I am on record as stating that Hollywood never learns from its mistakes. It is insane.
I'd like that record, on paper, in duplicate please. I'd hate to think you were being insincere or anything.
I am on record as stating that Hollywood never learns from its mistakes. It is insane.
Paper? I have no paper, but since you asked, I have links from posts I authored right here that touch on the topic:I'd like that record, on paper, in duplicate please. I'd hate to think you were being insincere or anything.
My concern for the new show is that with only 13 episodes per season (unless this is just the order for this season and/or they change it for later seasons) and a single "main" story for each season, that the show will miss out on those one-off episodes that occasionally really shine. I am thinking of "Parallels", "Cause and Effect", "Trials and Tribble-ations", "Children of Time", "Blink of an Eye", and "Living Witness".
Star Trek has a limited history of true arc storytelling (DS9 Season 6 episodes 1-6, DS9 Season 7, episodes 17+, Enterprise season 3), but within them they don't have a lot of examples of one-offs. "Rocks and Shoals" feels separate, but still is within the whole "start of the war" storyline, "Extreme Measures" is similar in that it isn't as integrated into the "final arc" storyline as the other 8 episodes, but it still ends the Section 31 "arc" and continues the founder's disease arc.
I guess Enterprise season 3 does do this, but it has been a while since I watched it, and other than Twighlight and E2 I don't remember any standout episodes and they seemed very tied into the Xindi arc. Maybe these are two good examples as they are sort-of one-offs, but also fit the season-long story arc.
Long story short, I hope ST2017 has room for those great one-off stories that might not totally fit into a on-going, season long, story (though I am looking forward to character and story continuity - something seriously lacking in my current Voyager rewatch).
Paper? I have no paper.
We don't know if the show is going to be serialized, stand alone, or a mix.
This.I prefer 13 episodes. Because they need only to split their budget to 13, rather than 22. Thus they can give me better everything to each episode.
This.
I think of a few things; One being that the show will be more tightly plotted, and there will not be "filler" episodes. As much as I love the older series, they did have episodes now and then that seemed to just fill out the seasons. I'd rather see a show planned out and have the writers and showrunners excited about what they are doing, rather than just punching a clock and whipping out episodes to satisfy 22-26 episodes a year.
This bothered me the first time I read it, but I didn't take the time to post my rejection of the concept as far too simplistic and maybe even idealistic or wishful thinking. But now that jonesy has also quoted it as being righteous with a perfunctory "This," I must object.I prefer 13 episodes. Because they need only to split their budget to 13, rather than 22. Thus they can give me better everything to each episode.
This bothered me the first time I read it, but I didn't take the time to post my rejection of the concept as far too simplistic and maybe even idealistic or wishful thinking. But now that jonesy has also quoted it as being righteous with a perfunctory "This," I must object.
If an episode costs $5m, you generally multiply that by the number of episodes to get the much more responsible annual total. You don't start with a total and divide by the number of episodes to determine the cost per-episode. That's unfair and unrealistic in both directions:
1. You get a $250m annual budget for 13 shows to far overspend $19m per episode.
2. You get a $25m annual budget for 22 shows to underspend $1.1m per episode.
The truth would be somewhere in between with a more complex formula because episode costs will vary, can be managed, and there is ultimately an annual budget, possibly determined by anticipated revenue the show might generate. But you don't just start with a magical budget and divide by the number of episodes you'd like to see. You're not going to win that pitch to the studio.
It's definitely a kind of storytelling that Trek is mostly alien to, save for a couple instances in various series. And, of course, there was DS9. DS9 was the serial storytelling experiment. Enterprise did it too, although I don't personally think they were able to make it that compelling for very long. Traditional Star Trek is episodic, and even when they took it serial, there were always side-plots and B stories to fill things out. Honestly, I think part of the "feel" of classic Trek is its generally episodic nature. It's nostalgic.
And now we've got a fully-realized serial Star Trek series. It's definitely going to feel different.
But I welcome change. I'm excited to see what happens.![]()
I was thinking about Wayoung's comments regarding Fuller's endeavors. Stand alone episodes with ongoing threads, as in Wonderfalls.
Hasn't something similar been done with Dr. Who?
ST should be at LEAST 22 episodes a season. 13 is not enough.
Also, they better not use this as a vehicle to push a radical agenda by making "LGBT" characters specifically just to say they have them. I remember one thing in DS9 where there was sort of a lesbian moment, but I think it had to do with a past trill relationship which was heterosexual. Besides for that I don't think there is very much of that. They could've done that on Enterprise, and they didn't. Why does it have to be done now? SO we can push a certain agenda that is not present in either the new movies, or any of the other movies or shows? Rather absurd.
Also, I hope the rumors that it takes place between TOS and TNG isn't true. It would make it nearly impossible for any guest stars from the newer series, and for that reason alone in feeling a connective tissue to past series it shouldn't be so. Set it after Voyager/Nemesis. Since characters might age slower due to the longer life-spans maybe jump ahead like 30 years instead of 15, but that would be best.
A philosophy developed to push GR's trinkets to sell, that even Nimoy was made uncomfortable by the original script and worked to have it changed?It's always funny how little Trek fans seem to understand the philosophy espoused by the show they're fans of. IDIC anyone?
I don't think it undermines it. I mean, GR could have been pushing a range of toy weapons and toy soldier-type figurines, but instead he tried to make a buck off peace, love and understanding. Indeed, you could argue that that's what Star Trek was all about. That "contradiction" is totally in keeping with GR's character and his ideals.A philosophy developed to push GR's trinkets to sell, that even Nimoy was made uncomfortable by the original script and worked to have it changed?
Sorry, as much as I understand the appeal of IDIC and the concept of universal brotherhood (humanhood?) it represents, it is partially undermined by its original sales pitch by GR himself.
That's another way of looking at it. It's hard to not be put off by the initial presentation, at least for me. But, I see your point.I don't think it undermines it. I mean, GR could have been pushing a range of toy weapons and toy soldier-type figurines, but instead he tried to make a buck off peace, love and understanding. Indeed, you could argue that that's what Star Trek was all about. That "contradiction" is totally in keeping with GR's character and his ideals.
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