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Tarantino Trek - what could we expect?

Fans will hate it for not referencing prior Treks.

Fans will hate it for referencing prior Treks.

Fans will hate it because it's Tarantino.

Fans will hate it because it's not exactly like 1967.

Fans will hate it because it's not exactly as they like to imagine Trek.


...the fans are hopeless:shrug:

A decade later:

Fans look back and think “that time they gave carte blanche to a film auteur was pretty interesting and unexpected, now the franchise just sucks today”.

Seriously though, regarding continuity, I was thinking about another time a franchise had rebooted but after awhile blurred the two continuities together. It was called SKYFALL. The first two Bond films were a straight up reboot that began following its own story thread. After a hiatus, SKYFALL brings Bond back but in a seemingly standalone adventure instead of continuing the story of the first two. Suddenly in the middle of the film Craig’s Bond brings out the 1964 Aston Martin straight out of GOLDFINGER complete with all the gadgets featured in the classic Bond. If you’re a stickler for continuity, this is sort of breaking canon and giving more questions than answers. I remember tons of Bond fans on forums trying to make sense of how this works in-universe. Is Craig’s Bond suddenly the same Bond as his predecessors? Did he just happen to get this Aston Martin between films? Was it just something in storage since before his time? Why did the filmmakers go that route?

The answer is the filmmakers felt it was something that worked perfectly thematically with the story they were trying to tell, and would be considered a bonus by fans. Sure, it’s kind of weird if you try to figure out the mechanics in universe, but ultimately it’s just done for a bit of fun. I’ll never forget the huge positive reaction to that moment.

This is the kind of moment I hope Tarantino can pull off in his stab at Trek. Where he says “to hell with continuity, I’m doing this because it’s RIGHT for my film”. There will no doubt be fans who would complain that it breaks the universe, but for fans like me hopefully it’s something we can appreciate.
 
I don't think one has to reference other work to stay within continuity. For example, take a character like Chekov. Set the story during the 5 year mission.

Don't kill him.

We know he lives, so don't kill him.

There's a difference between not referencing something, and contradicting something.

For example, Spock and Sarek could have a conversation about Sybok, but Kirk and Spock cannot.

Likewise, you can mention something that would be a subtle reference to something we have seen before, without referencing the prior time it was referenced.

A new Trek movie can absolutely work within the prime canon, without sacrificing story.
 
A new Trek movie can absolutely work within the prime canon, without sacrificing story.
You just sacrifice suspense, because you know everyone's gonna be okay and they aren't going to undergo anything life-changing since their personalities remain consistent throughout TOS.

Compare with Inglorious Bastards, which I expected their mission to be a failure because of known history, and was blown away by the ending.
 
You just sacrifice suspense, because you know everyone's gonna be okay and they aren't going to undergo anything life-changing since their personalities remain consistent throughout TOS.

Compare with Inglorious Bastards, which I expected their mission to be a failure because of known history, and was blown away by the ending.
This is one reason I'm glad the "Starfleet Academy" movie idea that was bandied about since the early days didn't end up happening until 2009. There would have been considerably less drama knowing all the characters would eventually make it to TOS and the movie era, whereas the JJ characters had no known outcome. In fact, it was stated they could be killed off at any time, and this was an option the writers liked having.

Granted, when it finally happened, the character was revived five minutes later, but the concept was good.
 
To be honest, the makers of the Kelvin-timeline movies sucked balls at making me believe "one of the main characters could die". Even at their lowest points - Kirks actual death, or in the death camp in Beyond - I never in any felt it might even be a possibility one of them dies - they felt as save, as they did during TOS, when there were three main characters and an extra with a speaking role beaming down somewhere.

Contrast that with, say, "Captain AMerica: The Winter Soldier" - in which the final battle between Cap and Bucky truly made me believe he COULD die - even though it was a "part 2", and the character already anounced for Avengers 2!

Because that was damn good film-making. It shows that you don't need to concenr yourself with that as a director if you know what you're doing.
 
I don't get why it's so hard to get why pretending it's prime would be an issue for many who loved these movies. I dunno how it could be just a tiny detail. The alternate timeline thing is, quite possibly, the most important and loved aspect of these movies beside the cast.
I like the fact it's another reality, thus the characters don't have a written 'destiny' like Pike and Spock in Discovery. I love the differences. It isn't predictable, they have freedom. Removing that is counterproductive.

