This was terrific. I was afraid that the show would lose its social-commentary angle on The CW, given how the other DC shows have generally avoided it. But this was the most blatant immigrant-rights/anti-racism allegory yet. It's reassuring that the show's still got it. (Although it is feeling pretty Vancouvery. That dome shows up everywhere. Last season it was the Time Masters' HQ.)
It even gives Supergirl some feet of clay with her unexamined racism toward Daxamites. That was a bit heavy-handed, but it got the point across.
Meanwhile, after a season on CBS without any LGBT characters in the show, we get Maggie Sawyer portrayed overtly as lesbian from the start -- and having clear romantic tension with Alex from the very moment they meet. That seems like a change for the better.
An unexpected touch -- when Kara told Mon-El that his world and hers were both dead, Blake Neely's music quoted John Williams's Krypton theme. That's the first time this show has quoted Williams directly, although Neely's
Flash scores have quoted Shirley Walker's Trickster theme.
Wow...Lynda's acting has gotten worse in 40 years--Her delivery is awful.
That's what I thought at first, but I think maybe she was emulating Hillary Clinton's speaking style.
- Supergirl failed to save those secret service agents.
Yeah, it bugged me that they got the redshirt treatment, their deaths ignored. But I guess Supergirl had to prioritize looking for the attacker, trying to protect everyone. The mystery is why she couldn't see the attacker.
-
Supergirl did the Wonder Woman twirl.
And "You should see my other jet."
- What's up with the President?
She's a secret alien herself. Although I'm not sure I like that twist, because it's kind of Birther-ish.