So, what are you trying to say? Can you clarify this?
Nah
So, what are you trying to say? Can you clarify this?
One interview where Gerrold is not a tool is Chaos on The Bridge. Gerrold is pretty funny in that. He admitted to Bill Shatner that he thought about pushing Leonard Maizlish out the window.
If it's any consolation I totally get your assessment.
Gerrold also wrote a great Facebook post a few years ago in defense of William Shatner, making the point that he had the toughest job, the most dialogue, and put in the longest hours on the show, in addition to doing stuff like interviews and promotion for the show. And if he wasn't able to be everybody's buddy, well... He was still basically the guy who was giving everyone else a job.
If you want to read the whole thing, it's here.
Outspoken, certainly. But I don't always consider that a bad thing. I can even be forgiving of someone being arrogant if they have the talent to back it up (i.e. They have an actual reason to be arrogant). Jerk, I can't really speak to, as I've said I've only had positive interactions with the man.Stock just rose more. Perhaps out of "tool" status. He can be an arrogant, outspoken jerk, but maybe not a tool.
I've revised my opinion of him downward over the past decades.But glad you're being open-minded enough to revise your opinion of DG, even slightly.![]()
Care to explain why? Not criticizing, just curious.I've revised my opinion of him downward over the past decades.
Or Greek.Yes, I am only referring to episodes where they are trying to pass as natives in places where that don't speak the same language. Obviously in "City on the Edge..." "Tomorrow is Yesterday", "Assignment Earth" -- they don't have an issue.
Also my mistake -- in "Bread and Circuses" Spock notes they are speaking English -- even though that makes zero sense in a society where Rome never fell -- they would be speaking Latin.
Like a number of episodes, this one is amazeballs if you don’t think about it too hard...
Never delivering the long-long-promised next novel of his Chtorr books. A few years ago he was asking for donations due to family emergencies and the offered "donation perks" which included bits of the unreleased books (which is ok), and added "Anyone making a donation of $1000 or more will receive all of the previous perks, PLUS: I will name a character after you in either A NEST FOR NIGHTMARES or A METHOD FOR MADNESS." (I'd link it but it's to a crowdfunding site and that's against board rules.) I get that he had financial issues, but at this rate he's never going to finish either book (it's 26 years since the last one of that series came out, so it's not promising) and to me it feels disingenuous to have people donate with such never-to-be-delivered perks promised. Then there's the matter of the Axanar debacle where he initially sided against CBS. He was also involved in the laziest Kickstarter imaginable for a proposed series based on his Star Wolf stories (which failed miserably), as if he couldn't be arsed to contribute meaningfully to the effort to make his own show. Finally there's some personal behavior stuff I heard from a fanfilm shoot that I'm not going to get into.Care to explain why? Not criticizing, just curious.
Yeah that scene was crying out for a larger, more cluttered set. Could they really not have done an Enterprise Engine Room redress? It passed OK for the computer room in The Menagerie and they were happy enough to use one of those wall consoles in the filmed episode anyway.My favorite thing about the episode is when the Commander et al realize Kirk was after the cloaking device, and she says "The cloaking device!", and they all run to the cloaking device room...
and no one LOOKS for the cloaking device right away. Tal checks the unconscious guard, the Commander looks over wall panels in the opposite direction of where the cloaking device was, and the other guards look around randomly, in any direction except where the cloaking device was. Finally Tal looks and shouts "The cloaking device!!" and everyone looks shocked it's gone. The whole scene was a painfully theatrical setup for the shouted revelation. Especially since the empty cloaking device socket was the first thing anyone would see as they entered the room.
...I find the episode pedestrian. It feels to me like a 1st season episode of Voyage to the Bottom of the Sea, which was more spy/espionage-oriented than the show ultimately became. I can just imagine Richard Basehart chewing up the scenery as Shatner did.
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