But can a producer assume that the audience member has seen the previous series and/or movies. Perhaps Trek is a special case.
I remember thinking how vile Fox was to dicth brilliant social-commentary sci fi in favor of lowest-common-denominator sophomoric insult-comedy.
Well, to be fair, the decision was made based on economics, not content. The FOX executives loved Alien Nation, but it was a very expensive show to make, what with all the location shooting, makeup, and action/stunt sequences. And at the time, FOX was still only airing a few nights' programming per week and wanted to expand their lineup. Their bean-counters told them that they could make four half-hour sitcoms for the same amount they spent on this one hourlong drama. So they sacrificed AN in favor of the four sitcoms, getting an extra hour worth of prime-time programming at no added cost.
But to their credit, the FOX execs kept AN on the back burner and tried to find a way they could afford to bring it back. They encouraged the producers to develop scripts for a second season, and then proposed continuing the show as a series of movies. And though it took four years, they finally committed to making those movies.
So it's really not fair to call FOX's decision "vile." They loved the show and supported it to the best of their ability. But they were running a business, so their decisions had to be based on monetary profit and loss, not personal likes and dislikes. The sad fact is, lowbrow sitcoms are more profitable than intelligent SF dramas, both because they're a lot cheaper to produce and because more people actually watch them.
At the very least, I think, we can all agree on that.But, my god, that sitcom "Babes" itself was vile!
The movie is vastly inferior to the show. The film sets up this great idea with amazing potential, and squanders it in favor of a formulaic mismatched-buddy-cops-vs.-drug-dealers action plot. The series takes that amazing potential and runs with it far and fast. The show created a world so rich and believable and immersive that while the series was on the air, there were times when I'd be outside and see a bald man in the distance and actually believe for a moment that it might be a Newcomer. That's how much the series sucked me in. And it used science fiction as a vehicle for social commentary better than any show since Star Trek had done -- and few since have matched it.
As I recall it was a mild reboot with Francisco family members changing their names and Detective Sikes changing from Skyes.What exactly was the relationship between the original movie and the series? Was it like Stargate, where the series was a more or less straight in-continuity continuatio of the movie? Or was it more like, say, MASH where the movie was more of a springboard for characters and ideas, but definitely not in continuity with the series?
I'd argue there's very little relationship between the original movie and the TV series continuity. The year was changed from 1991 to 1995 (although the later TV movies based on the series pushed the year forward even more), there's never any mention of George ever being named Sam Francisco, and even though there's a flashback to movie events, it happens in the context of Matt telling George how his old partner died. In the movie, George is an active part of the events, so he wouldn't need Matt to explain things. In the movie, the aliens who've enslaved the Newcomers used a drug to keep them in line; in the series, a gas was used that made them submissive.As I recall it was a mild reboot with Francisco family members changing their names and Detective Sikes changing from Skyes.What exactly was the relationship between the original movie and the series? Was it like Stargate, where the series was a more or less straight in-continuity continuatio of the movie? Or was it more like, say, MASH where the movie was more of a springboard for characters and ideas, but definitely not in continuity with the series?
But early on in the TV series other concepts were introduced like the humans wearing hats to protect themselves from the environmental damage. I think they introduced Francisco as the new, maybe first detective and partner on TV but its been years
I believe there is a single reference to it, albeit an obscure one. In at least one episode, George has a "I Love San Fransisco" mug which has been altered to say Sam.there's never any mention of George ever being named Sam Francisco
I asked Kenny Johnson about that once, and the real reason is simply that he spelled it like he heard it without consulting the movie and goofed.And yes, the spelling of Sikes's name was changed, probably for some sort of legal reason.
I remember the scene with the mug, but I don't remember it having been altered in any way. It's been so long since I've seen it, though, I could be wrong.I believe there is a single reference to it, albeit an obscure one. In at least one episode, George has a "I Love San Fransisco" mug which has been altered to say Sam.there's never any mention of George ever being named Sam Francisco
No, I am more than likely wrong...I tend to be a lot these days. (My mind is going!) I may very well have imagined the "Sam".I remember the scene with the mug, but I don't remember it having been altered in any way. It's been so long since I've seen it, though, I could be wrong.
I quite enjoyed the movie but the two decades later District 9 dealt with this kind of problem in a much more believable way. While it's lovely to think of aliens living among us as equals, the District 9 scenario rang true.
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