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Poll Do you consider Discovery to truly be in the Prime Timeline at this point?

Is it?

  • Yes, that's the official word and it still fits

    Votes: 194 44.7%
  • Yes, but it's borderline at this point

    Votes: 44 10.1%
  • No, there's just too many inconsistencies

    Votes: 147 33.9%
  • I don't care about continuity, just the show's quality

    Votes: 49 11.3%

  • Total voters
    434
In Star Trek the Eugenics Wars happened in the 1990s, Nomad was launched in 2002 and this year there will be a major breakthrough in fusion-driven sublight propulsion technology that will make sleeper ships obsolete for interplanetary travel within our own solar system. It doesn't have to make sense nor reflect the real world news events we've seen since 1992. It's a fictional version of the world we live in and in that version of Earth we had a Khan Noonien Singh who escaped into space aboard a cryogenic prison ship and there were six Voyager space probes.

We can still show tech that reflects modern progress in the real world, but in the world of Trek mankind was cruising around our solar system in sleeper ships by now and no amount of whinging about "that never happened so retcon it" will take anything away nor add to the Trek franchise. If we can suspend our disbelief that Klingons now look like California Raisins with encephalitis then we can swallow an alternate history for our own planet.

It's easy. Just suspend your disbelief and tackle same-sex and gender issues and show holographic technology in a world where 37 million people died in the 1990s in wars fought by genetically-engineered tyrants. ;)
 
Calling it a reboot won't make it good either.
It immediately deletes any and all continuity issues which we're 117 pages deep into. When your art department are deliberately making things incompatible with what's come before, I'd say it eliminates massive continuity headaches.

Calling it a reboot and enjoying it as such makes it better than trying to force it into a world of bright jammies, cute morals and jelly bean buttons.
 
It immediately deletes any and all continuity issues which we're 117 pages deep into. When your art department are deliberately making things incompatible with what's come before, I'd say it eliminates massive continuity headaches.

Calling it a reboot and enjoying it as such makes it better than trying to force it into a world of bright jammies, cute morals and jelly bean buttons.

You can watch and enjoy it in isolation from the other series, just don’t be surprised when it doesn’t deviant too far from established continuity. I prefer to imagine TMP
, for example, didn’t happen and there isn’t much in the rest of Trek to suggest it did.

Doing so doesn’t affect those of us that have taken the TPTB at the their word.
 
You can watch and enjoy it in isolation from the other series, just don’t be surprised when it doesn’t deviant too far from established continuity. I prefer to imagine TMP
, for example, didn’t happen and there isn’t much in the rest of Trek to suggest it did.

Doing so doesn’t affect those of us that have taken the TPTB at the their word.
I don't expect it to deviate any more from the mythos than Smallville did. Clark will end up as Superman, Kirk ends up captain of the Enterprise.

Already it's followed a similar pattern: Take characters, locations and situations from "later" in the saga, meet and defeat them early. Smallville had Clark meet all the Superman villains and defeat them before even becoming Superman, Discovery has done the same with Harry Mudd, the Klingons and had a full-on Mirror Universe arc a decade before Kirk's "first" crossover.
 
Actually, I've already mentioned the two obvious occasions when they traveled to the modern-day world (as opposed to the near future or near past) — 1968 in "Assignment: Earth" and 1996 in "Future's End" — and in both cases, the world was clearly distinguishable from our own. Did you have something else in mind?
The Voyage Home is a fairly obvious example, too. Looked like contemporary San Fransisco to me. I don't agree that Future's End is obviously distinct from our own timeline, or Assignment Earth for that matter. Both contain clearly fictionalised elements, but so do most shows set in the contemporary world. I wouldn't hold that aliens really landed in Roswell, no. But in the show Roswell, which is set in a contemporary American High School, they did. I have no issue with that fiction in the Trek story either. Unless you want to be eye rollingly pedantic about the boundaries of fiction, therefore excluding any story from taking place in the real world, Star Trek is our future or near as dammit.
 
Don't get hung up on dates. The dates aren't important.
I LOVE dates. Dates and timelines and chronologies... these are literally one of the main things that draws me into deeper engagement with a fictional world. I have devoted countless hours to them. When they don't make sense, it drives me up a wall.

