The body count in The Man Trap starts out the series at 5.Kirk Fu is action. Hand phasers are action. Wresting a guy in a rubber suit is action.
That's some action.
The body count in The Man Trap starts out the series at 5.Kirk Fu is action. Hand phasers are action. Wresting a guy in a rubber suit is action.
Maybe. If we count the PARANORMAL ACTIVITY series with its endless empty room shots.My question is, do you all think a studio in today's age, would greenlight a slower, less-action oriented film along the same lines of TMP but executed better?
While I haven't seen it in a long time, I remember finding TMP to be long and painfully slow, like many but certainly not all viewers. I think I'll enjoy it more when I eventually rewatch it, but I'll still probably have issues with it.
But there's a good idea in TMP. The feel of it is very much the viewer is going on a Trek into strange unknown territory. It has a sense of discovery about it akin to Kubrick's 2001. We never really got anything quite like that again in Trek films or really from the shows from what I've seen and remember.
My question is, do you all think a studio in today's age, would greenlight a slower, less-action oriented film along the same lines of TMP but executed better?
I'm thinking not. TMP has such a negative reputation for its pacing and lack of action and Hollywood today is too focused on wham-o-blam-o big budget films to risk something as expensive as Trek be a slow movie about discovery and the unknown.
Twenty year old me found it boring, padded and poorly constructed. Sixty-five year old me agrees.TMP’s story and scale were pretty damn epic, certainly compared to any previous TV episode. A lot of the negative/“bored” reactions, I think, came from people in 1979 wanting Star Wars starring the Enterprise crew — even Young Me, though I matured and got better later.
To each their own; I found and find it extremely well structured, with pretty much nothing in it that doesn’t add something. (Even the length of the “Enterprise Porn Flyaround” is about Kirk’s feelings about that ship, and being there; it isn’t excess.)Twenty year old me found it boring, padded and poorly constructed. Sixty-five year old me agrees.
Yeah. I can escape the slowness and sheer excess over the Enterprise flyby or VGer journey.Twenty year old me found it boring, padded and poorly constructed. Sixty-five year old me agrees.
Yeah, I just have to disagree — or rather, I find the changes in Kirk (as with Spock) to be a specific plot point. They’ve been changed, and not for the better, by having been away, separated, and caught up in other hierarchies: Starfleet Operations, the Kohlinahr Masters. This movie is about everybody (even arguably V’Ger) getting back to what they ought to be; compare the coldness of the early Enterprise scenes with the familiar warmth of the final bridge scene, where the band is back and who they’re supposed to be again. No, I can understand your dislike for the film, but to me it’ll always be the most essentially Trek at its core.Yeah. I can escape the slowness and sheer excess over the Enterprise flyby or VGer journey.
Kirk as a character is horribly out of character and does a disservice to the idea of advancing in leadership.
My dislike has nothing to do with the Trekiness of the film.Yeah, I just have to disagree — or rather, I find the changes in Kirk (as with Spock) to be a specific plot point. They’ve been changed, and not for the better, by having been away, separated, and caught up in other hierarchies: Starfleet Operations, the Kohlinahr Masters. This movie is about everybody (even arguably V’Ger) getting back to what they ought to be; compare the coldness of the early Enterprise scenes with the familiar warmth of the final bridge scene, where the band is back and who they’re supposed to be again. No, I can understand your dislike for the film, but to me it’ll always be the most essentially Trek at its core.
While I’d agree that in particular isn’t a great message, it’s hard to see how that doesn’t square with TOS of all things, whose films went on to keep most of them together (or bring them back together whenever they separated) for another twelve years.My dislike has nothing to do with the Trekiness of the film.
It basically says "stay the same. Don't be promoted, don't become more, don't separate from your friends.,"
That's not a good message. It's probably unintentional, and the exploration aspect is good. But, it kills a lot of people in the name of me life.
It's hard to square that with TOS.
The series.While I’d agree that in particular isn’t a great message, it’s hard to see how that doesn’t square with TOS of all things, whose films went on to keep most of them together (or bring them back together whenever they separated) for another twelve years.
The series, in which the characters stayed together for all three seasons? A not uncommon element of TV shows?The series.
Not the films. How can TMP square with a film not made yet?
Agreed. So don't separate them.The series, in which the characters stayed together for all three seasons? A not uncommon element of TV shows?
Well, I don’t think that’s what the film wanted to be about, but I can hear what you’re saying. It’s entirely true that “the fiction wants them to stay together so that’s that” is a common trope across a lot of series.Agreed. So don't separate them.
It's bs how Kirk is handled. It's worse yet when the next film repeats the same theme. You should never grow.
As the first film as seeing the series the disappointment still resides in such poor messaging about leadership.
YesWell, I don’t think that’s what the film wanted to be about, but I can hear what you’re saying. It’s entirely true that “the fiction wants them to stay together so that’s that” is a common trope across a lot of series.
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