Every time we break a new J.J. Abrams show, there are always some readers who ask, “Yes, but he’s so busy, how involved can he really be?”
I’m as involved as needed. The good news about having [showrunner Joel Wyman] on the show is it’s his pitch, his idea and he’s running the show. When we hear a pitch we like and develop a show — unless it’s something I’ve created and I’m either going to direct the pilot, or oversee or write — we don’t get involved with people who need to be babysat. We are there as necessary. We read scripts, give notes, watch cuts, and just help out however we can.
Is there a specific contribution you’ve made to Almost Human you’d be willing to share?
There are things that happen in the show, all sorts of ideas that come out of conversations and things. There’s little moments and ideas here and there. When Joel was pitching the show, I got so enthusiastic. I loved The Six Million Dollar Man as a kid. The possibility of that as a kid was like candy. All of a sudden on the phone I was just spewing possible ideas of what it could be, and he was just laughing and spewing back. It wasn’t necessarily a specific moment or character, but I hopefully the cheerleader helped Joel do the show he pitched.