The fact that there was stage floor that hadn't seen daylight since 1978 when they tore down the sets for Voyager in 2001 says otherwise. You can see Roddenberry walking around the TMP sets in 1986 on The Cage video tape.Speaking of the interview, was Bill right about how many times they destroyed and rebuilt the sets? I've always heard that some of the TMP sets survived and were used well into the TNG era. Which movies used the same bridge sets? I know they redid it between V and VI, and IV didn't have more then a few seconds on an "E" bridge anyways. How does it all actually break down?
Oh, and one of the reasons that TWOK got made was that THEY HAD THE SETS so that they didn't have to pay for them!
Well, that also holds true for The Empire Strikes Back and Return of the Jedi.Yeah, there's a great link here:
http://memory-alpha.wikia.com/wiki/Star_Trek_films#cite_note-4
It shows the massive profit that TWOK made (882%) or a 6.96X multiplier. The article states that:
" The profitability of Wrath of Khan is flattered, as that production made use of a substantial amount of special and visual effects assets, such as studio models, props, sets and even complete visual effects sequences produced for the previous movie, and which do not show up in its production costs. This also holds true, though to a lesser degree, for the subsequent four movies."
I just hope it to have good profits so they may do the same with TMP (both theater exibitions AND a 4K release)!
I agree with the comments in this thread that Kirstie Alley performed well as Saavik. Seeing this on the big screen made me ponder what could have been. I am convinced The Undiscovered Country would have had even more impact if the traitor had been Saavik. Best if played by Kirstie (though I do not dislike Robin Curtis). Introducing that new character and then having Spock proclaim her as his protege just seemed clunky. Had it been Saavik, I can't gauge my emotional impact in retrospect, but it definitely would have been more impactful to have a known character in on the plot rather than a new character for that movie.
Now that I've seen it on the huge screen again, I also realized something that never really clicked before. As much as Nimoy was thrilled with the film and it was like doing the TV series and he felt Spock was well served...Spock is pretty incidental to the story. This is KIRK'S film. Everything revolves around him and even Spock's death serves to give Kirk that last push toward his own rebirth. Spock gives advice, talks about logic, saves the ship and....that's about it. Take away his sacrifice, say Scotty or a cadet got the mains back on line, and Spock has no purpose in the film. He's just there. He actually shows more growth in TMP.
Spock is pretty incidental to the story
Some things about the Shatner interview I noticed:
1. Scott Mantz is annoying.
Some things about the Shatner interview I noticed:
1. Scott Mantz is annoying.
I noticed that for the first time also!One more thing - watching the scene between Kirk and Marcus in the Genesis tunnel, I never noticed Chekov in the background holding his ear with a hanky, until seeing it on the big screen (and it made me chuckle).
I jumped at the rat. The sound queue was loud!I jumped at that scene in the theatre!
I was saying the same thing to my friend as we left the theater. Films like this, like Jaws, like many others would bore some kids today. Glad to hear about the exceptions in this thread. Some kids still get it.Really great to see it on the big screen and it's a shame modern movies have lost that sense of pacing and build up in favor of appealing to the ADD in all of us. It's a style of filmmaking that's gone -- where story and character were emphasized over crazy camerawork to keep your attention
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