3D Master said:
No, that's what's called good drama, not a morality tale. Even then, the human side was ABOUT that Planet Killer. The Planet Killer is the essential part of this story, you can't do it without the Planet Killer.
Rogue Planet in contrast, was a "don't hunt" storyline that could be placed anywhere at anytime, and the SF concept of the Rogue Planet was squandered away. Whatever piece of humanity that you wish to explore - and this is drama, not a morality tale - should be intricately linked with that Rogue Planet, and that Rogue Planet should have been explored, and used to its fullest extent. Not, waste it on a morality tale that could be placed anywhere anywhen.
Nerys Myk said:
3D Master said:
No, that's what's called good drama, not a morality tale. Even then, the human side was ABOUT that Planet Killer. The Planet Killer is the essential part of this story, you can't do it without the Planet Killer.
Rogue Planet in contrast, was a "don't hunt" storyline that could be placed anywhere at anytime, and the SF concept of the Rogue Planet was squandered away. Whatever piece of humanity that you wish to explore - and this is drama, not a morality tale - should be intricately linked with that Rogue Planet, and that Rogue Planet should have been explored, and used to its fullest extent. Not, waste it on a morality tale that could be placed anywhere anywhen.
You assume that a "morality tale" cant be good drama.
Almost every episode of TOS was a morality tale and many were good drama. TOS was created to explore the moral problems of humanity, the SF setting was a way around the limits placed on contempory set dramas. It was never about the "Awesome SF Concept" of the episode.
The Planet killer is not essential to the story. Its a MCGugffin. The thing that sets in motion the key situations of the plot: Decker's Madness and Kirk's being off the Enterprise. Both could be achieved any number of ways without there being a Planet Killer. It also provides a threat for our heroes to battle. But again that threat could have been any number of things.
The human sides of the story were Decker dealing with the loss of his crew, his obsession with the thing that killed them (probably cribbed from Moby Dick) and the Enterprise crew dealing with the possible loss of Kirk.
The Rogue Planet is just a setting. Any thing can happem there. All it does in provide a unique place for those things to happen. The episode may have been bad drama and it may have been a bad morality tale, but being a morality tale does not make it bad drama.
3D Master said:
Nerys Myk said:
3D Master said:
No, that's what's called good drama, not a morality tale.
You assume that a "morality tale" cant be good drama.
:sighs:
NO! Take a god damn course in comprehensive reading.
gblews said:
3D Master said:
Nerys Myk said:
3D Master said:
No, that's what's called good drama, not a morality tale.
You assume that a "morality tale" cant be good drama.
:sighs:
NO! Take a god damn course in comprehensive reading.
Nerys apparently isn't the only one who needs "a god damn course in comprehensive reading", because your statement above appears to make a clear distinction between a "morality tale" and "good drama". Maybe thats not what you meant, but thats what you typed.
:sighs:![]()
So can I take this as an admission that I was right about your prior statement? It takes a big man to admit he's wrong.3D Master said:
The important aspect that I've constantly been hammering on - is the squandered SF concept. THAT is the important aspect, not a few side issues that have come up as well.
3D Master said:
NO! Take a god damn course in comprehensive reading. The point of the above is not the morality tale, it's the squandering and not using of the setting, on something that could have been done anywhare else.
You're wrong. Very little episodes in TOS were morality tales. It's the later Treks that did morality tale after morality tale. And if you were right about it never being about the awesome SF concept, then you'd still be wrong, because then it SHOULD have been about the SF concept.
And all of those number of things, would have been used in the same way: as the main event of the story that presented human (or should I say, sentient) drama. Not squandered away as a side issue.
Exactly. The Rogue Planet is just a setting, and it should NOT BE JUST a setting. It should be the main event of the story. Whatever sentient drama - or action piece, or whatever - you want to do on a Rogue Planet, the Rogue Planet has to be an intricate part of that story. It wasn't, it was barely even a set piece. It was squandered away.
gblews said:
So can I take this as an admission that I was right about your prior statement? It takes a big man to admit he's wrong.3D Master said:
The important aspect that I've constantly been hammering on - is the squandered SF concept. THAT is the important aspect, not a few side issues that have come up as well.![]()
Nerys Myk said:
3D Master said:
NO! Take a god damn course in comprehensive reading. The point of the above is not the morality tale, it's the squandering and not using of the setting, on something that could have been done anywhare else.
