I hear this, but I also wonder how much of this was Berman the "bad guy" and how much was that Voyager was basically the only show on UPN and therefore, the studio tried to push Voyager in directions that writers didn't want to go. I can't help but wonder if Berman got stuck in the "bearer of bad news" role as stuff rolled down hill from Paramount.I don't know if this was an ENT issue, but VOY suffered from people not being able to tell Rick Berman to butt out and let us make good Trek.
hear this, but I also wonder how much of this was Berman the "bad guy" and how much was that Voyager was basically the only show on UPN and therefore, the studio tried to push Voyager in directions that writers didn't want to go. I can't help but wonder if Berman got stuck in the "bearer of bad news" role as stuff rolled down hill from Paramount.
With even less interesting characters.I remember Harlan Ellison commenting that Star Trek had become the 'McDonalds of Sci-Fi TV'. There's a lot of truth in that, Ent was supposed to be different, but ended up being more of the same.
I remember Harlan Ellison commenting that Star Trek had become the 'McDonalds of Sci-Fi TV'. There's a lot of truth in that, Ent was supposed to be different, but ended up being more of the same. It also pissed off fans with continuity blunders, all of which seem trivial compared to the **** show that is DSC.
Agree with all the above. Fans that are new to the franchise won't understand this because they weren't watching back when TNG, DS9 and Voyager were on the air along with the movies that came out every few years. So they are watching these shows from a more fresh perspective.Enterprise was like Voyager, a brilliant concept that was deplorably wasted in favor of "more of the same".
Voyager could have given us deprivation, hardship, conflict, people forced to rely on ingenuity instead of technology. It didn't. They didn't even bother rationing out torpedoes or shuttles. And, one of its characters was so unmemorable, the only thing anyone seems to have to say about him is that he was never promoted.
Enterprise could have given us "missing link" technology, and watched humanity slowly start reaching into space, still a far cry from becoming the linchpin of the Federation. Instead we got the same weapon set as the 24th century (phasers and photon torpedoes), and transporters that were being routinely used. And the temporal cold war that basically pre-established the Federation. And, one of its characters was so unmemorable, no one really noticed him period because no one on the show got promoted..
Be that as it may, there was potential in that formula. If it had gotten a fifth season, I think it would have gone a full seven. And Shran would likely be the new Worf or Seven, the character who revitalized the show. Sadly, seasons 3 and 4 were unable to compensate for the rough beginning.
I'm glad more people enjoy Voyager and Enterprise now, but for me they were shows that had great premises that were destroyed by creators whose time had clearly passed them by.
Remember the source though. According to Inside Star Trek, Bob Justman and Herb Solow indicate that while most writers had about 3 weeks to complete a script, it took Harlan Ellison over 3 months for just the first draft! After the first draft of City, one of the two (Justman, I believe) had Ellison essentially locked in Justman's office for another 3 months to finish his script. It was after 6 months and an essentially unfilmable script that other writers edited Ellison's work to make it filmable on a 1960s budget. Ellison was famously pissed about being rewritten even though he had been given way more time and opportunities than most other writers to complete his script. There may be some truth to the idea that Star Trek cannot take *big* or fundamental chances since it is a series (and now franchise), but I tend to take 90% of Harlan Ellison's rantings as sour grapes.
Agree with all the above. Fans that are new to the franchise won't understand this because they weren't watching back when TNG, DS9 and Voyager were on the air along with the movies that came out every few years. So they are watching these shows from a more fresh perspective.
By the end of Voyager it was painfully obvious that the franchise needed a break. The powers that be never embraced the potential of Voyager's premise so what made anyone think it would be different in Enterprise? By the end of season one I had given up all hope on Enterprise because it was just more of the same stories and situations, only more boring. They should have let a year or two go by before doing another series and they should have brought new people in charge with a new writing staff. By the early 2000s there was a lot more options on T.V than there had been before, so the same old TNG style formula wasn't going to cut it anymore. And no amount of bare skin or skin tight uniforms was going to change that.
I'm glad more people enjoy Voyager and Enterprise now, but for me they were shows that had great premises that were destroyed by creators whose time had clearly passed them by.
This. It is why Deep Space Nine was so popular. I mean, The Next Generation was a rerun of TOS, but setting was new and Patrick Stewart is an excellent actor, so it was fine. Deep Space Nine was something completely new. But afterwards? Voyager had potential, but it never really managed to live up to its Battlestar Galactica in Star Trek premise: beyond the first few episodes, we never actually got any sense of ship having shortages, or having to scavenge, improvise... everything a starship so far from any support logically should have been doing. The Year of Hell or Enterprise's Damage and following episodes is literally what the entirety of Voyager should have been. Instead, we got The Next Generation... but in Delta Quadrant. And the Enterprise itself mostly also just recycled stuff seen previously, and by the time it started finding its legs, it was simply too late.
There are two things I have not quite fully grasped as far as statements go and they are both in this post. One, that limited resources automatically means things get depressing really fast. Well, not necessarily, which is the major reason why I wanted to see Voyager, or Star Trek in general, try it. It is a fertile ground for conflict, to be sure, but also for exploring the nature of human relationships. To me, if resources are strained you have the opportunity to play up the strengths of the characters in response to the crisis. Hell, even MASH succeeded at that, with the situation feeling quite dire, but the characters responding both with humor, compassion and support of one another.I felt like Voyager did a mid series restart with the introduction of 7 of 9. If you start watching the show from her introduction forward, it comes across a whole different. Now, if the show had gone the way of Stargate Universe with a space show with limited resources, it would have gotten really depressing fast. And this is why I think that show failed. The typical Stargate humor went away, and we got another BSG like show. You have to stay close enough to the expectations for the franchise. I expect Stargate to have humor. I expect Star Trek to challenge societal norms and come across more seriously.
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