HA! I wouldn't have guessed that from your posts.I don't understand the mindset that automatically rejects anything old, as I tend more toward the opposite. My collection of movies, TV shows, music, novels, etc. is replete with stuff from the sixties and before. TOS is the only version of Star Trek that fits that milieu.
And I'm a millennial.![]()
Max Steiner scored King Kong and it is one of the greatest, most influential film scores ever written.Actually if you can't see a difference between say the original 'King Kong' (1933) and the Flash Gordon serials (circa 1936) and either '2001 A Space Odyssey' (1969) or the original TOS effects (1966-69) I don't know what to say.
[IE to say they was really no difference other then the earlier works weren't in color and had worse music... wow, just wow.]
Yet again, I have to point out the the film elements to restore any effects do not exist so there goes your point right off the bat. Now if they could have tried the second best technique to preserve the original effects it would have resulted reproducing very poor images from analog composites, with out of date filming techniques that are grainy. So that wouldn't work. Therefore the best method was to use all-new FX with CGI...and we are left where we started.The original effects shots were done on film which exceeds 1080p in terms of resolution.
Neil
That's one aspect yes, but even moreso is the huge format change. You could watch a show from the 30s up till the 90s because it was played on a TV that hadn't changed much in decades..fast forward as information tech spurred accelerated change ignites a huge shift in TV technology, and the government dictates a format change. Now shows from the 90s don't even look very good without special attention.Compare a '30s show with a '60s show.
Now compare a '60s sci-fi show with a '10s sci-fi show.
If you can't tell the difference between the change in production value, you're blind. The switch from the '30s to the '60s isn't even all that noticeable outside of colour TV and better music.
The separate elements don't exist, so you're correct, you can't re-composite the shots. The final effects shots do exist, on film, which is higher resolution than 1080p. And they're on the Blu-ray in HD and look better than ever.Yet again, I have to point out the the film elements to restore any effects do not exist so there goes your point right off the bat. Now if they could have tried the second best technique to preserve the original effects it would have resulted reproducing very poor images from analog composites, with out of date filming techniques that are grainy. So that wouldn't work. Therefore the best method was to use all-new FX with CGI...and we are left where we started.
RAMA
The separate elements don't exist, so you're correct, you can't re-composite the shots. The final effects shots do exits, on film, which is higher resolution than 1080p. And they're on the Blu-ray in HD and look better than ever.
Here's how to do it:
Doug Drexler himself did the CGI Enterprise shots.
Here's how to do it:
Doug Drexler himself did the CGI Enterprise shots.
I haven't actually seen footage from Continues before, but that's more what I wanted from some of the remaster shots. The actors don't really resemble the original cast but few do, that Scotty accent is uncanny though.
The quality of the work is better, but some of the shots in that are just as much of a departure from the original as anything created by CBS Digital -- sometimes, more so.
Well yes, but there's no original shots to be mimicking in this case.
I was pointing more to the very opening shot, which is a faithful recreation of an original establishing shot.
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