Or you could not take it so seriously.
It was meant as a joke to being with, but okay.
Or you could not take it so seriously.
Not going to get any argument here - although the argument could be made that thematically the DSC Bridge is a manifestation of Lorca's oversized ego, in practical terms the Bridge is functionally absurdIf you look at the DIS bridge, you see an empty studio hall, that's why too sparce lit, and in where the controls (and bridge officers) are very isolated sprinkled throughout an empty void, unable to talk to each other over the vast distances (without the Captain walking directly next to anyone), everything above the eyline being either pitch black or single long, uninspired lightning stripes up unto the ceiling, and in which the helmsmen are seated near the centerline of the room, with almost half(!) of the bridge space being in front of them with NOTHING in there - not even other consols, or even monitors. Just a vast, dark hall with empty studio floor up until the enormous viewscreen/window.
Whether They do or not, that's my Head-canon reason for things looking physically different.Does anyone think that the changes will officially attibuted to the Temporal cold war?
Well, that was my reason for ENT not making any sense... But I doubt it would become official.Does anyone think that the changes will officially attibuted to the Temporal cold war?
Does anyone think that the changes will officially attibuted to the Temporal cold war?
I think it's a perfectly valid headcanon excuse (although it probably only works in very broad strokes, because the Klingons are still totally incompatible). I used to argue tirelessly that ENT's temporal meddling let toward TOS rather than away from it, but to be honest the writers didn't know what they were doing. Branon Braga said ENT was an AU in one interview, stemming from First Contact, but the original premise and Manny Coto's season 4 clearly felt otherwise. It's like the Kelvin Universe, where 2009 Bob Orci insisted it was a timeline split in 2233, but by 2016 Simon Pegg was saying it goes back to the big bang.Whether They do or not, that's my Head-canon reason for things looking physically different.
With the over-all history pretty much staying the same.
(and it's a good enough reason for me, if They decide to fiddle with some of the historical aspects as well)
As far as I'm concerned "DISCOVERY's" Universe is slightly off-center of The Original Series Universe and I don't really expect the two to converge, no matter what the Producers say.
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obviously both statements must be true2009 Bob Orci insisted it was a timeline split in 2233, but by 2016 Simon Pegg was saying it goes back to the big bang
Really, The Nimitz class is only 383m, it looked bigger than that.Here are sizes for the Nimitz-class USS Europa (383.3m) and the Vulcan Corvette (142m), courtesy of Eaglemoss.
Oh, don't get me wrong: The 2009 bridge is by far one of the most uninspired designs possible. I wouldn't call it "good" by any means. It's way too spacious for how sparse it is populated - like with the DIS bridge the designers seemed to think "bigger is better", instead of actually filling it with interesting stuff (one of the drawbacks of having a similar production crew). The color scheme is more than uninspired. And all those shiny lights pointing the bridge crew directly in the eyes is a fucking horrible mess.
The JJprise bridge is sufficient.
As in: There is a ton of things to critique if you look closer. But if you just take a shallow look at it, it works. It's kinda "just there", and, again, has weird design choices. But if you look at it, it looks like a bridge. And one that superficially fits with the timeframe nonetheless.
Here are sizes for the Nimitz-class USS Europa (383.3m) and the Vulcan Corvette (142m), courtesy of Eaglemoss.
All the Enterprises have a firmly set size..
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