^Exactly.
That could make sense if there was at least some mention by anyone about home being other than Earth. They weren't focusing on getting their debriefing, they were trying to get home to Earth and Timmy and their dog.They have to have a destination point, and Earth is Starfleet HQ. They're not going drop everyone off at their house like a school bus...that's not how the (not-)military works.
One of my favorite fanfictions has them coming to DS9 first and their families come to see them. Like Mrs. Kim, bringing his clarinet to him, poor Harry.Had circumstances dictated that they enter the borders of the Federation through more conventional means, with a decent-sized journey to Earth still ahead of them, I imagine they would have been stopping at the nearest Starbase.
Badda-Bing, Badda-Bang was surprisingly good and a lot of fun. Felt like a good heist movie. I thought Sisko's speech about racism in the '60s was a bit heavy-handed and unnecessary, as well as it being another Vic episode where a guy who's been on the show for barely a year is treated better than some who've been here for seven, but they're minor quibbles. Avery Brooks' singing in the end more than made up for them
I do hope we get back to the Dominion War soon. Season seven has so far been a lot of Ezri and Vic. It's starting to feel a little shark jumpy.
I have to disagree. Take away all the major episodes--the final chapters and the season openers--and there are three ensemble episode, two Odo episodes, two Bashir, one Kira, one Quark/Ferengi, and one Worf. That leaves one for Vic (and Nog) and three for Ezri, one of which she shares with Garak, and one of which was extremely anomalous (it was a seriously bungled Sisko episode). Certainly all the episodes that drive the war forward belong to other characters, and the best--Treachery, Chimera, and Inter Arma--belong to the older characters.Season seven has so far been a lot of Ezri and Vic.
I really appreciate how the writers stood their ground in Course: Oblivion rather than copping out at the end with "there's an escape pod!", or worse yet "we have a cure!".
Quite a tragic story to say the least. Janeway's death and the ending hit me much harder than I thought it would. I'm not sure if it totally makes sense with Demon (couldn't even remember which episode they were talking about while watching, had to read about it again after), but no matter. Like much of Fuller's episodes on VOY, it was something new and different. That at least is to be praised.
What's the difference between Section 31 and Starfleet Intelligence?
He always had a lot of inner turmoil, and a nice line in understated snark - I guess it just took a while to see.It's strange. I used to think Odo was awfully dull. Now he's one of my favourite characters out of all the shows.
She's not "back". The Borg create "queens" to facilitate communication with the non-collectivized.Unfortunately, there's a few things that drag the episode down for me. First, the Borg Queen is back... and it's not even Alice Krige. She was destroyed in First Contact (rightfully so), how and why is she back? I don't know, they don't tell us.
Yeah, there are a lot of useless standalones in the last couple of seasons.I do hope we get back to the Dominion War soon. Season seven has so far been a lot of Ezri and Vic. It's starting to feel a little shark jumpy.
I'm not saying the Baku's origins justify the Fed's assertion of eminent domain, but it does mean that relations started on the wrong foot - i.e. the secret surveillance we see at the start of the film is something they would do for a pre-warp culture, but if they'd known they were warp-capable they might have opened relations directly.the Baku moved to that planet long ago and have created their new low-tech culture there. It doesn't matter that they weren't native, that is still their culture/world. The Federation couldn't go to a Cardassian colony and kick everyone off just cause they didn't originate there.
Death waits for no-one.The Federation could have developed the medical benefits through longer-term, non-destructive research of the radiation - the Sona just claimed they couldn't wait.
First Contact retconned her as having been on the cube from "Best of Both Worlds" too, so she also somehow survived that, only to come 'back' in FC. It's never really explained how the Queen survives/is reincarnated when she is killed/defeated - and yeah the Queen's not played by Alice Kriege in this episode but I think we're supposed to pretend it's the same one.Unfortunately, there's a few things that drag the episode down for me. First, the Borg Queen is back... and it's not even Alice Krige. She was destroyed in First Contact (rightfully so), how and why is she back? I don't know, they don't tell us.
You'd think, but again First Contact retconned this into the Queen looking for some kind of 'equal' and having chosen Picard for the task - a sort of 'Duke of the Borg' to her Queen. And Hugh in "I, Borg" treated him with some sort of recognition and reverence beyond a regular drone when he roleplayed Locutus. So who knows? The Borg never really made sense.In The Best of Both Worlds, the Borg take and assimilate Picard for, if my memory serves me correctly, his knowledge of Earth and humans and also to be the Borg's spokesperson, a symbol of fear to show Earth that they're fucking screwed. After that, in an alternate universe where the Borg succeed, I imagine he'd just become another mindless drone.
I'm curious to know how you feel about Ezri's role in these episodes.Just watched the first three episodes of DS9's final nine-episode story arc. Wow!
It almost feels kind of soap opera-ish, in a good way. Love all the character and story development so far!
A lot of that is a consequence of the writers not knowing entirely what they were doing. Echevarria, Moore and Weddle all admit that they had difficulties synchronizing stories together, meaning that some character arcs stagnated (either took unusually long or were subject to lots of filler) until important plot points came into fruition. Yes, there is too much soap opera in the dialogue, but I appreciate that there was an honest story about how ex-spouses/ex-lovers related to one another.even if it is a little "soap opera-ish" with the constant "I LOVE YOU, NOW I HATE YOU, NOW I LOVE YOU, AND NOW I HATE YOU AGAIN!" back-and-forth between the two.
USS Defiant... she's dead, Jim![]()
Yes to all this, except I'd hope what we get to "know" about them would remain relatively limited. The mystery is a big part of their appeal.The Breen were a rather interesting late addition that I wish they had thrown in earlier in the season so we could have gotten to know them more. Although the helmets always make me think of Princess Leia disguised as a Bounty Hunter.
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