Frankly, Tarantino, of all the people, should totally love it's another reality because THAT allows him freedom, not making it a prequel of tos. I dunno why he'd want to deliberately limit himself or give people even more excuses for criticism by trapping himself into a tos prequel. Honestly, even discovery seems to want to get out of that box and the main characters aren't even kirk&Co.

I say, if you don't care about kelvin trek then leave kelvin trek alone. Simple like that. Don't make a movie with these characters. You only love prime? Fine, then make a movie there but get a new cast to not create confusion and not attempt to lure in fans of the trilogy that may expect a continuation of those movies.
This cast is playing different characters, I doubt Pine, Saldana and especially Quinto would be sooooo excited by someone telling them 'please forget your own character development and make an impersonation of Shatner, Nimoy etc'. Only one who wouldn't have issues is Urban because he tries to imitate tos Mccoy already, but the others have important differences. Even Sulu has a daughter and husband here.

I don't think it's professional for them to suddenly retcon it all as a retcon of tos, even less now that you have Spock and Pike in Discovery making the differences more obvious, not to mention Picard's series dealing with a storyline made canon by st09 (the part of st09 that is a sequel of prime is, of course, the destruction of Romulus and Spock's disappearance and assumed death)

Some people can't let go of prime and the old cast, which I understand, but still they expect fans of this trilogy to let go of the kelvin reality and happily accept the idea of it getting sacrificed to make more (IMO unnecessary) tos fanfictions. This all the while, I will add, fans of prime already have more than one new TV show in prime. You have the old series, the old movies, new TV shows. .all set in prime. Kelvin trek fans have only 3 movies and a tiny possibility for sequels, and you want them to not even get that.

If Tarantino (or anyone really) wants to make a movie in the 'Chris Pine timeline', like he said, he needs to follow this canon and continuity in some way and he needs to understand it and respect it or it makes no sense claiming he likes the movie.
You don't need to make it prime to have a good story. There literally is no reason why one absolutely needs to make it prime.
 
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I don't get why it's so hard to get why pretending it's prime would be an issue for many who loved these movies. I dunno how it could be just a tiny detail. The alternate timeline thing is, quite possibly, the most important and loved aspect of these movies beside the cast.
I like the fact it's another reality, thus the characters don't have a written 'destiny' like Pike and Spock in Discovery. I love the differences. It isn't predictable, they have freedom. Removing that is counterproductive.

Frankly, Tarantino, of all the people, should totally love it's another reality because THAT allows him freedom, not making it a prequel of tos. I dunno why he'd want to deliberately limit himself or give people even more excuses for criticism by trapping himself into a tos prequel. Honestly, even discovery seems to want to get out of that box and the main characters aren't even kirk&Co.

I say, if you don't care about kelvin trek then leave kelvin trek alone. Simple like that. Don't make a movie with these characters. You only love prime? Fine, then make a movie there but get a new cast to not create confusion and not attempt to lure in fans of the trilogy that may expect a continuation of those movies.
This cast is playing different characters, I doubt Pine, Saldana and especially Quinto would be sooooo excited by someone telling them 'please forget your own character development and make an impersonation of Shatner, Nimoy etc'. Only one who wouldn't have issues is Urban because he tries to imitate tos Mccoy already, but the others have important differences. Even Sulu has a daughter and husband here.

I don't think it's professional for them to suddenly retcon it all as a retcon of tos, even less now that you have Spock and Pike in Discovery making the differences more obvious, not to mention Picard's series dealing with a storyline made canon by st09 (the part of st09 that is a sequel of prime is, of course, the destruction of Romulus and Spock's disappearance and assumed death)

Some people can't let go of prime and the old cast, which I understand, but still they expect fans of this trilogy to let go of the kelvin reality and happily accept the idea of it getting sacrificed to make more (IMO unnecessary) tos fanfictions. This all the while, I will add, fans of prime already have more than one new TV show in prime. You have the old series, the old movies, new TV shows. .all set in prime. Kelvin trek fans have only 3 movies and a tiny possibility for sequels, and you want them to not even get that.

If Tarantino (or anyone really) wants to make a movie in the 'Chris Pine timeline', like he said, he needs to follow this canon and continuity in some way and he needs to understand it and respect it or it makes no sense claiming he likes the movie.
You don't need to make it prime to have a good story. There literally is no reason why one absolutely needs to make it prime.

Preach!
 
