werd
Honestly, the era of the Enterprise's original five-year mission has been filled with stories. It's almost like that era has been over-saturated with stories.
Why not focus on those aforementioned eras? Granted there have been stories set in that era, but not quite as many as the original five year mission.
Or even better, stories about other Federation starships, in any of the eras. I for one, would like to see a story about Ron Tracey and the Exeter. Or even better, one about Robert Wesley and the crew of the Lexington.
There is plenty of material to be mined in those specific points in TOS era. Surely the PTB at Pocket Books and Paramount realize that.
Pocket Books should focus more on those gaps and those eras. Artistically speaking, as well as profit-wise, it would be the better business deal.
Maybe so, but as Jim Kirk pointed out in The Trouble With Tribbles, too much of anything isn't necessarily a good thing.
Star Trek already went through a period of franchise fatigue once, due to way too many trips to the well. I don't think that PB, Paramount, and the fans want a rehash of that period.
Pocket Books should focus more on those gaps and those eras. Artistically speaking, as well as profit-wise, it would be the better business deal.
Pocket Books should focus more on those gaps and those eras. Artistically speaking, as well as profit-wise, it would be the better business deal.
That said, it is part of a "master plan" inasmuch as they purchased that pitch and not another one, indicating they want TOS stories.
Just out of curiosity, why hasn't Pocket Books focused more on 'filling the gaps' in these specific eras of Star Trek(TOS) - the Robert April and Christopher Pike era,
You mean like Ex Machina?the eras between TMP and TWOK,
Can't have been much time between the two. The Enterprise-A was still getting fixed up.between TVH and TFF,
You mean like In the Name of Honor?between TFF and TUC,
You mean like The Lost Era: The Sundered and Excelsior: Forged in Fire, starring Captain Hikaru Sulu and Commander Pavel Chekov of the U.S.S. Excelsior?and the eras involving the Excelsior and the Enterprise-B. Stories about Hikaru Sulu, John Harriman, and their respective crews would be a welcome change.
You mean like The Captain's Daughter? And "Iron and Sacrifice" from Tales From the Captain's Table?Or even one about Demora Sulu.
You mean like Star Trek: Vanguard? Or Star Trek: Corps of Engineers? Or Star Trek: New Frontier? Or Star Trek: Titan? Or the various novels featuring the U.S.S. Aventine? Or the various Lost Era novels?Or even better, stories about other Federation starships, in any of the eras.
Of course they do. And that's why their output strikes a balance between direct TV/movie-era stuff and their own original content spinoffs -- even though their own sales figures say that the original content never sells as well as the rest.There is plenty of material to be mined in those specific points in TOS era. Surely the PTB at Pocket Books and Paramount realize that.
I like all the series, but the original series is probably my least favorite. QUOTE]
Fair enough. Left to my own devices, I prefer TOS, but that's just me.
Different authors (and readers) have different preferences. Which explains, in part, what we choose to write about.
It's not always a matter of Paramount sending out memos on what to books to write.
You mean like Ex Machina?
You mean like The Captain's Daughter?
According to Peter David, The Captain's Daughter sold no worse than any of his other novels of the time.You mean like Ex Machina?
You mean like The Captain's Daughter?
It's worth mentioning that "Ex Machina" and "The Captain's Daughter" were both critically acclaimed, but undersold to the expectation,
That said, it is part of a "master plan" inasmuch as they purchased that pitch and not another one, indicating they want TOS stories.
Perhaps, although no one ever told me not to pitch a story about those other ships and captains. It's not like I ever tried to sell a trilogy about Captain Tracey!
Anyway, my point is that people sometimes overestimate how much central planning is involved here. I wrote three books about Gary Seven because I thought he was cool, not because I got some sort of marching orders from "the Powers That Be."
(Trust me, nobody at Paramount was demanding Gary Seven proposals!)
This isn't tv. It's not like there's a story editor handing out assignments. It's more like "Hey, Greg! You got any ideas for next year?"
If someone wants to pitch a Captain Tracey novel, more power to them.
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