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Strange Love a Star Woman Teaches?

Oh, that's right. That's why Courage didn't come back to score any episodes. Thanks for the correction!

There wasn't any rift, really, with Gene. What happened with Gene was a I got a phone call once…it was Gene’s lawyer, [Leonard] Maizlish. He said, ‘I’m calling you to tell you that since you signed a piece of paper back there saying that if Gene ever wrote a lyric to your theme that he would split your royalties on the theme.’ Gene and I weren't enemies in any sort of way. It was just one of those things…I think it was Maizlish, probably, who put him up to doing it that way, and it’s a shame, because actually if he’d written a decent lyric we could have both made more money. --Alexander Courage, Archive of American Television Interview (February 8, 2000)
 
I think it just sounded good lyrically and thematically.
Nobody thinks those lyrics sound good, do they?

Oh, that's right. That's why Courage didn't come back to score any episodes. Thanks for the correction!

He did score a couple during the third season; according to Memory Alpha's article, he did those as a courtesy to Bob Justman, and by that point Roddenberry had more or less checked out.
Arrrrrgh! Lies, slander (libel?), and calumny!

Courage scored all three seasons of Star Trek AND did orchestration for Star Trek: The Motion Picture. (I think he also worked on V, FC, INS, and NEM.) He wasn't as involved in season two because he was working on a movie. (Doctor Doolittle.)

The end of Private Little War? Courage. Kirk's speech to Mirror Spock at the end of Mirror Mirror? Courage. Kirk's fight with the Orion spy? Courage. He didn't score an episode but he recorded a bunch of library cues that could be used wherever people wanted them. These included about 30 minutes of new music as well as re-recordings of his music from the two pilots and his seasons one scores. When he was done working on Doctor Doolittle he came back and scored two full scores for season three.

This seems to have started with Herb Solow and Robert Justman's book where Solow states that Solow decided to get rid of the vocal for royalties reasons. Except season 1 doesn't have the vocal and seasons 2 and 3 do. And who conducted the opening credits for season two? Courage.
 
By union rules at the time, they had to re-record them each season; even the same exact piece of music.
True. But he also wrote original music for season 2 that was intended to be used wherever it was needed.

IIRC, didn't he record the library of cues back during Season 1?
June 16th, 1967. He also re-recorded several cues from his own season 1 episodes as well as Mudd's Women, Charlie X, and What Are Little Girls Made Of? by Fred Steiner and one from Shore Leave by Gerald Fried.

I don't know if that's when he recorded the season 2 titles but it seems likely.

Memory Alpha says "A livid Courage left the production immediately, never to return except for two third-season episode scores as a courtesy to Justman." But he only did two episodes the first season as well!
 
I adore TOS with the fire of a hundred supernovas, but the lyrics to this theme are so mediocre I'm surprised McDonald's didn't try to acquire the rights and change words to make a new jingle.

It'd probably take any one of us a maximum of ten minutes to think up the lyrics for the 1984 DUNE's opening theme. But since I'm prematurately ejecting as we speak......
 
I adore TOS with the fire of a hundred supernovas, but the lyrics to this theme are so mediocre I'm surprised McDonald's didn't try to acquire the rights and change words to make a new jingle.
Thankfully we never actually heard or saw the lyrics in the show.
I seem to remember one of the TOS comic books having a character sing them. Maybe 1980s DC run?

Kor
 
I have a vague memory of Shatner singing the theme with the words at some awards show, or anniversary show, but I can't find it. Not the one where he does the narration with the soprano, that's not it.
 
Here is Nichelle Nichols on a recording:

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