Look, all I want as a One True Star Trek fan is for everything to be exactly the same as I remembered it, but also completely different with no surprises but a lot of suspense.Star trek makes a story that is light hearted and optimistic.
"Not real trek! Much to silly, be serious!"
Star trek makes a story that is serious with a more realist outlook.
"Not real trek! Its so dark and gritty, and against gene's vison!"
Star trek makes a story in the spirit of Gene's vision for the franchise.
"Why is everyone high and naked!? Why do ferengi all have massive cocks!? be family friendly!"
Star trek makes Prodigy.
"Not real trek! its just dumbed down kiddie stuff for mass audiences! be intelligent!"
Star trek makes a no expense spared scientifically and philosophically enlightened odyssey penned by the best authors in the business.
"Stop being so preeeeeachy! Who put politics in my space show!? they've gone woke I say! woke!"
Star trek makes a story inoffensive to all of the above sensibilities
"It's boring now I'm gonna go watch something else, hope you get canceled we'll try again in another 20 years..."
It's Boimler's fault. He seeded the idea that Spock being with her wasn't right for the future. She probably thinks she's helping the timeline.
They vacation on Wrigley's pleasure planet.so then the episode is a pre-destination paradox. Boimler was always supposed to go back in time and put their break up into motion.
I wonder what the timeline looks like where he doesn’t and the two are living happily together.
Which is fine and all but SNW is cutting close to TOS in its mold and they never had consequences..TWOK was the first time someone said, "I'll bet that Khan guy is really pissed off."To me, an ‘edge’ means relatively high stakes (not the fate of the galaxy, but the fate of the ship or a planet in the balance) and the kind of consequences to decisions/actions that you’d get in real life.
In essence, if they fuck around, they should find out.
There are some pretty good Trek episodes where it's just a character's life or future that's at stake.To me, an ‘edge’ means relatively high stakes (not the fate of the galaxy, but the fate of the ship or a planet in the balance) and the kind of consequences to decisions/actions that you’d get in real life.
In essence, if they fuck around, they should find out.
"For the Uniform(DS9)" is one angry Starfleet Captain's vendetta against another Starfleet officer who not only betrayed his uniform but betrayed him. And the episode ends with a planet's atmosphere rendered toxic and its surface uninhabitable because one man wanted to get back at another.
It's Boimler's fault. He seeded the idea that Spock being with her wasn't right for the future. She probably thinks she's helping the timeline.
I love those. It’s a lot easier to be emotionally invested in one person’s fate than that of millions/billions. That many is too impersonal.There are some pretty good Trek episodes where it's just a character's life or future that's at stake.
Which is fine and all but SNW is cutting close to TOS in its mold and they never had consequences..TWOK was the first time someone said, "I'll bet that Khan guy is really pissed off."
Made him some soup and hosted his Katra didn't make the cut.And, on a more personal level, the fact that their relationship isn't even a footnote in Spock's biographies down the road did not exactly bode well for their long-term prospects.
It was the 1960s. They made every episode self contained so people wouldn't feel lost if they missed an episode. They couldn't binge or record tv back in those days. So they did the right thing.Which is fine and all but SNW is cutting close to TOS in its mold and they never had consequences..TWOK was the first time someone said, "I'll bet that Khan guy is really pissed off."
Fair. I disagree on drama petering out but I appreciate your explanation.I just described what an ‘edge’ is to me; I didn’t subscribe to the idea that there always needs to be one in Trek. Trying to be edgy all the time is a good way to end up with a shitshow. But if there’s never any lasting consequences there aren’t any real stakes, either, and that’s how a drama peters out.
It was the 1960s. They made every episode self contained so people wouldn't feel lost if they missed an episode. They couldn't binge or record tv back in those days. So they did the right thing.
Soap operas had way more episodes a year. They had ton of flashbacks because they the airtime to do it. Basically filler time. A regular tv show did not have that luxury.They had soap operas and nighttime drama series.
Soaps were the redheaded stepchild of TV. Cranking them out live five days a week, but no respect.They had soap operas and nighttime drama series.
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