That wasn't my post.That's not what happens in The Dark Knight Rises.
That wasn't my post.That's not what happens in The Dark Knight Rises.
So did that actually stick, or did she end up forgetting by the end of the episode?That's because 1.) it's NYC and NYC don't give a fuck 'bout nobody, and 2.) no one is actively trying to uncover who he is.
In the comics it's even a bit more ridiculous now (or at least it was back in the 70s I think; I haven't kept up in years and years) that Clark is a television anchor for the evening news. At least once or twice there had to be a close-up pic of Superman on screen right next to him. And when you're dating/working alongside an investigative reporter who regularly interacts with both Superman and Clark Kent on an intimate one-on-one level, it's even more silly when you can't put two and two together.
That said, I find it a charming conceit of the mythos. You quite literally have to ignore the absurdity and and just accept it for what it is. And I'm totally fine with doing that. Yes, it completely breaks one's suspension of disbelief, but it also leads to some fantastic moments like this one.
Oh, shit you're right. For some reason I had flipped the dialog there.That's not what happens in The Dark Knight Rises.
That wasn't my post.
I like the idea from Dark Knight Rises that Gordon knew that Batman was Bruce Wayne the whole time, but just didn't say anything until he was about to "die". Or one of the later Arrow episodes where Lance didn't want to know so he could have plausable deniability. I think either one of those options would be preferable to people like Gordon or Lance not being able to figure out who the superhero is.
So did that actually stick, or did she end up forgetting by the end of the episode?
The problem is that he was right. A girl with no experience and she didn't attend any School of Journalism or similar. And they imposed Kara on him not as an intern, but as a full fledged reporter. He was right to be a little pissed.although Snapper Carr was pretty annoying
The problem is that he was right. A girl with no experience and she didn't attend any School of Journalism or similar. And they imposed Kara on him not as an intern, but as a full fledged reporter. He was right to be a little pissed.
The problem is that he was right. A girl with no experience and she didn't attend any School of Journalism or similar. And they imposed Kara on him not as an intern, but as a full fledged reporter. He was right to be a little pissed.
I stand corrected. So, how do they pay her? Because she went from P.A. for a multimedia empire CEO to a glorified paid internship. But I suppose money is not an issue for Kara...Well, as a "stringer," as Cat put it. Per Wikipedia, that means "a freelance journalist or photographer who contributes reports or photos to a news organization on an ongoing basis but is paid individually for each piece of published or broadcast work."
The character is supposed to be an asshole. It's his function.But they played him like he'd have that attitude, regardless. He's an a-hole. The fact that he has a point, in this particular instance, doesn't mean he's any less annoying or less unpleasant as a character.
So, how do they pay her?
But I suppose money is not an issue for Kara...
The character is supposed to be an asshole. It's his function.
If you like the character, then they're doing it wrong.I'm not arguing that. But, just because he's supposed to be an annoying a-hole doesn't mean that I have to like the character,
If you like the character, then they're doing it wrong.![]()
If you like the character, then they're doing it wrong.![]()
Lovable grouches are a bit different.I dunno. A lot of grouchy/mean boss characters are nonetheless charming in their way -- Perry White, J. Jonah Jameson, Lou Grant, not to mention Cat Grant herself. After all, they need to be entertaining enough that audiences still want to watch them.
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