since 1973 (and that includes all the shows and movies on multiple occasions).

As far as Tarantino goes, I'm willing to give him the benefit of the doubt because I'm a huge fan of his work. But beyond that, in part owing to being a big fan of his and having read many interviews (not only "hot takes"), I rarely take him entirely at his word when he gives the kinds of comments he's made about Trek in recent interviews. I have a friend who is very similar to Tarantino in the way he expresses himself, including a tendency to give "hot takes" that are more over the top than his real attitude when devoting his serious attention to work. Whether one likes Tarantino's work, he is a talented filmmaker and a professional (no, not perfect--no such thing [except Hitchcock--fight me ;)]) and I strongly suspect he doesn't find it as confusing as he makes it appear (like my friend, he's not above "stirring the pot" for his own amusement).

While I would love a Tarantino Trek, as I would a Tarantino Bond (in large part because I think he'd insist on making it a period piece--something I wish the Bond franchise would do when Craig is finished, but that's for another discussion), I'd hardly bet the farm on it actually happening. Wouldn't be the first project he's talked up, only to abandon (either out of loss of interest, or some other set of circumstances).

In any case, the ultimate result will be one of two things--it will be appreciated by Trek fans, or it won't (as appears to be the case for all Trek films). It will not kill the film franchise dead nor will it radically transform all of Trek into Tarantino-land. Trek will survive.

As for Kelvin Trek specifically, I'd love to have more--I wish it became a TV series with that cast (though I know it won't). But if it ends as is, I will continue to enjoy the trilogy (especially the first two) for years to come.
I agree that it is refreshing. More my Vulcan eyebrow raise is the openness towards Tarantino while Abrams is (still to this day) lampooned for daring to not be familiar with the source material.

No, I don't for a second believe that QT Trek will be the "end of all Trek!" or some other hyperbolic nonsense. I just do not think he is a good fit for the franchise, I do not think he understands the Kelvin Trek in particular. If he ends up making a non-Kelvin Trek film, so much the better, in my opinion. He clearly prefers TOS to all other Trek, and so I think that making a Prime TOS rather than Kelvin may be more appropriate.

If QT is ignoring the history that led the Kelvin crew to where they are at I have a problem with that.
 
So what appeals to you about Kelvin Kirk is the idea that he's totally different from Prime Kirk? Okay, so how are we supposed to differentiate Kelvin Kirk further from Prime Kirk AT THIS POINT besides the fact that he had a different upbringing? We saw it full on in 2009, but it was always leading up to him growing up to become a less impulsive and more thoughtful commander as we eventually saw him by BEYOND, which was a lot closer to the Kirk of TOS where he was feeling the burdens of command and being less of a skirt chaser.
Daddy issues. Which they spelled out at the start of Beyond, setting up the planned forth movie where through some kind of temporal wibblyness met his father and closed his arc. I was looking forward to it.

Now (If this movie happens, which I'm still doubting), Tarantino will take the character in a different direction. Maybe it'll be better than what Payne, McKay and SJ Clarkson planned. This situation is much like when they changed direction after The Motion Picture underperformed and I expect a similar tonal shift.
 
Daddy issues. Which they spelled out at the start of Beyond, setting up the planned forth movie where through some kind of temporal wibblyness met his father and closed his arc. I was looking forward to it.

Now (If this movie happens, which I'm still doubting), Tarantino will take the character in a different direction. Maybe it'll be better than what Payne, McKay and SJ Clarkson planned. This situation is much like when they changed direction after The Motion Picture underperformed and I expect a similar tonal shift.

I’m not sure the daddy issues thing was something intentionally set up in BEYOND for a fourth installment, but rather that it’s picking up an already existing thread from the first film to give Pine’s Kirk some reflection on his decision to join Starfleet. By the end of it, he’s found his own purpose and no longer seems hung up about having outlived his dad. You could read it as that as a sign of closure, which makes Pine’s Kirk feel complete by the end of BEYOND, which is why I’m not too upset if that turned out to be the last of Kelvin TOS. So if Tarantino isn’t interested in the George Kirk angle, I don’t think we’re missing out too much.

But the Trek 4 writers obviously felt differently and wanted to go down that well again, most likely for the Hemsworth factor if we should be honest.
 
I think Beyond ended the Kelvin universe well enough. I would love to have more, but I don't need it to happen in any way.
 
Hemsworth pretty much said he walked away because the script was weak-sauce. We should stick a fork in that pathway because it's done.
 