You can still make a film suspenseful even if you know the ultimate fate of the characters. The trick is to make audiences wonder HOW the heroes get out of a tight situation, as opposed to if they will at all. James Bond and Indiana Jones aren't going to die in their movies, but they've always thrived on making audiences wonder how they get out of tight spots.

Star Trek in general is no different. I don't think anyone watching TOS back in the day would have seriously thought Kirk would actually remain dead by the time a producer's name shows up before the credits.
 
Exactly. Most series fiction works that way. Nobody really expects that Sherlock Holmes won't solve the mystery, that Perry Mason won't win the case, that Buffy won't prevent the apocalypse in the end, but if it's a good story told well, we'll still be on the edge of our seats wanting to know what happens next.

Just a general observation, btw, that has nothing particular to do with the Kelvin movies, the possibility of a Tarantino movie, retconning a reboot, or whatever.

Spoiler alert: Kirk does not die in my new TOS novel. :)
 
@Lord Garth posted this in the TarantinoTrek thread over at Future of Trek. I thought you all would get a kick out of it too.
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Bloody brilliant!

I’d watch the hell out of something like that.

Props to the video creator and editors.
 
Exactly. Most series fiction works that way. Nobody really expects that Sherlock Holmes won't solve the mystery, that Perry Mason won't win the case, that Buffy won't prevent the apocalypse in the end, but if it's a good story told well, we'll still be on the edge of our seats wanting to know what happens next.

Just a general observation, btw, that has nothing particular to do with the Kelvin movies, the possibility of a Tarantino movie, retconning a reboot, or whatever.

Spoiler alert: Kirk does not die in my new TOS novel. :)

And if you do want to give the suspense that a character may die, there's always the option of using supporting or guest characters. There was a radio interview with the James Bond writers that talked about how they can't put that kind of suspense on the Bond character, but they easily could for other supporting characters providing they succeed in having audiences connect with them such as the characters played by Eva Green and Judi Dench.

Funny thing, years back I watched THE WRATH OF KHAN with a friend who had never actually seen it but saw episodes of the original show. When Spock died, she was actually pretty confident that they would find a way to save him somehow during the last minutes, but to her surprise after the funeral she realized they were actually going through with it. So it's a weird thing where she was never really in suspense that he would die.

In retrospect, I kind of wish Kirk had actually died and REMAIN dead with INTO DARKNESS. It would have been controversial, but it would have really made me appreciate the boldness of the filmmakers to go through with that and take the films in a direction that wouldn't be predictable.
 
I thought st09 was very bold. They destroyed vulcan in this reality and Romulus in prime. They also killed Amanda and Pike (and George Kirk). They set up a reason, the kelvin accident, that had a long lasting impact on starfleet too (it explains why the ships are more advanced, for example)
I wish a continuation just deals with these events, instead of ignoring them or trying to find magic time travel devices to fix it all. Vulcan was destroyed, millions died ..just deal with it in a realistic way. It happened, it cannot get changed and it might be, and surely is, something that will forever change many things, especially the vulcan people.
The bold choices in st09, both in negative and positive, had long lasting consequences and I like that.

So I think it's different points. First one is that, of course, main characters tend to be a 'given'. Second point is, TOS back in the day was still a work in progress story but nowadays, that story is already written because you now have the whole series and old movies. You know what happened to those kirk&Co.
It's the future of the kelvin trek version that isn't written yet precisely because they are into another reality. They could kill them. They could. They can do what they want and not just in negative.

If, say, kelvin Spock was the one who had a secret sister instead of disco Spock prime, I think less people would call it a 'retcon'. In fact, he could very realistically have a little brother or sister NOW because maybe Sarek got a second wife sooner. He could have his own kids with Uhura too if they want because it's realistic, possible. The changes aren't retcons because it's another reality. Their destiny isn't written.

You can't deny there is more freedom by making it another reality.
Retconning them as a prime timeline prequel cheapens these movies and removes their big advantage, not to mention it contradicts its own canon in a way that isn't acceptable to me. It's dumb.
And again, there is no reason why a good story needs to be in the prime timeline. It isn't needed for this trek to be prime, aside from Tarantino being lame because he doesn't want to accept the foundamental plot device of this trek.
But you don't need to make it a retcon of prime, you just don't.
In fact this creates far more troubles than benefits. It's forced. (and, again, dumb)
There is no reason you need these characters to suddenly be the tos characters, but there is an inherently important reason why, if you make a movie in the kelvin timeline, you cannot ignore the kelvin timeline, lol
Tarantino and his writer must do their homework, no excuses.

