That would be the most evil and selfish decision possible.
It would be the most human decision possible.
Which is not to contradict you.
Anyway, a bit too demanding of the audience.
That would be the most evil and selfish decision possible.
Actually I thought in his script there was no 'Guardian of Forever' portal as it ultimately appeared. There WAS a portal but also a group of hooded beings known as the 'Guardians of Forever', who protected the portal?
It would be the most human decision possible.
Which is not to contradict you.
Anyway, a bit too demanding of the audience.
It would be the most human decision possible.
Which is not to contradict you.
Anyway, a bit too demanding of the audience.
IANAL, but "City on the Edge of Forever" was almost certainly a work for hire, which means legally Ellison was not owed anything past the compensation any other TOS writer got. I'm sure Samuel A. Peeples' estate doesn't get money every time the barrier at the edge of the galaxy appears, nor is D.C. Fontana compensated whenever a script mentions pon farr.
What you're arguing here is that humans would not do the right thing. I don't believe that to be true..
How is this different from the whole Tom Paris / Nick Locarno thing?
in the case of Edith Keeler, there was no choice. She had to die.
What you're arguing here is that humans would not do the right thing.
History is replete with examples of humans not doing the right thing because emotion and self-interest takes over. You don't have to look that far back, either (and unfortunately).
My position is that it was done that way for the emotional impact....which is what so many people focus on when they make references to the episode. So, in that sense, the aim succeeded.
Bringing Edith into the future could have been very dramatic in its own right. How much emotional impact would there have been if she went off to establish peace with the Klingons and he realized that his career was something that he just couldn't bring himself to sacrifice for anyone? They are both alive, they love each other very deeply, but they realize that they are on different paths. In many ways that can be much more difficult to deal with than death. That's what my fanfic is beginning to explore.
Anybody know more about the law, any special agreement Ellison had when he wrote the episode, or the details of the settlement?
Just finished reading The Ellison script, as he published it. Aside from the unnecessary space pirates, it works well.Not really. Spock could have prevented him, which is what Ellison's script called for.
IANAL, but "City on the Edge of Forever" was almost certainly a work for hire, which means legally Ellison was not owed anything past the compensation any other TOS writer got. I'm sure Samuel A. Peeples' estate doesn't get money every time the barrier at the edge of the galaxy appears, nor is D.C. Fontana compensated whenever a script mentions pon farr. These are elements of the great megawork that is the Star Trek universe, and as such, I believe author's rights to these elements sit squarely with Paramount/CBS. Ellison claimed the Writer's Guild collective bargaining agreement entitled him to merchandising rights and the like, but I understand even the Writer's Guild didn't fully support him on this. (He might have some claim to use of elements from his original script or other adaptations he was involved with, if those elements were not in the episode as aired.) Of course, since Paramount settled with Ellison, there may now be an agreement that would give his estate some control and cut of the profits for use of the Guardian now.
Anybody know more about the law, any special agreement Ellison had when he wrote the episode, or the details of the settlement?
I've never actually read his original story but heard things. For what it's worth--I think GR got it right with Kirk. Harlan wrote a terrific story, but the idea that the hero would let the universe die, and condemn hundreds of millions to death, knowing the atrocities of the Nazis, just to score some tail, even if that tail was the love of his life, is VERY out of character for Kirk.
That would be the most evil and selfish decision possible.
It would have to be one of those split second decisions. He intends to let her die, but at the last second his gut reaction takes over. Remember in Dr. Who when Rose saved her father from the car accident and risked destroying the universe? A writer can make it work without letting us lose respect for the character.
The Last of Us ends with a similar moral dilema.What you're arguing here is that humans would not do the right thing. I don't believe that to be true. If there is one thing Star Trek was about, it was about humanity at its finest. While yes, there is a balance between the selfish nature and the common good, in the case of Edith Keeler, there was no choice. She had to die.
This isn't a case of cold Vulcan logic either. One of Star Trek's most famous Vulcan quotes was that the needs of the many outweigh the needs of the few, or the one. In Star Trek III, we saw a case where the needs of the one outweighed the needs of the many.
Knowing which side of that argument is right is something a human would have to decide, and as the representation of humanity at its finest, Kirk's judgement would always be perfect. Not that perfection is human, but when it counts, Kirk ALWAYS did the right thing.
In the case of rescuing Spock versus their careers, Kirk chose a loyalty to his friend. The consequences were that Kirk would lose his career. A big consequence to be sure, and one that Kirk felt was worth it. He was right.
In the case of Edith Keeler though, Kirk's personal desires could not measure to the millions of men, women, and children that would die or cease to exist because of his selfishness. Kirk would have had to be a monster to let that happen. It would be borderline insanity, and while love can make you do things you weren't capable of before, it would be as inhuman as possible for Kirk to make the wrong decision.
I'll give a perfect comparison--Janeway. In Endgame, this woman made the most selfish decision possible, altering a timeline because she didn't like things. Millions of lives altered and changed because of her selfishness. Janeway IS the biggest villain in Star Trek history, and the writers didn't even understand that.
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