I truly don't think the people who come to these boards are representative of the majority of Star Trek fans . . . if anything, they seem much closer as a group to that minority of hardcore fans we have described. Some posters seem even openly hostile toward fans, something just bizarre to me.Vektor said:
Basil said:
No offense, but it's silly to assume all Star Trek fans enjoy the show equally, and I think it's a big mistake to equate the ones who watch the shows/movies with the ones who also attend conventions, collect memorabilia, and read the fan magazines. Yet, they're all potential ticket buyers. However, if you ask me which is more likely to pass if they don't like what they see, I'd say it isn't the latter.
I don't assume that all Star Trek fans enjoy the show equally. It's patently and indisputably obvious that they don't. My point was that it's meaningless to say that the "fans" will make or break the next Trek film when there is no objective definition of who the "fans" are.
What we're really talking about is who the film should be targeted at. My understanding of your original argument was that Paramount should be thinking of the fans first and foremost because they are most significant to its success. The problem is, as anyone who reads these boards should know, pleasing Trek fans is about as feasible an endeavor as hearding cats. I would hazzard to say that pleasing the average non-fan out there, the people who don't know or particularly care about all the intricate details of Trek lore and continuity and visual style and whatever else, is probably easier and more do-able than pleasing the so-called "fans!" I would also submit to you that, ultimately, there isn't that big a difference between the fans and the non-fans when it comes to what will get their butts in the theater seats and make them glad to have been there: A well-written story, compelling characters, and a bit of awe-inspiring spectacle worthy of the big screen. The people who hate sci-fi/fantasy will stay home no matter what, but they're not even in this equation, just like they weren't in the equation for movies like Star Wars or [/i]Lord of the Rings[/i] or most of the others in the top 10 I mentioned up-thread.
They have to actively, pre-emptively convince the reachable masses that this movie is worth seeing and then deliver on the promise, not make a movie for a bunch of obsessive Trek geeks who's combined ticket sales won't even cover the catering and then hope they'll talk everyone else into seeing it.
But at any rate, I suppose I might liken it to the folks in the stands at a sporting event. Most of them would say they're fans, some of them could additionally rattle off statistics about the team and players, and some further will paint their bodies and stand practically naked in 20 degree weather. As paying attendees, they're all important, but I wouldn't say the folks painting their bodies represent what most people feel.
And while the casual fans might stay home if the weather is too bad or something better comes up, the people with the body paint will show up no matter what. They'll probably also be the most vocal and perhaps even the most volatile. Their knowledge of the game probably borders on frightening, and they'll argue till the cows come home about why the losses of their team are somebody else's fault but the wins are entirely the team's doing.
If I was the team owner, and attendance had gone down dramatically, I wouldn't pay too much attention to what they say, but I also wouldn't write off all the other people once willing to buy tickets to see my team just because I think there are far more people outside the stadium that could be ticket buyers. I consequently wouldn't suddenly change team colors, rename the team, replace all the players, change the dimensions of the field, rewrite the rules of play, or reinvent statistics and team history just because I thought it might better please people with little or no familiarity with the team. I might fire the coaches and replace them with better ones or even trade the team to a different city, if those solutions made sense. I might even reinstate nostalgic uniforms or elements that had worked in the past but been changed during the period of decline.
If anything, I'd first want to keep the people I have, bring back the ones who were fans but abandoned the game, and then pull in as many additional ticket buyers as possible, not just because it's easier to keep customers than to find new ones but because there was obviously something fans once saw in the team that might be missing. If I can find what that is, I probably stand a better chance of bringing them back, contentious a group as they might be, than alienating them in exchange for someone not interested in the game in the first place.
Now, if I could never fill the stadium in the first place, I might alter the strategy, but unless that stadium were woefully underfilled, I'd start with the people who have already demonstrated an interest in the team.