What upsets me is that there is nothing really like that today. It’s as if the writers of Star Trek now – the ones who grew up and benefited from the Star Trek of old – are being selfish.
Having a different aesthetic preference than you have is
not the writers being selfish.
They want to take that childhood toy, and make it theirs. They don’t want to share. They want to update it and modernise it and make it more edgy because they want an adult Star Trek.
I'm sorry, but this is communal storytelling. And the thing about communal storytelling is, there are going to be members of the audience who have a totally different (even conflicting!) relationship to the story than other audience members, and it is impossible for the writers to please everyone. That means that it is the responsibility of the writers to tell the stories they would want to hear, and then release the artwork to the audience. That means that, yes, sometimes a new entry isn't gonna be to your taste. Other times, it will. It just depends.
But creating a work of art according to their subjective aesthetic choices is not "taking that childhood toy and refusing to share."
They also let their own fears and insecurities manifest through this work.
What exactly do you think Gene Roddenberry was doing when he wrote "The Cage?" What do you think the TOS writers were doing when they wrote "The Ultimate Computer," or "A Private Little War," or "Journey to Babel," or "Let That Be Your Last Battlefield?"
It starts off with the obvious. Swearing. And graphic violence. There is part of me as an adult that thinks admirals swearing at others is reasonably believable. Humans are not robots. They are emotive. People shouldn’t be perfect automatons. But… is it necessary in Star Trek? Is it necessary to have Icheb being mutilated and killed in such a graphic way? Does that Admiral need to say fuck? I just don’t think it is.
Almost nothing in storytelling or art is
necessary. But I would argue that the graphic violence serves a dramatic function: It is a counterpoint to the peace and serenity that Picard achieves at the end of Season One. It's totally fair if it just doesn't subjectively work for you, but it's there for a reason.
As for swearing -- I would challenge you to ask yourself if your opposition to swearing is actually rational or consistent with the progressive values of
Star Trek. Because I happen to think that declaring a set of words to be "bad words" absent an oppressive political agenda is ridiculous. The N-word is a bad word because it supports the immoral and oppressive political system called white supremacy; "fuck" is not a bad word, it is merely an interjection that expresses strong emotion. Classifying such unoppressive, apolitical interjections as obscenities seems to me to support a classist interpretation of language that values bourgeoisie pretensions of civility over genuine human feeling or genuine human freedom.
I’ve held the suspicion for a while that as writers steal Star Trek from being a family show,
Writing
Star Trek in a different way than your preferences
is not theft.
I get none of that with Star Trek now. Picard was by far a terrible show.... And that’s what upsets me most… that the writers have taken Star Trek that they enjoyed and basically made it an adults only club. There is no attempt to life people up.
Star Trek: Picard is an example of the classical definition of a "comedy:" It is a show that begins in darkness and ends in light. PIC is deeply life-affirming, and all the more life-affirming because it starts from a dark place and depicts light overcoming darkness.
If you didn't enjoy it, that's your prerogative. But to say that it lacked ST's hope and optimism is just false.
But where is that show that the nine year old can watch and be inspired? To poke around that star and see what’s out there?
Apparently, it is under development for Nickelodeon. They seem to want to have different
Star Trek shows for different age groups these days.
I feel the end episode of Picard is entirely fitting. They have taken new shows, and put Star Trek on it and hope that it passes for Star Trek. But it isn’t, really. It may look like it and talk like it, but it’s not it.
Which is appropriate as they have killed off the beloved Jean Luc Picard and copied his mind to an imitation that they’ll label Picard.
No, they have not. They have
transferred his mind into a new body, but it is still him. It's also clearly a science-fictional version of the literary trope of death and resurrection, light triumphing over darkness and death yielding to new life. Your refusal to accept change does not mean he is not still Jean-Luc Picard.