The Voyage Home is a fairly obvious example, too. Looked like contemporary San Fransisco to me. I don't agree that Future's End is obviously distinct from our own timeline, or Assignment Earth for that matter.
In TVH, transparent aluminum was invented in 1986. In "Future's End," the tech industry of 1996 was dominated by Henry Starling's company Chronowerx, which had been reverse-engineering future tech and bringing it to market since 1967. In "Assignment: Earth," countries were launching nuclear weapons platforms into orbit. None of these things bear the slightest resemblance to real history.

(And then there's all the other stuff CoolEddie recently mentioned, of course!... and my earlier point about the centrality in Trek history of an ambitioius space program in the early 21st century, something we emphatically Do Not Have.)

Unless you want to be eye rollingly pedantic about the boundaries of fiction, therefore excluding any story from taking place in the real world...
Bing bing bing! We have a winner! :cool:

(Did you not read my earlier post where I made this exact point and literally called myself pedantic for doing so?...)
 
Yes, that's why i brought it up. Unless you'd made that point I wouldn't have considered that viewpoint. The idea that any fictional element makes something not our world is saddening to me, and robs then of some of their magic. I certainly don't feel that way about stories.
 
In Star Trek the Eugenics Wars happened in the 1990s, Nomad was launched in 2002 and this year there will be a major breakthrough in fusion-driven sublight propulsion technology that will make sleeper ships obsolete for interplanetary travel within our own solar system. It doesn't have to make sense nor reflect the real world news events we've seen since 1992. It's a fictional version of the world we live in and in that version of Earth we had a Khan Noonien Singh who escaped into space aboard a cryogenic prison ship and there were six Voyager space probes.

We can still show tech that reflects modern progress in the real world, but in the world of Trek mankind was cruising around our solar system in sleeper ships by now and no amount of whinging about "that never happened so retcon it" will take anything away nor add to the Trek franchise. If we can suspend our disbelief that Klingons now look like California Raisins with encephalitis then we can swallow an alternate history for our own planet.

It's easy. Just suspend your disbelief and tackle same-sex and gender issues and show holographic technology in a world where 37 million people died in the 1990s in wars fought by genetically-engineered tyrants. ;)

None of those things happened. Khan didn't launch in space in 1996. People of the future just really didn't pay attention during history class at school!
"Martin Luther lived around the same time as Mozart, right?":guffaw:
No wonder since they had to learn the broad history of, like, a million different species...
 
Yes, that's why i brought it up. Unless you'd made that point I wouldn't have considered that viewpoint. The idea that any fictional element makes something not our world is saddening to me, and robs then of some of their magic. I certainly don't feel that way about stories.
I'm on the fence. On the one hand, I can appreciate the world building without getting caught up in the inconsistencies of it being "our future" because of events. On the other hand, Star Trek has always struck me as imagining from "our future" with humanity growing, developing and becoming more than it is right now. I was always under the impression that was the intent of the show, even as it strove to be an entertainment vehicle as well.

Star Trek is a bit unique in that its vision of the future is still around to be revisualized based upon contemporary tech, unlike, say, some of Heinlein's works, because the author is dead, and nobody has been able to pick up that mantle.

It's a lot to mentally juggle, so the idea that I'm just parroting CBS' "party line" is rather narrow vision in my opinion.
 
And in terms of the plausibility of a new character's status vs. the never-heard-of-'em thing, Burnham doesn't really seem to pose much difficulty...
Which makes it a relatively easy fix, much like Archer.

But remember the old discussion about expectations not being met? It seems the producers of Discovery are aware that there is an expectation among fans of TOS that we already know all there is to know about the 23rd century and about the backgrounds of Spock, Kirk, Pike, Sarek and Amanda. So their "promise" to make the timelines line up correctly is their statement that all the new information the fans are being asked to absorb will not actually retcon what they think they know about TOS. Meaning: the Enterprise will not be retrofitted with a spore drive, Burnham will not become its first officer, Amanda will not be killed by the red matter implosion of Vulcan, etc. It will all unfold more or less the way we remember it.

Being consistent with previous lore is important to fans, obviously. It's just that what the producers think is important differs somewhat from what a lot of other people think is important. The producers are talking about STORY integrity, while the most vocal of fans seem to be obsessed with technical details that are otherwise irrelevant to the story and have nothing to do with the characters at all.
 