So what appeals to you about Kelvin Kirk is the idea that he's totally different from Prime Kirk? Okay, so how are we supposed to differentiate Kelvin Kirk further from Prime Kirk AT THIS POINT besides the fact that he had a different upbringing? We saw it full on in 2009, but it was always leading up to him growing up to become a less impulsive and more thoughtful commander as we eventually saw him by BEYOND, which was a lot closer to the Kirk of TOS where he was feeling the burdens of command and being less of a skirt chaser.

At least to me, the point of creating the alternate timeline wasn't just to set up a completely different universe with completely different versions of the classic characters, but that we get to revisit those classic characters but now in a timeline that wasn't beholden to the old canon so filmmakers were free to do what they want. If a filmmaker wanted to have a story as extreme as one where actually Kirk quits the service (and doesn't come back), they could actually do that without worrying if it doesn't line up with the timeline.

They don't necessarily need to be more different in extreme ways, they already are different. If you think these Kirk and Spock are the same or they will still be the same characters, I dunno what to tell you. They aren't. They can't be. Even their dynamic is different.

This Spock will never evolve to become the delusional guy tos Spock was when we firstly see him in the series because it would be an involution of sorts for him. He has already resolved something that it took tos Spock decades. This is part of the reason why you don't see him and Mccoy in the same dynamic: because kelvin Spock is more contemporary as a biracial guy analogy, and it literally makes zero sense for him to argue with Mccoy the same exact way his tos counterpart did. This Spock doesn't deny he has feelings, he knows that vulcans have them too (even his father admitted that), he loves a human and he's defensive about his human side because his mother was important to him and he lost her..his humanity is everything he has left of her. He also lost vulcan, HE'S A SURVIVOR who experienced ptsd and survivor guilt (see stid), but he might have a better relationship with his father that Spock prime never had in his reality.

Kelvin Spock doesn't really pretend to be who he isn't and unless you want to turn him into a parody of Nimoy-Spock, he cannot be that guy now.
With Discovery putting their own young Spock prime, it would be all the more illogical and forced to pretend kelvin spock&co are the prime timeline characters. For one, Spock never worked for 10 years with Pike here. Kirk's crew was created sooner because of different circumstances. There are too many things to ignore here...
Also, Kelvin Spock doesn't have siblings who made him want to be just vulcan because they hurt him as a kid. Kelvin Spock only had his human mother as a link to his humanity and then Uhura, and neither made him want to be only vulcan, clearly. You cannot pretend Quinto, Peck and Nimoy played the same guy. I can't even buy Peck's version as a prequel of Nimoy's Spock, it figures Quinto's.
I think discovery cemented the idea of 'different Spocks' even to newest audiences who hadn't watched tos.
For me, it's in everyone interest to keep the two realities separated and, at best, only allow some crossovers but no mixing up of the stories and characters arcs.

The point is, if you care about the characters, then I have to find it contradictory that you don't care about their story and the fact their life experiences have already shaped these characters as different people. They just cannot work as a prequel of the original thing. They have things in common, but they are not them. This is important. Or how can you care about the characters and stories if you don't care about their stories? That's a contradiction as I think the two are mutually exclusive.

It's because I care about the characters that I have the opinions I have and thus I'm worried about Tarantino.

The alternate reality thing, hence the discourse about timelines, is in this context an important puzzle piece that helps to explain why they are different and they CAN be. If you remove that then you either remove their story and turn these characters into mere..pictures or cosplayers of the tos characters, or you retcon the tos characters with the stuff that is unique to the kelvin version. Either way, it doesn't work and it really shows a lack of care for the characters from both verses and their stories thus the *characters*.


I agree that it is refreshing. More my Vulcan eyebrow raise is the openness towards Tarantino while Abrams is (still to this day) lampooned for daring to not be familiar with the source material.

Again, I have no doubt that if SJ Clarkson had said what Tarantino is saying, she'd get insulted by fans and people would petition to have her removed for incompetence. Wasn't she already criticized because her curriculum doesn't show experience in franchises like this? Yet, Tarantino gets a pass for both.

And it's 100% true that people have double standards as they criticized and nitpick so much when it comes to JJ knowing every detail about the original thing, yet they give Tarantino a pass when he's way worse because he flaunts his own ignorance about the source material of the very trek iteration he wants to make a movie about.

That comment by JJ wasn't so crazy btw. He said that as a kid he didn't get it but as an adult he did. Nothing weird about that, I didn't get it either when I was a small thing. Kids at the time liked star wars more because it was this cool popular thing and the first space opera they could watch at the cinema. It was captivating even if you didn't get everything. If you ask kids, they probably don't understand the recurring plot of star wars either...but they have all those gadgets and 'heroes' to play.
 
