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Nimoy talks Spock—1967.

The good music today is on the independent scene. Unique and distinctive stuff. I never listen to FM radio these days (edit: except for college/indie stations, and any musical artist featured on NPR).

Kor
 
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Because singers can't sing anymore, and music will be written by AI next.
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The Richter Scale is a base 10 logarithmic scale....something like that?
No a factor greater than one that is spatially varying.
Star Trek Maps gives the Cochrane number an average value for Federation space as being a little less than 1300, so you'd multiply the wf^3 by that number, which is a lot closer to the speeds actually used in the show.
 
There was a lot of music I liked, and still love, from the latter half of the 20th century. It did start unravelling in the 1990s, but it really all fell apart in the 2000s and has been nose-diving since. There is so little new music during the past twenty some years that I’ve actually liked. The vast majority of music on my playlists is from 25-65 years ago, and most of that from before the 1990s. There is very very little music on my playlists from the past twenty some years, and practically all of it is from 10-20 years ago.

That’s so true. I stopped listening to the “current hits” channels around 2001.
 
Whether GR blue skied it is irrelevant. He put forth the formula back when the show was in production so it definitely predates FJ’s publications by several years.

The fact that GR’s formula is still too slow within the context of TOS’ stories is also irrelevant. But he did have a somewhat better grasp of the subject than Nimoy.

Well, Nimoy was an actor doing a job: embody the character and bring him to life. He didn't need to grasp Roddenberry's warp scale.

And whatever Gene tought up, what was on screen wasn't consistent. Back then warp speed was simply "going really REALLY fast." But slow enough to see the ship approaching you at warp and having time to take action as it passed. They were like boats on the water and how fast a warp speed was depended on the needs of that story.
 
In terms of realistic depiction a ship at warp speed would be effectively invisible.

This idea about warp drive and the light reaching your eyes is tangentially related to a scientifically simpler question: how would the ship be lit when it is between the stars. How dark is it? What would you see when you look at the Enterprise?

On TMP, they decided that the ship needs to light itself, so they put spotlights on the hull. In TOS-R, they dimmed the ship, and even went to total darkness in "The Immunity Syndrome."

I say it's a mistake to worry about any of these issues. The fx shots should almost always show the ship plain and clear. Reason: there is no such point of view. Nobody is out in space looking at the ship. That means we are seeing the omnicient POV. "God's eye view" in a manner of speaking. And that is an observer who can see just fine in the dark, or any other conditions. Including warp speed.
 
We try to work with the program.

Today I see the flaws in the bear costume in PROPHECY…then, I chalked it up to the mercury poisoning.
 
The good music today is on the independent scene. Unique and distinctive stuff. I never listen to FM radio these days (edit: except for college/indie stations, and any musical artist featured on NPR).

Kor

exactly this, theres more good music than ever if you step outside the mainstream.
 
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