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News Season One hitting DVD/Blu-Ray in November

But it isn't a jump that is as easily discernible by the human eye. And that's a problem when a huge portion of people aren't that into the absolute best PQ possible.
I used to think the same way until I actually experienced it. I actually found 4K too sharp at first.

It really depends on your screen size and your eyesight.
 
I used to think the same way until I actually experienced it. I actually found 4K too sharp at first.
It really depends on your screen size and your eyesight.
I think you mean 60fps video, or motion compensation , stuff that has been around from FullHD but is more jarring at 4k. I can't stand it. I always turn it off for all movies. Give me my movies at good old 24fps please. For live programs, sports, news, etc, it's awesome.But movies are horrible with it.
 
Take a screen cap.
TvmIwLo.jpg
 
I think you mean 60fps video, or motion compensation , stuff that has been around from FullHD but is more jarring at 4k. I can't stand it. I always turn it off for all movies. Give me my movies at good old 24fps please. For live programs, sports, news, etc, it's awesome.But movies are horrible with it.
Ah yes, the "soap opera look."

Kor
 
special features detailed:

http://www.startrek.com/article/discovery-warping-to-blu-ra

Among the featurettes are:

DISCOVERING DISCOVERY: THE CONCEPTS AND CASTING OF STAR TREK: DISCOVERY – Interviews with producers, writers and stars of Star Trek: Discovery about casting of the debut season.

THE STAR TREK THEME – A discussion with executive producer Alex Kurtzman and composer Jeff Russo about creating the Discovery theme and score for the show.

CREATURE COMFORTS – A behind-the-scenes look at the makeup and prosthetics department on Star Trek: Discovery, as they both modernize well-known Star Trek species like the Klingons, Vulcans and the Andorians, and bring to life a new species, the Kelpiens.

DESIGNING DISCOVERY – Insight into the production design department led by Tamara Deverell as they create the planets, the world within those worlds and the starships to travel amongst them.

CREATING SPACE – An exploration of how the VFX team, headed by Jason Zimmerman, pushes the envelope to create the reality of space, planets, and starships for Star Trek: Discovery.

PROP ME UP – Led by propmaster Mario Moreira, a voyage through the world of Discovery props, providing an inside look at the design process from inception to set.

FEEDING FRENZY – A fascinating look at the on-set food stylist who creates a galaxy of cuisine.

A FEMALE TOUCH – With strong female producers and writers off-screen and powerful female characters on-screen, Discovery exemplifies the groundbreaking inclusionary theme first put forth in the original series.

DRESS FOR SUCCESS – Costume designer Gersha Phillips and her team create a spectacular array of clothing, uniforms and armor for every kind of species in the galaxy.

STAR TREK: DISCOVERY: THE VOYAGE OF SEASON ONE – A look at the adventures and plot twists encountered in the first season by the crew of the Discovery.

In addition, and as noted, both the Star Trek: Discovery: Season One Blu-ray and DVD collections will include deleted and extended scenes.
 
The primary advantage of 4K vs 1080p in displays below 75 inches for typical seating distances in homes (75 inches is NOT a typo) is NOT sharper resolution. It’s a wider colour palette. The wider palette allows for more realistic greens and reds, in particular. However, so few people choose the appropriate settings on their TVs to benefit from the better quality that it’s largely moot. They prefer the “vivid” or “dynamic” setting that “pops” (despite being horribly inaccurate).

The next big benefit, that most people are likely to notice, is HDR. While HDR doesn’t require 4K, the reality is no 1080p display (with the exception of a few front projectors that mimic—some very convincingly—4K with pixel shifting technology) is equipped with HDR playback capability. Some computer monitors and laptop screens that are not 4K can do it, but no conventional TVs can.

As for 8K, the only real world benefit for consumer displays at that resolution is SIZE—as in 100 inches plus (and even then, I’m being generous—no commercial cinemas have 8K projection as it is beyond 70mm film resolution and I defy anyone to demonstrate they can see individual pixels on a 4K digital projection at a full 80 feet by 60 feet IMAX screen, let alone a smaller one). Unless, of course, newer, non-resolution advances, like HDR, are withheld from non-8K displays, as is the case with non-4K HDR. For archiving film masters, though, 8K is an important tool.

8K 3D displays, though, would allow for true 4K 3D (something currently unavailable to consumers and unlikely to emerge as home 3D is not very popular—much to my chagrin, but that’s me). But for the typical sized display and home space, 8K is entirely unnecessary.
 
Isn't that like putting a Kanye West CD in between an above average Beatles tribute band and The Beatles?

I tried to post a GIF of someone doing 'thumbs down' but this is my first day on the internet and I'm still figuring it out.
 
The DVD set is really expensive, comparable to the cost of each Episode streamed. I'm definitely not buying this.
 
The DVD set is really expensive, comparable to the cost of each Episode streamed. I'm definitely not buying this.

I think the main appeal for the sets is that not only do you get the episodes, but you will also get all those extras.

Now I know some people will bork at that but to some, the extras will be worth the price alone.
 
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