Both of these are solid lists that I would agree withOne thing I love about the first two seasons is that sense of the universe still being 1) mysterious; and 2) dangerous, just as it had been on TOS.
Precisely that! TNG also had tried to continue the same feel of TOS in terms of commercial break recap and pulp adventure. Sometimes it worked, sometimes not.
In doing a mini-marathon earlier, I need to add "When the Bough Breaks" to my list. It's another early example of TNG not using TOSisms excessively, using the concept of "kids on a spaceship" as more than a throwaway premise, as well as incorporating mystery and danger. Not every story could be in this format, but when it was used like that it was usually pretty good. (Indeed, recalling the fifth grader running away from Calculus class, do high schools still teach calculus nowadays, has it been relegated to middle school, or is calculus now passe because computers do it all... at least I thought the concept seemed cool in 1987, especially as 24th century humans would have to evolve to understand all sorts of things pertinent to their society, which would invariably be more complex. Or so the theory goes. Until then, at least we can go to stores and watch the 80 year old insult the teenager for relying on the cash register to do the job of counting money while being oblivious to-- *cough* if I were Kryten I would say "oops, ramble mode".)
The Borg are a kind of typification of the kinds of thing the first two seasons would dare to do that seasons 3-7 would not.
Apart from TBOBW. Kidnapping the lead and converting him was a big thing at the time. Other shows trying to do the same thing merely don't understand how to make it effective and properly frightening. As much as many in the audience figured out long before they opened up the drawer to find his uniform what would transpire, it was still conceptually horrifying and was played out as such and the cliffhanger still sent chills down the spine. Rewatched it earlier this week - holds up rather well despite some elongated soap opera-style scenes. Season 3 was the turning point, between action/adventure and dreary soap opera - but both formats including discussion of the human condition in one form or another. The entire run has numerous great and not-so-great episodes regardless of format changes used. Seasons 1 and 2 simply get thrown under because TNG was trying to find its feet, didn't have the panache of season 3 (though season 2 gets extremely close), and it's arguably unfair that so many episodes that are solid or have the potential get summarily overlooked because "Oh that's season 1, I'd rather watch cooties breed."
Jonathan Frakes talks fondly not of the execution of Armus in "Skin of Evil", but as an example of how conceptually brave those first few seasons were compared to later when the writers and producers all got to be a little "safe".
If any of us had to swim in that goo, we wouldn't be fond of making it either.


Personally, I'm a big fan of Maurice Hurley's take on Star Trek which is most personified in season two. As @Cutie McWhiskers says, some of Hurley's episodes have the mysterious-and-dangerous-shit-around-every-corner-anything-goes approach of a classic style Doctor Who.I love that vibe about both seasons
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Thx!
