I felt the same. I loved getting that little insight into Fury's childhood and it felt very real.The story Fury told about his mother and him on the train made me wonder if that story was from Jackson’s life. It felt really autobiographical.
I felt the same. I loved getting that little insight into Fury's childhood and it felt very real.The story Fury told about his mother and him on the train made me wonder if that story was from Jackson’s life. It felt really autobiographical.
Thee story Fury told about his mother and him on the train made me wonder if that story was from Jackson’s life. It felt really autobiographical.
Well he's certainly of the generation that would at least be very familiar with that kind of story, if not necessarily living it personally. Though yeah, the details seem specific enough that I wouldn't be shocked if he at least had some input there, and was drawing upon personal experience & memories.I felt the same. I loved getting that little insight into Fury's childhood and it felt very real.
Yeah, that really bugged me with Falcon and the Winter Soldier but admittedly, the thought hadn't come up here yet. Maybe because I was so focused on the espionage elements that I allowed my preconceptions about the "secret invasion" prevent me from considering the immigrant aspect (hard to ignore after this episode).Something about this show's premise has been nagging at the back of my mind the whole time, and I've just realised why: as with the Falcon & Winter Solder show, we have refugees cast as infiltrators and terrorists. I feel like this is not a good look for Marvel, and not a terribly helpful trope in general.
What especially doesn't help is that in both instances, said refugees are objectively in the wrong, with very little grey area. With the Flag Smashers you have a bunch of people who's attitude was basically "the world was better when half of you were all dead, and how dare you try and reclaim your homes!" Then here we have a refugee population that has indeed escaped genuine persecution and genocide . . . but it's not as if their new host nation is mistreating them, or they're somehow forced to live as second class citizens because the "host nation" by and large doesn't even know they're there! On top of that; said refugees are habitually kidnapping people, stealing their lives, and in some cases living extremely comfortably . . . and that's apparently too demeaning so how about we irradiate 8 billion people?Yeah, that really bugged me with Falcon and the Winter Soldier but admittedly, the thought hadn't come up here yet. Maybe because I was so focused on the espionage elements that I allowed my preconceptions about the "secret invasion" prevent me from considering the immigrant aspect (hard to ignore after this episode).
Either way, I think you're right that it's a bad look for Marvel to double down on that trope.
Not for that Skrull guy thoughOlivia Colman's character visiting the Russian butcher shop/torture chamber was some damn funny stuff!
Is it odd in any way that Fury's wife goes into "human" form for him and hides her true self? Could there be a chance the audience was shown she is a Skrull and Fury doesn't know?
Also the dismembered finger reverting to Skrull form, does that mean blood tests can work? Like changelings in DS9.
Is it odd in any way that Fury's wife goes into "human" form for him and hides her true self? Could there be a chance the audience was shown she is a Skrull and Fury doesn't know?
Priscilla is the same Skrull who introduced Fury to young Gravik in the opening flashback. He definitely knows she's a Skrull which is part of the point.I was wondering about that, but given the non-reaction to the revelation, I'm expecting that either I missed her during the flashback at the beginning of the episode, or people are drawing on the idea that Skrull agents never drop cover if they don't absolutely have to, so if she was an imposter who replaced Fury's real, human wife, she wouldn't have been hanging out in her natural form while she was alone.
It could be the thing with him putting on the wedding ring when he came in was a sort of metaphor, that they're both changing from their public to their private personas (though her private persona requires changing her appearance, which I guess is a thing, but I feel like I'm stretching this metaphor a little further than intended).
What especially doesn't help is that in both instances, said refugees are objectively in the wrong, with very little grey area. With the Flag Smashers you have a bunch of people who's attitude was basically "the world was better when half of you were all dead, and how dare you try and reclaim your homes!"
Then here we have a refugee population that has indeed escaped genuine persecution and genocide . . . but it's not as if their new host nation is mistreating them, or they're somehow forced to live as second class citizens because the "host nation" by and large doesn't even know they're there! On top of that; said refugees are habitually kidnapping people, stealing their lives, and in some cases living extremely comfortably . . . and that's apparently too demeaning so how about we irradiate 8 billion people?
I'm pretty sure she was the one who called the cops to their safe house.Gi’ah must be working for someone since she left and made that phone call in Russian I think it was.
"We did not end up homeless refugees because we were unwilling to wage war... we ended up homeless refugees because we were too willing."
There's a lot to unpack in that line...
I don't actually remember the causes/stated causes for the Skrull/Kree war in the comics so this is entirely me guessing about the series.It implies the Skrulls may not have been 100% blameless in the Kree War. Sometimes there are villains on both sides.
What especially doesn't help is that in both instances, said refugees are objectively in the wrong, with very little grey area. With the Flag Smashers you have a bunch of people who's attitude was basically "the world was better when half of you were all dead, and how dare you try and reclaim your homes!" Then here we have a refugee population that has indeed escaped genuine persecution and genocide . . . but it's not as if their new host nation is mistreating them, or they're somehow forced to live as second class citizens because the "host nation" by and large doesn't even know they're there! On top of that; said refugees are habitually kidnapping people, stealing their lives, and in some cases living extremely comfortably . . . and that's apparently too demeaning so how about we irradiate 8 billion people?
I find this is often the problem when one tries to depict sensitive social issues in fantastical settings without fully thinking through the implications of the new context. 'Black Panther' has a similar problem that's a bit too involved to get into here; suffice to say that the further a story gets from the actual real world situation without shedding all pretence of allegory, the less relevant it is, and indeed the more counterproductive it can end up being.
The MCU has never been that completely effective in portraying progressive issues in its productions. Also, I'm still trying to wrap my head around the idea of the Skrulls deciding to invade Earth because Fury spent time in space, while having an extentional crisis. It's just so dumb to me.
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