Fair points. But... and I know I’m being *really* awkward here, did the DSC story *need* the Klingons? Did it require the 23rd century setting at all?
Boiling the story down we have an orphan whose parents were killed in an alien attack and that gives her PTSD and then those same aliens attack the federation.
The Tzenkethi, the Dominion, even the cardassians could have been options here. Or, invent a new alien threat to the alpha quadrant and have them be the aggressor.
But, no, people know Klingons are because they appear in that “star trekkin” song so we best use the Klingons.
Ok, fine - so have the relationship with the empire sour in a *century* or so since TNG. Have some kind of disaster (omega related) that destroyed parts of space that forced the Klingons back into their former Viking-like tendencies. Also that mutated their whole bodies because radiation so they look like monsters who have all gone bald and had armour playing evolve on their chests and stuff.
Sarek’s character has been rebooted in DSC so make him a whole new Vulcan. Same for Mudd - create a *new* psychotic murderer since he’s a whole new character in DSC rather than unfairly look back at TOS through a modern lens.
If the DSC producers really wanted to flex their creative muscles (which, let’s not forget, resulted in Lorca turning out to be a pantomime villain so maybe we shouldn’t wish for that) then they shouldn’t have been restrained by the prime timeline or canon or whatever. They could have invented all their own backstories and redefined the sociopolitical landscape of the alpha quadrant and taken us to strange new worlds, rather than referencing the worlds we saw in far superior episodes elsewhere in the franchise (I have a bee in my bonnet about the Mintaka III namedrop - that’s such a good TNG episode!)
Instead we’re left to ponder the age old question of “when is a reboot not a reboot”...!
(Sorry if this sounds like a rant, it’s not, honest!)
Discovery would have worked FAR better post-Dominion War, as you said, Burnham being an orphan of the Dominion War.
The reason TOS era was chosen was simply due to marketing an the ability to go "LOOK SPOCK, ALL YOU IDIOTS KNOW HIM!"
They set it in the era they did for one reason: .that's what Bryan Fuller wanted to do. The Klingons looked the way they do because that is what Bryan Fuller wanted. He pitched a show to CBS, they agreed. Fans for the longest time have been clamoring for a Bryan Fuller Star Trek show. Well, anyone who looks at American Gods, Hannibal, Mockingbird Lane, Pushing Daisies etc and did not expect everything to get redesigned was fooling themselves. The producers since his departure have been doing the best they could with the foundation laid by Fuller. He's the guy who decided the Klingons needed to be redesigned, the mock up of the sarcophagus ship and Shenzhou came out before he left so he had a hand in ship design, he picked the era because he wanted to do a story set there. Fans wanted him, fans got him.It’s the star track Enterprise!!! Haha!
But seriously I think you’re right. The thing is if they *had* gone post NEM, they could have come up with a reason for changing the communicators to hand held devices again - the omega radiation means that commbadges don’t work so good so they need an amplifier therefore handheld devices are the way forward. Then you could have had something that looked like Star Trek to muggles and a reason in-universe for the change to seemingly retrograde tech.
It just seems counter intuitive to say “1) we’re confining ourselves to established canon, but 2) we’re gonna make a squitload of changes”
1) seems to be to keep the fans happy by referencing “things we know and have seen in Star Trek” and 2) is to hook in people who think 60s Star Trek is analogous to 60s Batman so they can prove that new Star Trek is sexy and brooding and dark like the vampire shows the kids are watching.
Maybe season 2 will be amazing...