Posted by Lady Conqueror:
Posted by Miss Thang:
Well, I think
Plummikins does raise a good point. You've got someone who goes revenge-mad and slightly genocidal and it happens to be the Southerner. In the past we've had an emotionally labile, too-quick-responding, impulsive guy who does silly things and it happens to be the Southerner. Trip's been portrayed as dumb in the past--Connor Trinneer's even expressed concern about it.
Archer's sometimes portrayed as a big dumbass, but there aren't all these markers saying, "HEY! This dude's from THE BAY AREA! He eats Bay Area food, has a Bay Area accent, and is folksy in that stereotypical Bay Area way!" Trip's had the Southerner stamp across his forehead from the pilot--down to Reed imitating his accent.
But should we then just not use this sort of plot with Trip's character
because it just might happen to fit in with some people's stereotypical view of Southerners. How PC do we have to get not to offend someone.
Nope. Not at all. I don't think the issue is really offending people, but rather using easy, trite, expected connotations between place and character traits instead of coming up with something original. It's not just about viwers' stereotypes, but also how those stereotypes are created--by rehashing portrayals, uncritically accepting other people's work and reprocessing it because it's familiar and people "get" immediately that "this equals Southern; OK, I can deal with this without putting too much thought into it."
I don't think that's a PC issue at all. It's more a matter of good writing, as far as I'm concerned. I'm not offended that Trip's the one they picked to go through this tragedy. I think he's a good choice, given, as you point out, that he tends to wear his heart on his sleeve, and I hope we get to see his character grow and change in response to Elizabeth's murder. Cumulatively, though, it seems that there's a lazy dependence on Southern stereotypes in the creation of Trip's character that we don't get with Archer. I'd rather not see the Southern thing be a writer's crutch.
And this had to happen to Trip - look at the rest of the cast:
<snip>
Reed - Maybe but he's too repressed at it is. I'd imagine he would just bury the pain deep down and try to get on with the job, British stiff upper lip style (and folks want to complain about stereo-typing)
I don't think Reed's that repressed. He's the one accepting his fate in "Shuttlepod One," while Trip's in annoyed denial. Reed's the one telling Trip it's OK to admit to feelings of sadness in "Expanse" in response to Trip's claim that his sister's death doesn't count any more than any of the other 7 million deaths. Reed very much does experience emotion; knowing what to do with those emotions seems to be the problem sometimes. Trip frequently suppresses his emotions--or tries to. They work themselves out, though, often in the form of anger (i.e. lashing out at Reed in "Shuttlepod One," lashing out at Reed in "Expanse"). I don't think Reed would bury it deep down; I don't think he
could.
Now whether Reed'd be suitable for killing off his family, or some of them, I think there's possibility there. He has a younger sister, too. He has an extended family he's close to, and parents we've actually met. The Xindi could've easily attacked Malaysia and zapped his parents, or England (presumably) and zapped Uncle Archie, Aunt Sherry, and the rest of the aunties, or wherever Madeline is; he was expressing feelings of, at best, ambivalence toward his family just a few episodes ago, so there's definite possibility for emotional upheaval there. Reed's job is to protect others; I can see him getting a bad case of revenge-lust in response to the murder of some of his family, especially if it were driven by guilt over not having seen or gotten along with them and regret that there's now no opportunity to patch things up.
So that leaves - wears his heart on his sleeve Trip - and his reactions can come believably from what we've seen of him so far. He's in full, respond without thinking mode at the moment and that may make him seem stereotypically southern but it's also stereotypically Trip as well.
As long as they balance out his characteristics so he's not a one-dimensional southern stereotype, I don't think they should shy away from storylines which might bring that to mind for some people either.
And so far I think they and Connor have done a fairly decent job of showing other sides to the engineer.
I agree that it's not a problem if there's a balance. I don't think "respond without thinking" mode is stereotypically Southern at all--although it is indeed typically Trip==and I don't think that's what they were going for in this specific situation. I just wonder if they've thought through the implications of the places they have their characters come from, or if they just picked them for their convenient codes.
So far we have two characters from definite places--Trip's from the South, Malcolm's from England. But Archer's "from" California, and that doesn't seem to work into how
he's presented. That leads me to think that place as a key element of character formation isn't something that was really delved into as the characters were created. Travis is a boomer, so he's not "from" a place, he's from a ship. But that only ever figures into his character and the man he's become when they specifically deal with the ship he came from, like in "Horizon," or in that scene with Trip in the sweet spot in "Broken Bow" (and once on the bridge, when Archer called upon his freighter-derived expertise, and in an early first season episode on which Mayweather thought they should stay out of a situation. Otherwise, nothing much.) Where the hell is Hoshi from, anyway? Japan? And we know this from the food she obsessively recooked in "Singularity"?
Trip, on the other hand, is dripping "Southern" coding all over the place--the food he likes, the places he went as a kid, etc. etc. etc. Reed, too, but to a lesser extent--the accent, the disposition, the food he gets for brekkie with Trip and Archer.
What I'm getting at is that Trip and Reed are partly written by default because of where they come from, or that's what I'm getting from what I've seen. Other characters who are "from" places that are less culturally codified aren't so defined by those places--not because that's how things work in reality, but because, as I'm thinking at the moment, the writers don't have extant models to play with; those characters' regional origins can even seem incidental from time to time, and I suspect it's because they're not so constructed by those places as Trip and Reed are. If indeed, for example, Hoshi's Japanese-ness were to become a greater focus, would we be re-fed old Japanese stereotypes. She hasn't really been fleshed out yet. Is that because there's no regional hook from which to hang her?
All that said, I don't think this is a problem only TPTB have. Virtually all television drama and comedy writing and much film writing (at least in the US) is guilty of using easy, pat stereotypes in place of new takes on what it means to be from such-and-such a place. Trip and Reed are so easily recognizable as Southern and British because we've seen so many easily identifiable Southern and British characters before.
Here's another example: how many Cajuns have you met in your lifetime? But from what you've seen (and maybe you haven't seen them in Oz) in movies and TV, describe what a TV/movie Cajun is. Erudite? Sophisticated? Worldly? Prolly not. Probably more something like earthy, provincial, foolish, childlike, animal-like, backwater. And that perception comes from rehashed, unoriginal popular culture, from writers building on what they've seen others do because it's easy and because they can assume their audiences will get the codes.
It's not PC to ask that writers put greater thought into the characters they create. I know they're not writing
Middlemarch week to week, and that the conditions under which TV's produced aren't really conducive to great theoretical interrogations of region, place, and identity (that's what PBS is for

). I just think the characters would be that much more interesting if more thought were put into where they're coming from--literally and figuratively.
And let me just add gratuitously that James T. Kirk definitely was
not the stereotypical Iowan.
