There is something to this. If you ask me, the DSC producers listen too much to the fans. Many fans don’t even know what they want, they just have this unconscious idea that everything should be a recreation of the Trek they grew up with (which seems to be TNG for a great many of the ardent DSC critics).
Season two demonstrated that the producers were trying to appease those who despised the new Klingons by backtracking on the redesign and writing them out of the story as much as possible. Because most the haters fixate on their hatred of Michael Burnham, the character has been rebooted a little both subsequent seasons. People wanted it to tie in more with TOS, so they wrote in Pike and Spock in S2. And to appease the constant accusations of continuity and canon violations, they moved the show ahead 1,000 years.
Every step of the way they’ve tried to appease the ‘fans’ and counter the criticisms they’ve faced. Last season said fans made it clear they hated the ‘big stakes’ nature of the story arc. This season they’ve scaled the nature of the threat back substantially...too substantially in my opinion. I’ve really not been feeling the dramatic urgency of the story arc. This runs the risk of boring the audience. I’m going to be honest—i rewatched TNG last year and for most of the latter seasons I was bored. Very little of consequence ever actually happened, and my lasting impression was that much of the series was a bit of a pointless plod. Entertainment being what it is these days, I don’t think you can get away with too much small scale storytelling. People expect grand stakes.
Frankly, trying to appease angry nerds is a thankless task. A lot of them are actively invested in hating the show anyway, and have been from before it even aired. No matter what the writers do, such people will find things to hate. I personally think the writers would be best to stay true to their own vision and just tell the best possible story they can, and be unafraid to push buttons and set noses out of joint (which will happen regardless). But that, alas, is not how the entertainment industry works. It is financed by investors and influenced by focus groups and they pay serious attention to whatever shit people are complaining about online. (Expect to see a huge reduction in emotionally based scenes next season!)
I’ve actually really enjoyed season 3, but I do feel it’s been watered down. After a strong start, it hasn’t engaged me as much as seasons one and two. And yes, I loved both of those. There must be something wrong with me, because I actually think that, aside for a few bumps, the first season may have been the strongest and is one of my favourite Trek seasons. I never really understood all the hate.