Well, flat-sided rooms and corridors make practical sense.I wonder if TOS would have looked more like 2001 if the budget had been bigger? We got flat-sided shuttles due to budget limitations, so maybe that's why we got flat-sided corridors too?
In designing the sets at least, Matt Jefferies obviously well-knew limitations he might encounter and tried to think out the practicality of his set designs - bridge stations that are on rollers for the camera to move in, etc. He brought a great degree of functionality to what he could do, but I'm not sure that necessarily means it's what he would have done had GR said 'have at it.'
Why drag TMP into this?
Oddly enough we didn't get a little TOS back in the Trek design style until TNG. Well, I guess maybe the momentary flash of a clamshell communicator in TSFS counts...
Have you ever lived in, or worked in, a place with sloped walls? Much less "curving" walls? It's really not very practical.
Why drag TMP into this?
Oddly enough we didn't get a little TOS back in the Trek design style until TNG. Well, I guess maybe the momentary flash of a clamshell communicator in TSFS counts...
The phasers too.
Why drag TMP into this?
Oddly enough we didn't get a little TOS back in the Trek design style until TNG. Well, I guess maybe the momentary flash of a clamshell communicator in TSFS counts...
The phasers too.
Oddly enough we didn't get a little TOS back in the Trek design style until TNG. Well, I guess maybe the momentary flash of a clamshell communicator in TSFS counts...
The phasers too.
Right, I forgot.
Gee, that looks an awful lot like an Abrams-era phaser, doesn't it?![]()
Well, you know how those hobbits are.. hard to keep that from happening as far as I can tell, based upon Peter Jackson...Have you ever lived in, or worked in, a place with sloped walls? Much less "curving" walls? It's really not very practical.
Stop it. You're making the Hobbits cry.![]()
The phasers too.
Right, I forgot.
Gee, that looks an awful lot like an Abrams-era phaser, doesn't it?![]()
Fucking abrams. Stealing the TOS design aesthetic.![]()
Well, flat-sided rooms and corridors make practical sense.I wonder if TOS would have looked more like 2001 if the budget had been bigger? We got flat-sided shuttles due to budget limitations, so maybe that's why we got flat-sided corridors too?
In designing the sets at least, Matt Jefferies obviously well-knew limitations he might encounter and tried to think out the practicality of his set designs - bridge stations that are on rollers for the camera to move in, etc. He brought a great degree of functionality to what he could do, but I'm not sure that necessarily means it's what he would have done had GR said 'have at it.'
Have you ever lived in, or worked in, a place with sloped walls? Much less "curving" walls? It's really not very practical.
Even in structures where the actual mechanism itself is round, or rounded (think submarines, think aircraft, think trains, etc) the internal structures tend to be aligned vertically or horizontally. It's just the most efficient for people to use, and the most psychologically comfortable for us as well.
Look at the inside of the ISS. The modules are cylindrical in form, but they have wedge-like equipment modules lining them, so that the internal usable cross-section is actually square, with four flat "walls."
Well, flat-sided rooms and corridors make practical sense.I wonder if TOS would have looked more like 2001 if the budget had been bigger? We got flat-sided shuttles due to budget limitations, so maybe that's why we got flat-sided corridors too?
In designing the sets at least, Matt Jefferies obviously well-knew limitations he might encounter and tried to think out the practicality of his set designs - bridge stations that are on rollers for the camera to move in, etc. He brought a great degree of functionality to what he could do, but I'm not sure that necessarily means it's what he would have done had GR said 'have at it.'
Have you ever lived in, or worked in, a place with sloped walls? Much less "curving" walls? It's really not very practical.
Even in structures where the actual mechanism itself is round, or rounded (think submarines, think aircraft, think trains, etc) the internal structures tend to be aligned vertically or horizontally. It's just the most efficient for people to use, and the most psychologically comfortable for us as well.
Look at the inside of the ISS. The modules are cylindrical in form, but they have wedge-like equipment modules lining them, so that the internal usable cross-section is actually square, with four flat "walls."
Oh I agree flat walls seem more functional. Basically, I just wonder how much was practicality and how much was budget-mandate.
And IIRC they were still using the turbolift door alcoves on the Enterprise-E bridge in 'Nemesis.' Talk about getting your money's worth.
Oh I agree flat walls seem more functional. Basically, I just wonder how much was practicality and how much was budget-mandate.
Oh I agree flat walls seem more functional. Basically, I just wonder how much was practicality and how much was budget-mandate.
It was budget-mandated.
You can look at some of Jefferies' sketches for the Phase II bridge over at Trekcore. One of the things he specifies for the bridge is "Molded consoles full circular sweep. No angles."
With bigger budgets comes great opportunity.![]()
Oh I agree flat walls seem more functional. Basically, I just wonder how much was practicality and how much was budget-mandate.
It was budget-mandated.
You can look at some of Jefferies' sketches for the Phase II bridge over at Trekcore. One of the things he specifies for the bridge is "Molded consoles full circular sweep. No angles."
With bigger budgets comes great opportunity.![]()
It also creates greater difficulty in "storming the bridge." You can't see the bridge proper as you exit the lift, after all. So it's somewhat more secure.Oh I agree flat walls seem more functional. Basically, I just wonder how much was practicality and how much was budget-mandate.
It was budget-mandated.
You can look at some of Jefferies' sketches for the Phase II bridge over at Trekcore. One of the things he specifies for the bridge is "Molded consoles full circular sweep. No angles."
With bigger budgets comes great opportunity.![]()
I like that turbolift arrangement. With only one alcove interrupting console sweep, there's room for more instrumentation.
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