^ Better than Children of Men? No. Better than Azkaban? ... I'd call it about even.
So if I take the "story" of the equation, then that 12 minute open I feel blows both long takes from Children of Men out of the water. I feel like this is the culmination of the Lubezki/Cauron collaboration - although I suppose working on two Malick films probably helped a lot too. (But maybe his work on Gravity probably ended before he started working with Malick?)^ Better than Children of Men? No. Better than Azkaban? ... I'd call it about even.
I feel like this is the culmination of the Lubezki/Cauron collaboration - although I suppose working on two Malick films probably helped a lot too. (But maybe his work on Gravity probably ended before he started working with Malick?)
It's weird. I've seen this film 7 times now and while I know the story is basically generic to the point where it might as well not exist
Well, when you put it that way, I guess I can't disagree. But if it were me, I'd definitely go for a 3D projector rather than a TV - you get a bigger screen/viewing area, and a more cinematic experience. But that's just moi.Of course, I'm perfectly willing to admit that the script is probably the worst that Cauron has had to work with. But I'm okay with it just being all "style" and very little "substance". I'm actually considering buying a 3D TV for this movie - that's how deep a hole I am in with this thing.
I agree. I've recently bought a 3D projector (I love it) and can't wait for Gravity to come out on 3D blu-ray! (well, that and Pacific Rim)Well, when you put it that way, I guess I can't disagree. But if it were me, I'd definitely go for a 3D projector rather than a TV - you get a bigger screen/viewing area, and a more cinematic experience. But that's just moi.(...) I'm actually considering buying a 3D TV for this movie - that's how deep a hole I am in with this thing.![]()
Ah, I had no idea they were working together for that long. I just assumed they hooked up with Tree of Life and To The Wonder.I feel like this is the culmination of the Lubezki/Cauron collaboration - although I suppose working on two Malick films probably helped a lot too. (But maybe his work on Gravity probably ended before he started working with Malick?)
Lubezki has been collaborating with Terrence Malick since The New World in 2005. That film, and The Tree of Life (2011) certainly predate principal photography on Gravity.
He's been working with Malick a lot longer though -- since Love in the Time of Hysteria in 1991.
I don't. Part of it was just experiencing it in as many formats as I could. I've seen it in Atmos, IMAX, D-Box, and "regular". IMAX was the best viewing experience simply because it has the brightest projection.7 times.Do you work for a movie theatre chain?
Well, when you put it that way, I guess I can't disagree. But if it were me, I'd definitely go for a 3D projector rather than a TV - you get a bigger screen/viewing area, and a more cinematic experience. But that's just moi.![]()
I don't have the room to go with a projector unfortunately. I was actually looking for smaller 3D TVs, but it looks like the TV makers are only putting 3D into 40" or larger sets these days. At least that's what the chain stores seem to carry up here anyway.I agree. I've recently bought a 3D projector (I love it) and can't wait for Gravity to come out on 3D blu-ray! (well, that and Pacific Rim)
I always tend to think of "masculino-fascist" type of concepts as what you get when you have a right-winger embarrassed by their cherished reactionary illusions trying to sound leftish by trying to copy Marxism without ever, ever bothering to find out anything about it.
One point of the plot I didn't get or perhaps missed the dialogue in the film is why was the Chinese space station losing its orbit? That seemed just a little to easy to make the plot work. Also that she gets incredibly lucky pushing the right controls to eject the emergency landing vehicle.
The rest IMO was plausible - at least plausible enough.
I always tend to think of "masculino-fascist" type of concepts as what you get when you have a right-winger embarrassed by their cherished reactionary illusions trying to sound leftish by trying to copy Marxism without ever, ever bothering to find out anything about it.
Spaceflight and even science was lampooned as being 'penetrative' for awhile by some eco-feminists and deep ecologists. Even Chomsky had to put the breaks on that and well as postmodernism. I've always adored Camille Paglia myself.
She thought that pop-art deserved more respect, and I love her for that. One of her books
http://www.amazon.com/Glittering-Images-Journey-Through-Egypt-ebook/dp/B007WKE2PU/ref=dp_kinw_strp_1
I always tend to think of "masculino-fascist" type of concepts as what you get when you have a right-winger embarrassed by their cherished reactionary illusions trying to sound leftish by trying to copy Marxism without ever, ever bothering to find out anything about it.
Spaceflight and even science was lampooned as being 'penetrative' for awhile by some eco-feminists and deep ecologists. Even Chomsky had to put the breaks on that and well as postmodernism. I've always adored Camille Paglia myself.
http://www.amazon.com/Glittering-Images-Journey-Through-Egypt-ebook/dp/B007WKE2PU/ref=dp_kinw_strp_1
In the real worl the Chinese space station is in fairly low orbit. It could've simply been pushed or fallen a bit especially after the escape rocket launched/the first pass of the meteor shower.
The Chinese space station[citation needed] (CSS) is a planned artificial satellite to be placed in low earth orbit. It is part of Project 921 of the Chinese space program. It is a third generation modular space station, comparable to the Soviet/Russian Mir, Russian OPSEK and the ISS. Operations will be controlled from the Beijing Aerospace Command and Control Centre in the People's Republic of China.
According to the technology-tabloid The Register, Wang Wenbao, director of the Chinese space agency, the China Manned Space Engineering Office (CSME), believes that the project "will enhance national prestige and strengthen the national sense of cohesion and pride."[1][2] The planned launching date is "around 2020" [3]
U.S. shuttle orbotors don't fly anymore and the Chinese don't have a working station in orbit yet. So that pretty well makes this film science fiction...seeing as some people were questioning that.
^ I thought she muttered something about the button layouts being the same, with only the language labels different?
In the, 'real world,' the Chinese haven't even launched their space station yet?
We use essential cookies to make this site work, and optional cookies to enhance your experience.