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Spoilers Superman (2025) Grade and Discussion

How would you rate Superman?

  • You'll believe a man can fly

    Votes: 22 38.6%
  • A

    Votes: 8 14.0%
  • A-

    Votes: 10 17.5%
  • B+

    Votes: 9 15.8%
  • B

    Votes: 5 8.8%
  • B-

    Votes: 0 0.0%
  • C+

    Votes: 0 0.0%
  • C

    Votes: 0 0.0%
  • C-

    Votes: 0 0.0%
  • D+

    Votes: 0 0.0%
  • D

    Votes: 1 1.8%
  • D-

    Votes: 0 0.0%
  • F+

    Votes: 0 0.0%
  • F

    Votes: 0 0.0%
  • A pocket full of Kryptonite

    Votes: 2 3.5%

  • Total voters
    57
According to Wikipedia, which everybody knows is never wrong, both are coming to Peacemaker S2.
There's a clip of them online in the HBOMAX Peacemaker season trailer:
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DC has a lot riding on Superman. After a string of commercial and critical mishaps, and suffering in Marvel's movie shadow, they hired James Gunn, director of the hugely popular Guardians of the Galaxy trilogy, to act as the captain of their ship. Gunn (who also directed the DCEU's The Suicide Squad) has developed a long-term strategy of films and other media to build a new universe of stories. The first brick in this new world is Superman, and like I said, a lot is riding on this.


Would the first step in this brand new universe be a failure? Would Gunn's master vision not even get off the ground? Or would it soar, would we, as the hashtag said, look up?


I cannot yet speak from a commercial point of view, for Superman only came out today. Speaking for myself, from a critical point of view, Superman is a soaring, sweeping, brilliant success.


It is not hyperbole for me to say that Gunn's opening entry to this new DCU is every bit as good as the best MCU offerings. Superman is a film with heart, with joy, with warmth, with epic action, and small, human moments that connect you to the characters. Despite quite a diverse cast, this film feels like a Superman movie, lifted from the comics, with plenty of colour, and time spent where it matters. The performances which form the soul of this film are of the highest echelon, and that starts with the titular character himself.


David Corenswet delivers a powerhouse performance, both as the Man of Steel, and Clark Kent. Corenswet encapsulates Superman's vulnerability, and how the world's strongest man can feel helpless and weak, lost and directionless. He also shows how Superman refuses to let go of his purpose, how he will not give up on the best of humanity. He is completely believable in the role, and deserves credit for the humility he brings to it.


Nicholas Hoult is superb as Lex Luthor. Luthor's energy, fury, and jealousy is often screen-stealing, and he is a suitable foil for Superman. This Luthor is intelligent, and completely devoted to his goal of destroying Superman. Hoult is captivating whenever he is on screen, and worth the price of admission, all by himself.


Rachel Brosnahan is Lois Lane, and her performance is understated. Her Lane is measured, clever, determined, and resourceful. Nathan Fillion is the Green Lantern Guy Gardiner, and appropriately awkward with his mannerisms. Edi Gathegi is deadpan as Mr Terrific, and Isabela Merced struck me as faintly terrifying as Hawkgirl. There is an intriguing vulnerability with María Gabriela de Faría, who plays Luthor ally the Engineer. It is fair to say that Krypto the dog is also a scene-stealer!


It's a great movie, with some amazing setpieces, and so much to absorb, yet it paces itself so that you can indeed take it all in. If there is ever an example of how to take beloved comic book characters, and bring them to life with vivid, emotional depth, it's Superman. If this is the quality that Gunn can produce for DC, Marvel should be worried. The playing field has been levelled.


10/10
 
Just got back. I’m going to need some time to process, but I can say this much:

Back when Gunn first announced that he was changing the film’s title to simply Superman, I commented on what a ballsy move it seemed to me, because it immediately invoked, and invited comparison to, Richard Donner’s indelible classic of the same name. It may not have been Gunn’s intent, but to me it felt like planting a flag — a declaration of intent to make a definitive Superman movie for the 21st century, just as Donner did for the 20th.

I had my doubts it could be done, but I am delighted and relieved to say, goddamn if Gunn didn’t actually pull it off. 😍
 
Just got back. I’m going to need some time to process, but I can say this much:

Back when Gunn first announced that he was changing the film’s title to simply Superman, I commented on what a ballsy move it seemed to me, because it immediately invoked, and invited comparison to, Richard Donner’s indelible classic of the same name. It may not have been Gunn’s intent, but to me it felt like planting a flag — a declaration of intent to make a definitive Superman movie for the 21st century, just as Donner did for the 20th.

I had my doubts it could be done, but I am delighted and relieved to say, goddamn if Gunn didn’t actually pull it off. 😍
Well, the full title of the Donner flick was actually "Superman The Movie", so it's not the exact same title. ;)
 
‘Superman’ Leaps To $55M Friday, Now Flying To $115M Opening – Midday Box Office Update

Warner Bros/DC StudiosSuperman is looking at a great $55M first day, including all those $22.5M previews. This puts the James Gunn directed movie on course as of this minute for a $115M+ 3-day. The weekend is still young, and there’s room for upside. Some are spotting $120M.

Is the MAGA sentiment hurting this movie? The notion is ‘No’. According to box office stat org EntTelligence, red county theaters average 33% of the weekend box office for PG-13 family adventure movies, while blue counties average 61%. Superman‘s presales through Wednesday saw 60% of its business from blue county theaters, and 34% from red county venues. Meaning, business is right in line for the movie in regards to where it’s suppose to be grossing; there’s no sour sentiment. Also, non-frequent moviegoers don’t make their ticket purchase decisions based on a director and his opinions. EntTelligence is currently seeing 44% percent of the Peter Safran-Gunn production coming from population centers with over a million people (the norm is 44%). That’s a very good sign.

Those nattering would-be social media provocateurs have never actually sunk a single film. They never will. They're nothing but opportunistic bandwagoners with credulous followers.

The comps of it all: Matt Reeves’ The Batman posted a $56.6M first day/previews and eased -24% for $43.2M on Saturday turning into a $134M 3-day. Gunn’s Guardians of the Galaxy Vol. 2 posted a $56M first day/previews, dipped -9% on Saturday for a $146.5M 3-day. Gunn’s Guardians of the Galaxy Vol. 3 posted a $48.1M first day/previews, -19% Saturday decline with $38.8M for a 3-day of $118.4M.
 
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The scene at the end with Kara coming to pick up Krypto felt jarring and tacked on. Plus the exposition explaining how she was drunk was awkward.

Maybe a bit tacked on, sure. Jarring, no. But I did appreciate the reveal that Krypto is Supergirl's dog and Superman was just caring for it while Supergirl was off-world. I thought that was clever.
 
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