I LOVE dates. Dates and timelines and chronologies... these are literally one of the main things that draws me into deeper engagement with a fictional world. I have devoted countless hours to them. When they don't make sense, it drives me up a wall.
When I was sixteen I was the kid who made her own Star Trek Timeline because I found the Okuda one to have too many inconsistencies. So I get that! But that's also why I have the attitude I do now, because if you really dig into this stuff, it becomes very quickly apparent that it has always been "a rolling series of retcons" as you put it. That's all of fiction.
 
Being consistent with previous lore is important to fans, obviously. It's just that what the producers think is important differs somewhat from what a lot of other people think is important. The producers are talking about STORY integrity, while the most vocal of fans seem to be obsessed with technical details that are otherwise irrelevant to the story and have nothing to do with the characters at all.

Contradictions are still contradictions, irregardless of what kind they are.
 
When I was sixteen I was the kid who made her own Star Trek Timeline because I found the Okuda one to have too many inconsistencies. So I get that! But that's also why I have the attitude I do now, because if you really dig into this stuff, it becomes very quickly apparent that it has always been "a rolling series of retcons" as you put it. That's all of fiction.
It is a fictional world after all. Inconsistencies are to be expected.
 
Yes, that's why i brought it up. Unless you'd made that point I wouldn't have considered that viewpoint. The idea that any fictional element makes something not our world is saddening to me, and robs then of some of their magic. I certainly don't feel that way about stories.
Interesting. As I've said before, I'm not out to throw a wet blanket on anyone else's enjoyment of whatever they like; I'm merely trying to express my own perspective. But, not to go all meta, but the notion that this would be saddening itself strikes me as sad. It literally wouldn't have occurred to me that anyone wouldn't have considered this viewpoint, because it's just one of those things I accept as a given. That's how I do suspension of disbelief. "There are multiple realities. The one I'm reading about [or watching] is not the one I'm living in."

(Except for Sherlock Holmes, of course. He was real. Watson said so! :))

...On the other hand, Star Trek has always struck me as imagining from "our future" with humanity growing, developing and becoming more than it is right now. I was always under the impression that was the intent of the show...
Yes, thematically that's important, I totally agree. My point with the analogy to Asimov, Heinlein, and other "old" SF, though, was simply that it doesn't lose any of its thematic power by being a vision of A future, rather than a vision of THE future.

...It seems the producers of Discovery are aware that there is an expectation among fans of TOS that we already know all there is to know about the 23rd century and about the backgrounds of Spock, Kirk, Pike, Sarek and Amanda.
See, this strikes me as puzzling. There is a fundamental difference between saying "don't contradict things we already know," and saying "don't tell us anything new that we don't know, because we know everything." Perhaps a few fans here and there have copped the latter attitude, but I can't see why the producers would imagine it's a widespread thing. By far the more widespread concerns I've seen and heard have been in the former category.

So their "promise" to make the timelines line up [means] the Enterprise will not be retrofitted with a spore drive, Burnham will not become its first officer, Amanda will not be killed by the red matter implosion of Vulcan, etc.
But this is not what people are concerned about. It's not what they're complaining about. It's missing the point. (Frankly, if that's what the producers actually think we think, it's an insult to the intelligence of fans.)

It's just that what the producers think is important differs somewhat from what a lot of other people think is important. The producers are talking about STORY integrity, while the most vocal of fans seem to be obsessed with technical details that are otherwise irrelevant to the story and have nothing to do with the characters at all.
That's kind of a bait-and-switch. That's going ahead and changing things we really do know, and then patting us on the head and making an excuse for it by saying the stuff we knew wasn't "important." (I happen to think, for instance, that the availability and safety of point-to-point intra-ship beaming would have significant relevance to a lot of Trek stories.)

I mean, when I got to college I learned how much of real life history is also "a rolling series of retcons", then I really eased up on fiction. :P
History, though (at least responsible, professional history), is only ever an attempt to summarize what we think we know about past events, based on evidence. Like a scientific theory or the verdict of a trial, it doesn't purport to be The Truth, merely our best provisional estimate of it.

Fiction is another story (no pun intended); one of the central conceits of fiction (setting aside occasional devices like the "unreliable narrator") is that it shows us what actually happened. There's a reason the default viewpoint for fictional narrative is called the "authorial omnipotent." When it's film or television and we literally see events with our own eyes, that just drives the point home. Changing that after that fact isn't just revising a theory, it's revising a reality. That's a hard pill to swallow.

ETA: whoops, I meant to write "omniscient," not omnipotent! Mea culpa.
 
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