The hilarious thing for me is that, reading between the lines, maybe Tarantino truly thinks it's all a retcon and he is ok about that, which would be hysterical honestly because jj&co made it so easy for tos fans by making it another reality. This guy could serioustly make tos purists worst nightmare a reality, he'd do what JJ didn't do. He'd rewrite tos and mess up with canon, including the current shows. While kelvin trek haters might celebrate him as an 'ally' just because of his love for Shatner and prime, they seem to ignore the fact that 1) he loved the first movie and his only complain is Khan. As it's the second time he voices this issue and it's always just Khan 2) he said it's the Chris Pine timeline. He may not know it's called kelvin officially, but he's saying the same thing. He calls it timeline. He never said he wants to make the movie in prime.
The only thing you could assume from his silly comment is that he wants this timeline to be a retcon of tos thus overwrite tos. So yeah, be careful about what you wish for, prime timeline fans....

Overall, I still believe that one must truly be super arrogant to flaunt his own ignorance like that. If S. J. Clarkson was the one saying 'I don't get the timeline' , trek fans would insult her in every way possible. So no, I'm not here for Tarantino getting a pass just because he's Tarantino.
What he said is beyond silly, especially for the guy who wants to direct the next movie. It isn't professional.
Furthermore, frankly I doubt JJ really told him all the stuff he is claiming because it makes little sense. If he is mispresenting jj&co too just to support his narrative, he's double bad for me especially after he attacked Pegg for speaking for him (he didn't even do that). I don't trust the studio but I'm going to take his words with a grain of salt that they really would tell him 'ignore it, we don't get it either and no one likes (this alternate reality)'. This is the same studio that rejected Orci's script because it had Shatner and Nimoy in it and it was too 'star trek-y'. If they really are willing to cater to Tarantino and let him do everything he wants, without setting up few basic rules to preserve the integrity of their own franchise, then they have a far bigger problem here than finding a director who is willing to make their next movie. Say what you want about marvel and the star wars franchise but they are handled by people who know what they are doing and what they want.
 
What would save Kelvin films isn't an adherence to world building or trying to establish its universe in contrast to Prime, but just to go back to basics and tell a good story with likable characters. That's all it needs. I'm really bored these days of fans arguing over timelines. In a lot of ways, the discussion over Star Trek has become too much about world building (Kelvin fans wanting more definition for that timeline, Prime fans only wanting more definition of that timeline). That's why Tarantino's comments are somewhat refreshing to me. He doesn't care about timelines and what makes each different. To him, the 2009 film and TOS are of the same simply because in his views it's about the characters.

I think he should be free to tell whatever story he wants, and then just leave it to the fans to connect the dots. You know, like how it used to be back in the day. Keep it simple, don't convoluted it.
 
The problem with the above is that Star Trek has always been one canon, not dissimilar to Doctor Who, and by making all those changes in ST09, they opened up the distraction. It could have easily been avoided but Abrams made a choice, and that choice still has ramifications.

Plus, let's face it, Abrams is more about lens flares and effects than he is about stories. In franchises he didn't create, his idea of a movie is to simply borrow from things done before. STID for example, was a terrible ripoff of TWOK, but as poorly marketed as possible. And of course, TFA was a rip off of ANH.

As for Tarantino? I'm curious what he does. But when playing in another sandbox, one has to play by the rules.
 
What would save Kelvin films isn't an adherence to world building or trying to establish its universe in contrast to Prime, but just to go back to basics and tell a good story with likable characters. That's all it needs. I'm really bored these days of fans arguing over timelines. In a lot of ways, the discussion over Star Trek has become too much about world building (Kelvin fans wanting more definition for that timeline, Prime fans only wanting more definition of that timeline).

I hear you, but this isn't merely arguing over timelines, this is about common sense and...water being wet.
Kelvin trek is separate from Prime already. It's the point, and pretending people are nitpicking if they don't want to ignore that it wasn't a tos prequel, and thus set in the prime timeline, is disingenuos. All the more now that you have TV series establishing that the two realities co-exist and aren't mutually exclusive.

Tarantino here isn't asked to personally move the moon away from earth's orbit, you know.