I've scored quite high in every reading comprehension test I've taken. So it's probably not my problem. You might want to take a course or two in civility though.
You're wrong. Very little episodes in TOS were morality tales. It's the later Treks that did morality tale after morality tale. And if you were right about it never being about the awesome SF concept, then you'd still be wrong, because then it SHOULD have been about the SF concept.
Pretty sure I'm right. They all had very strong moral statements, just as Gene Roddenberry intended. Some were quite heavy handed like "Let That Be Your Last Battlefield" others less to like "A Private Little War". To be blunt any one who missed the morals and morality of TOS is being willfully or woefully ignorant of every thing TOS stood for and against. Star Trel was about the human condition and how even aliens are "human". At the core of every TOS episode are the characters and the situations not the SF Concept of the week.
And all of those number of things, would have been used in the same way: as the main event of the story that presented human (or should I say, sentient) drama. Not squandered away as a side issue.
The "main event" is Decker taking over the Enterprise to hunt his "White Whale" even if it mean sacrificing Kirk. That is the crux of the drama, not the Cornicopia of Doom.
Exactly. The Rogue Planet is just a setting, and it should NOT BE JUST a setting. It should be the main event of the story. Whatever sentient drama - or action piece, or whatever - you want to do on a Rogue Planet, the Rogue Planet has to be an intricate part of that story. It wasn't, it was barely even a set piece. It was squandered away.
Not it should be what ever the writers need it to be. It provided some mood and atmosphere for the story.
it got our heroes where they needed to be for the story to be told.
Thats all a good setting needs to be. The story is about the people not travelog or science documentary on where it takes place.
Trekwatcher said:
Why is ENT treated so harshly?
3D Master said:
Maybe you want to go take it again.
Gene Roddenberry intended no such thing in TOS, he intended it with TNG, but not TOS. And a good human core does not equal morality tales - it equals good drama. Like I've said multiple times over.
The main event is a doomsday machine about to lay waste to the countless living beings after already having done so to Decker's crew, and Decker obsessed with taking out that doomsday machine.
Not the two little pips on the top of the doomsday machine that turn out to be old people sent to a retirement home, that happens to be built upon the doomsday machine. The episode entitled "The Doomsday Machine", oh, shocker, "the doomsday machine" is actually the main subject!
In the episode titled "Rogue Planet" the rogue planet was barely featured, and some alien that is being hunted is the thingy, an alien that could have been anywhere else. "Rogue Planet", is actually about those two pips on the hull of the Doomsday Machine being old people getting to their retirement home.
That makes them bad writers if they need a Rogue Planet just so they can have the story be about the two pips on the hull of the Doomsday Machine that turn out to be old people getting to their retirement home. When you write a story, an episode, with something as compelling as a Rogue Planet/Doomsday Machine, and you actually entitle the episodethat, you better well make sure the Rogue Planet/Doomsday Machine is the main subject of the episode; not just the transportation for the two pips on top of it.
They did NOT need to be there. Those two pips on the hull of the Doomsday Machine could have been on a planet someplace else getting to their retirement home. You do not waste a Doomsday Machine on nothing but the transportation method for old folks going to a retirement home.
My god, here with the incapable of reading again. Maybe you should try rereading the last paragraph I wrote of my former post again - after the new comprehensive reading - a hell, just reading. Let me repeat it to you capitalized so you hopefully grasp the point: A ROGUE PLANET SHOULD NOT BE JUST A SETTING!
3D Master said:
My god, here with the incapable of reading again. Maybe you should try rereading the last paragraph I wrote of my former post again - after the new comprehensive reading - a hell, just reading. Let me repeat it to you capitalized so you hopefully grasp the point: A ROGUE PLANET SHOULD NOT BE JUST A SETTING!
Nerys Myk said:
Then there's the fact you're a dick.
JohnV said:
I saw a show on TV recently about the auction of Star Trek props.
Nichelle Nichols was interviewed for it and she said one day she went to Gene Rodenberry and said something like "I know what you're doing here, Gene. You're telling morality tales." (She said morality tales, or stories, or plays, or something like that.)
Gene's response was to put a finger to his lips and say
"Shh!, Don't tell anybody."
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