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I’d agree with you coming off of ST09, but with BEYOND having recalibrated them into a different place I don’t see how they’re TOO different from their Prime counterparts with both characters having become more secure with where they’re at, with Spock being closer to where he was at the end of TMP than TOS.

Also, I think QT gets more of a pass from fans because he’s an infinitely more talented filmmaker than either Abrams or Clarkson. I’ve said I don’t think he’s suitable for Trek, but I’m much more intrigued by the idea of him wanting to do Trek that I’m open to letting him do what he wants.
 
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I think some had this illusion that because beyond's team placated the tos fans a bit by giving them some of the old school bros stuff, then everything would be like tos again... but it isn't like that.
Beyond didn't cancel the first movies, if anything it did solidify the character arcs. They didn't magically become the same Kirk and Spock who will have the same story. They don't need to leave the ship to be different, they already are.

The point stands that someone who cares about the characters cannot ignore their stories and the fact they aren't the same people they were in tos, or it's a big contradiction.
You cannot have kelvin trek without the kelvin timeline, and you cannot have the characters without their stories.



As for Tarantino, admitting the double standard doesn't make it better.
He's overrated for me (being problematic and controversial doesn't equate more talent and if he has any talent, it's hindered by what seems to be a fetish for graphic violence ) but that's not the point. Even if I found him the best director alive, I'd still find him ill fitted for trek and I wouldn't give him a pass for those comments.

His last movie is yet another example of how much some consider this guy untouchable. For instance, he is getting some valid criticism for basically using Sharon Tate's beyond horrific story as a pretext to tell the story of two random white guys, and he sidelined her in her own story.
When they pointed that up to him, his response was arrogant as usual and some of his fans are verbally abusing anyone who dares to criticize him now. People don't even make arguments, they just demand him to get a pass because he's a 'genius' ...and this isn't acceptable for me. It's dangerous, concerning. No one can be immune to criticism.
 
No one can be immune to criticism

Unless it's Queen Brie Larson, right?

Look, turnabout is fair play. If this gets made and you don't like it, then it's not "made for you" anymore than Captain Marvel or The Last Jedi is made for "manbabies". But it's not for you to dictate what gets made and what doesn't. Tarantino won't take away your ability to keep streaming Discovery's greatest hits over and over again. Let the market decide.
 
Also, I think QT gets more of a pass from fans because he’s an infinitely more talented filmmaker than either Abrams or Clarkson. I’ve said I don’t think he’s suitable for Trek, but I’m much more intrigued by the idea of him wanting to do Trek that I’m open to letting him do what he wants.

Exactly, notice the ''QT haters'' have never mentioned his film making chops? he his light years above Abrams.

This is not just about a trek movie, QT is going to make a great artistic movie that just happens to be star trek because that is what he does.

He has proven it when he made a western movie that just happened to be about slavery with Django Unchained.

he has proven it when he told an alternative history about world war 2 with Inglorious bastards.

What saddens me most about this is, QT doesn't even have an offical synopsis yet, the movie is not yet in pre production.

It looks like some would rather see the kelvin timeline die than see A QT movie in the kelvin timeline.
 
I wouldn't call it a valid criticism. To be sidelined from her story is to suggest the film is about her, when it's really about a fictional character (or how you'd phrase it "random white guy"*) facing irrelevancy, and Tate is treated more as a goddess in a fairy tale. After all, the title of the very film suggests that. But that's not to say there's no room for criticism. I think there's certain indulgences taken in the film that could have been trimmed, but I understand the decisions behind Tarantino's choices.

*= Honestly, where the hell is that coming from?
 
They don't necessarily need to be more different in extreme ways, they already are different. If you think these Kirk and Spock are the same or they will still be the same characters, I dunno what to tell you. They aren't. They can't be. Even their dynamic is different.

This Spock will never evolve to become the delusional guy tos Spock was when we firstly see him in the series because it would be an involution of sorts for him. He has already resolved something that it took tos Spock decades. This is part of the reason why you don't see him and Mccoy in the same dynamic: because kelvin Spock is more contemporary as a biracial guy analogy, and it literally makes zero sense for him to argue with Mccoy the same exact way his tos counterpart did. This Spock doesn't deny he has feelings, he knows that vulcans have them too (even his father admitted that), he loves a human and he's defensive about his human side because his mother was important to him and he lost her..his humanity is everything he has left of her. He also lost vulcan, HE'S A SURVIVOR who experienced ptsd and survivor guilt (see stid), but he might have a better relationship with his father that Spock prime never had in his reality.

