Of course, Flockhart looks like she's in her 30s.![]()
Haven't seen many 30-year-olds, have you?

Of course, Flockhart looks like she's in her 30s.![]()
Haven't seen many 30-year-olds, have you?
Jemm, Son of Saturn. That's interesting.
I would definitely agree that the storylines have been pretty generic so far, but the fun and clever dialogue combined with the incredibly charming and likable characters has more than made up for that in my view.
^ God no. Fighting gets old. I never understand why people want to see endless fights and battles.
Generic plots never bother me much if the character interaction and dialogue is fun (some of BTVS's best episodes barely had plots). But look at what we get in this one - a really skeletal "Hate dealing with family during Thanksgiving" set-up featuring by-the-numbers confrontations - "Why am I not good enough/I'm hard on you because you're capable of so much" - that are vaguely resolved on the way to the Big Reveal about Dean Cain's character that moves the metaplot forward.
Not buying Kat Grant's little breakthroughs in her interactions with Kara, either. How much imagination did it take to sketch in the fact that tough workaholic Grant's got a rough relationship with her own mother?
It's okay to put a story together with notes on cards, but at some point you have to go beyond the outline to write a script. Didn't see that here.
"what kind of idiot would choose Lucy Lane over Supergirl?"
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