Great trailer. I was a bit taken aback at the decision to use the B5 music for the first part, but it builds well.
I’m rewatching DS9 now, for the first time since first run. I’m early in season 2 now.
What really stands out to me about it is how the writers can present conflict without taking sides. In TNG, there was relatively little conflict among our heroes, and when there was conflict, it was a situation like “I Borg,” where the writer felt there was a right decision and a wrong decision, and all the good guys came around to see the light before the end of the episode. In DS9, when Kira and Sisko are arguing and about to tear each other’s head off, the writers really believe in both of them, and it shows. OK, Quark’s position is usually unsympathetic, but aside from him, everybody’s always arguing, and nobody’s ever “wrong.”
^
I don't think that even Quark's position was ever unsympathetic (other perhaps than in Business as Usual). Quark is just trying to make a buck, like any businessman would.
You guys are good! I'm excited to begin watching. Thanks for all the great comments. I'll let you all know how it goes.![]()
So, I grew up on TNG, got really into VOY when it aired on Spike a few years ago, and enjoyed all the TOS movies and most of the episodes. However, I never got into DS9 or ENT. I'd like to start watching one of those series now and don't know which one to pick. So you all are the DS9 fans, please tell me why I will love it. I already posted a similar thread in the ENT forum. Thanks in advance.
Do you like well-written, compelling characters; complex plot arcs with depth and surprise; clever dialogue; and kick-ass action? That's DS9.
For me what sets DS9 apart is that it is struggling for creative freedom within the confines of the Trek episodic formula, like a poet struggling for freedom within the confines of the sonnet form. Sometimes the best creative efforts result from an imposed constraint of some kind, and I think that DS9 is an example of that.
The problem with DS9 is that it had failed to achieve that creative freedom, thanks to some of the faulty writing found in the series. I think it failed to reach its potential, which is why I do not view it as above the rest of the TREK franchise.
Well I don't know if he's objecting to the same thing as me, but as I've said in other threads, the writing disappoints me sometimes because I think it gets too sidetracked from the main stories and characterizations by going on tangents exploring its mythology that I find very uninteresting and sometimes just lame.
For example, Bajoran politics, religion, and the cult of the Pah Wraith. I really hated when the show would get so caught up with this stuff instead of just sticking to more intimate character pieces or a more sharper focus on the war arc/Dominion vs. Federation conflict, which by itself was quite consistently enthralling.
What seems strange about the Quark situation is how there are no apparent repercussions from his help to Varod’s team in Invasive Procedures. (Granted, I'm only a few episodes past that at this point, so there may yet be.) It’s true that he ended up saving the day, and I assume that’s why Kira didn’t follow through on her threat to kick him off the station without a ship, but I still think there would be some changes to the way things are done. Tighter constraints to keep him out of trouble. But it looks like they’re giving him just as much freedom to operate and cause problems as they did before.
Quark messed with the security system in the airlock.
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