Kelvin Spock doesn't really pretend to be who he isn't and unless you want to turn him into a parody of Nimoy-Spock, he cannot be that guy now.
With Discovery putting their own young Spock prime, it would be all the more illogical and forced to pretend kelvin spock&co are the prime timeline characters. For one, Spock never worked for 10 years with Pike here. Kirk's crew was created sooner because of different circumstances. There are too many things to ignore here...
Also, Kelvin Spock doesn't have siblings who made him want to be just vulcan because they hurt him as a kid. Kelvin Spock only had his human mother as a link to his humanity and then Uhura, and neither made him want to be only vulcan, clearly. You cannot pretend Quinto, Peck and Nimoy played the same guy. I can't even buy Peck's version as a prequel of Nimoy's Spock, it figures Quinto's.
I think discovery cemented the idea of 'different Spocks' even to newest audiences who hadn't watched tos.
For me, it's in everyone interest to keep the two realities separated and, at best, only allow some crossovers but no mixing up of the stories and characters arcs.


.


The truth is, we dont know how any of the characters would continue to evolve that is why its a movie series, since the characters tend to change and ''evovle'' with every movie. Spock , Kirk, Mccoy, Scotty, Sulu, Uhura could be different people and at different stages in their lives by the next movie, same as Beyond.

Kirk was getting bored

Spock wanted to leave star fleet

Sulu had a partner with a kid.

Uhura had personal relationship issues

These are not the same characters we met in star trek 2009.

Also please watch the earlier movies star trek 2009 and into darkness, the spock and mccoy dynamic has been there since the first film, from when Mccoy says he likes Spock after Kirk called him a pointed bastard. Beyond just evolved the spock and mccoy friendship by fleshing it out. It makes a lot of sense, also think of the story telling. Mccoy is the only friend of Spock's that knew he wanted to leave. Spock told him in confidence, which shows there is a friendship there beyond all the arguments they have.

Star Trek is also about human relationships and friendships. Spock and Mccoy were one of the best of that from Beyond.

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It looks like some would rather see the kelvin timeline die than see A QT movie in the kelvin timeline.

I think certain Kelvin film gatekeepers would rather see the return of Roberto Orci make a box office breaking fourth film that just consisted of the Kelvin cast metaphorically extending the middle finger exclusively to Kelvin haters while Spock and Uhura make out on the side. Mostly kidding of course, but I can't help but sense utter resentment from Kelvin fans.
 
Exactly, notice the ''QT haters'' have never mentioned his film making chops? he his light years above Abrams.

This is not just about a trek movie, QT is going to make a great artistic movie that just happens to be star trek because that is what he does.

He has proven it when he made a western movie that just happened to be about slavery with Django Unchained.

he has proven it when he told an alternative history about world war 2 with Inglorious bastards.

What saddens me most about this is, QT doesn't even have an offical synopsis yet, the movie is not yet in pre production.

It looks like some would rather see the kelvin timeline die than see A QT movie in the kelvin timeline.
Why does QT's Trek has to be in any ridiculous timeline? The film's strength would be best in the confines of its own reality and not worrying about fan drivel. If the movie is successful than maybe making stand alone projects of Trek will be more inviting to a general audience. Tarantino has the ability to lore people into certain genres and also educate them as he entertains.
 
Why does QT's Trek has to be in any ridiculous timeline?

For money, of course. In an ideal world the suits would prefer to keep everything in one continuity so that each successive film builds on the last.

One-offs are more of a symptom of a failed franchise, like the way DCEU has started fragmenting into one-offs (Joker) semi-remakes/reboots (Suicide Squad, Batman).

Artistically I don't think it's necessary but it tends to make more money that way.
 
Unless it's Queen Brie Larson, right?

Look, turnabout is fair play. If this gets made and you don't like it, then it's not "made for you" anymore than Captain Marvel or The Last Jedi is made for "manbabies". But it's not for you to dictate what gets made and what doesn't. Tarantino won't take away your ability to keep streaming Discovery's greatest hits over and over again. Let the market decide.
Your sentences "But it's not for you to dictate what gets made and what doesn't." and "Let the market decide." are more declaiming than discussion, but otherwise not problematic.

However, these:

- "Unless it's Queen Brie Larson, right?"
- "If this gets made and you don't like it, then it's not "made for you" anymore than Captain Marvel or The Last Jedi is made for 'manbabies'."
- "Tarantino won't take away your ability to keep streaming Discovery's greatest hits over and over again."​

all look a bit too much like arguments being carried over from other forums.

Don't do that. Let those discussions play out wherever they started, in the forums and threads which are appropriate and specific to those topics. They've got nothing to do with what's being discussed here.

Also: "manbabies"?

ProTip: if you're going to set a word or phrase in quotation marks like that, it really ought to be a direct quote of something already said or mentioned in this thread.

[ Narrator : It was not. ]
 
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