That's why Tarantino's comments are somewhat refreshing to me. He doesn't care about timelines and what makes each different. To him, the 2009 film and TOS are of the same simply because in his views it's about the characters.
I beg to differ. His comments show that he doesn't care about the characters either. If he did, he wouldn't make that silly comment about Pine and Quinto playing Shatner and Nimoy that is simply incorrect because they never did that, nor they were asked to do that (as jj&co said over and over).
If he cares about the characters, he should recognize and respect the fact they quite obvioustly are their own people with their own story. Instead, he's only looking for an impersonation of his faves with no regard for the characters *for* the characters.

Had him cared about these characters (both tos and kelvin), that would've been the biggest reason for him to get the timeline.

I see nothing refreshing in someone who doesn't want to understand something as simple as an alternate reality, but he's presumptuous enough to still want to make a movie in this verse..
Besides, I read the fanboys make the same comments against this trek and the faux 'I dont get it, I want tos to still happen!' discourse since years . He isn't even original.
If he were a random fanboy I'd think he was trolling. Knowing that it was Tarantino doesn't make much a difference for me, I still think that kind of commentary is silly and not really inspiring.

Tl dr: I really don't think you can tell a good story with these characters if you ignore, well, the story they have.
These guys aren't tos kirk&co and they never will, unless you think characters have no free will and having completely different life experiences doesn't shape people in important, foundamental, ways.

I see no care for the characters and stories here. I only see pretexts to placate one's own nostalgia for the old thing by turning even this trek into a mere surrogate of it. I see zero respect for the current cast too.


I think he should be free to tell whatever story he wants, and then just leave it to the fans to connect the dots.

You mean give him a pass if things make no sense.
It isn't the fans job to know the source material and connect the dots to improve quality and coherence a movie . It's his job, and he will get paid very good for it too, I will add. ;)

The problem with the above is that Star Trek has always been one canon, not dissimilar to Doctor Who, and by making all those changes in ST09, they opened up the distraction. It could have easily been avoided but Abrams made a choice, and that choice still has ramifications.

It's canon now.
It's a distraction if you want to make it one because you don't like it. Otherwise, it's just a plus and having this amazing opportunity to get a reboot of the iconic characters where things can go differently, and it doesn't overwrites the original. If you don't like these movies, they don't affect your enjoyment of the prime timeline stuff.
Trek isn't new to different realities and one should appreciate someone made the trek universe bigger.

I'm a tos fan, and a fan of the prime timeline shows, but I'm also a fan of this trek (gasp!). It isn't a distraction for me to like both, it's all very neat and easy actually.


Plus, let's face it, Abrams is more about lens flares and effects than he is about stories. In franchises he didn't create, his idea of a movie is to simply borrow from things done before. STID for example, was a terrible ripoff of TWOK, but as poorly marketed as possible. And of course, TFA was a rip off of ANH.

Yeah, I disagree. I wouldn't be here liking and still defending kelvin trek if his movies weren't about stories. I wouldn't still care about them.

Like I said previoustly, the (old) issue here is rather simple. I think some can't let go of prime, Shatner etc and they think they are, as people who only care about prime, more valid fans because they believe that only the prime timeline is valid trek and by consequence, only those who like it are valid fans.
The ones who like kelvin trek too (including those who only like kelvin trek, eg newest generations of fans) aren't valid fans, hence they don't deserve respect. Not even into a board that is dedicated to this trek.
 
I think he should be free to tell whatever story he wants, and then just leave it to the fans to connect the dots. You know, like how it used to be back in the day. Keep it simple, don't convoluted it.
And this is what makes me uncomfortable. Tarantino demonstrated a lack of understanding to a fundamental concept of the Kelvin Timeline and fans are expected to accept it. I'm sorry, I don't trust Tarantino in this regard.

@Malaika made these points better than I but the fundamental truth persists. He doesn't grasp alternate timelines, something that is a part of Trek since TOS. He just wants to do "Shatner Kirk" which, on the face of it, is fine. But, not if it's supposed to be Kelvin Trek.

To put it another way, I still recall all the furor over Abrams saying he didn't get Star Trek, that he was more a Star Wars guy. That he had found it boring or something else. So many people jumped on that and pointed to it as a one of Abrams' disqualifications for directing Trek.

QT is demonstrating a similar lack of understanding but we just want him to tell whatever story? I struggle with this.
Plus, let's face it, Abrams is more about lens flares and effects than he is about stories.
Completely disagree. The characters in Kelvin Trek have me more invested than much of the characters from ENT or VOY. So, I don't think Abrams failed at the story part.
 
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