Well, Harlan was eternally in the middle of writing the introductions for a lot of those stories. Therefore he may have some finished essays that have not yet been published, and perhaps we'll see a few...
It's hard to believe that the angry young man of Science Fiction was 84. He's one of my favorite writers and, in my opinion, the last of the great SF writers, even though he was just a boy when the others were already in middle age. Like Clarke, Asimov, and the rest, he was a giant influence on me as a writer. From classic fiction like "'Repent, Harlequin!' Said the Ticktockman" to slice-of-life essays like "The Three Most Important Things In Life," Ellison was a presence in American culture that everyone should experience.
He was not exactly a gentle creature and I only agreed with maybe half of what he ever said, but his dedication to high standards and the greater good was inspiring (as was his devotion to intellectual property rights). His opinions, even when misguided, had the full force of a monstrous intellect behind them and could not be ignored. And the passion that informed his writing will never be surpassed. One of my favorite essays of his was "Reaping The Whirlwind," the original 1974 preface to Approaching Oblivion, and the last several paragraphs are even more powerful now than they were then:
RIP, Harlan Ellison, and thanks for everything.
I wonder if this means that The Last Dangerous Visions is truly dead, or if someone will now gather it up and publish it in his memory.
I am genuinely saddened by this news. A true loss to American literature at large, and science fiction/fantasy in particular. I will have no time or patience for anyone who is still butt-hurt because Ellison said something bad about Trek or Roddenberry once. Get the fuck over it already!
I'd heard about that. It would still be nice to get some version of the book out as a tribute, even if it includes some already-published material.Besides, over the decades, I think most (if not all) of the authors have gotten their stories back and had them published elsewhere. I just saw an announcement for an upcoming collection of Gordon R Dickson stories that will include his LDV story.
That's a wonderful book. The first half is a transcript from the panels and the second is the stories that resulted, and it's all fascinating. Beautiful illustrations by Kelly Freas, too.One of the books that brought me to science fiction in high school was Medea: Harlan's World which was a fascinating look inside the world of joint sci-fi world building.
LOL. I can imagine Ellison's reaction to that foolishness.RIP Harlan, who is now hanging out again with Isaac.
IANAL, but "City on the Edge of Forever" was almost certainly a work for hire, which means legally Ellison was not owed anything past the compensation any other TOS writer got. I'm sure Samuel A. Peeples' estate doesn't get money every time the barrier at the edge of the galaxy appears, nor is D.C. Fontana compensated whenever a script mentions pon farr. These are elements of the great megawork that is the Star Trek universe, and as such, I believe author's rights to these elements sit squarely with Paramount/CBS. Ellison claimed the Writer's Guild collective bargaining agreement entitled him to merchandising rights and the like, but I understand even the Writer's Guild didn't fully support him on this. (He might have some claim to use of elements from his original script or other adaptations he was involved with, if those elements were not in the episode as aired.) Of course, since Paramount settled with Ellison, there may now be an agreement that would give his estate some control and cut of the profits for use of the Guardian now.I wonder how this will affect future spinoffs of his work. He was very protective for example, of The Guardian of Forever. I'm guessing since he created it, he does have some sort of intellectual property rights, which of course now go to his estate.
Would his estate allow Star Trek to re-use the concept in ways Harlan himself would not?
Actually I thought in his script there was no 'Guardian of Forever' portal as it ultimately appeared. There WAS a portal but also a group of hooded beings known as the 'Guardians of Forever', who protected the portal?I'm not sure the situation, but I do know Ellison had serious issues with Star Trek and was always bitter over it, despite having written what many consider Star Trek's finest hour.
He must have SOME sort of rights. I believe the only other time we saw the Guardian was TAS, and some books.
But yes, it is entirely possible Ellison has no rights. I just don't know, and I would assume that if he does, the decision DOES reside with his heirs. Given the bitterness Ellison had, I would guess it might be more likely that his Star Trek work get a follow up, if only because his family may not be as bitter as he was.
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