There is a certain, rather prolific writer who seems to find work in just about every media-tie in range I ever come across. S/he's written novels for almost every sci-fi fantasy TV show I've ever wanted to read books in. And s/he is, quite probably, one of the poorest writers I've ever come across. His/her language is dull and clunky. His/her descriptions come across as the directions one might find in a shooting script rather than words that present the atmosphere, tone, pacing and dynamics of the scenes. His/her dialogue is so indistinct and dull that when it isn't attributed to a character, I have to stop and think to figure out who's talking. This is a writer who can't describe a driver starting a car without finding some way to screw it up.
And yet, this writer is just an incredibly nice person. Pleasant, polite, approachable, humble, thoughtful, etc.. I feel a rising sense of panic at this writer's constantly rising output, which, at its current rate of increase, will make him/her responsible for 60% of new English literature by 2012. This writer's name is constantly on the books that are based on serieses I was kind of hoping to see some decent books from.
And I can't say a thing. Because s/he is just too nice.
How do you critique work you absolutely loathe when the person responsible is rather lovely? What's the procedure?
- Ibrahim Ng
And yet, this writer is just an incredibly nice person. Pleasant, polite, approachable, humble, thoughtful, etc.. I feel a rising sense of panic at this writer's constantly rising output, which, at its current rate of increase, will make him/her responsible for 60% of new English literature by 2012. This writer's name is constantly on the books that are based on serieses I was kind of hoping to see some decent books from.
And I can't say a thing. Because s/he is just too nice.
How do you critique work you absolutely loathe when the person responsible is rather lovely? What's the procedure?
- Ibrahim Ng