I’ve only seen any episodes this year through torrenting, and after having seen all 7 seasons of Voyager, 2 of DS9 and 2 of TNG, I personally found Voyager to be by far the most impressive of the bunch.
I’m not surprised to be honest. I’d probably be of a similar opinion had that been my experience as well. IMO, the first two seasons of TNG are woeful, with the odd exception. DS9 is better, but again only really has a handful of outstanding episodes in that first couple of years. In contrast, Voyager’s first couple of years are IMO, probably the series’ best.
There’s some aspects of the show that do retain continuity, such as b’Elanna’s and Paris’ relationship.
The problem being that they only achieved this at the expense of the superior Paris/Kim dynamic.
The monthly contact between Star Fleet and Voyager in the later episodes.
There shouldn’t have been any contact with Starfleet. A similar faux pas to Stargate Atlantis’ getting back in contact with Earth. The basic premise of the series is that they’re stranded, a long way from home. Why undermine that by qualifying it by having them being able to remain in contact with home.
The existence of the Delta Flier.
Along with the introduction of other ‘super technology’ helped undermine the credibility of the series.
Notice how most Star Trek episodes have fairy tale endings? Voyager shouldn’t be given additional criticism for flaws that every generation of Star Trek suffers from, a lot of which has to do with the constraints of television shows (equal length of each episode as ~45 minutes, for instance).
Fairy tale endings in Voyager’s case though, were in certain episodes, quite literal. I can’t remember any of the other shows utilising the BRB as much as Voyager did.
Another frequent complaint is about constant technobabble. Personally, I found the technobabble engaging, it just seems to help me immerse in the notion of 24th century space exploration. Perhaps I have some bias seeing as I’m a pure + applied science student, but there is just something refreshing about routinely hearing “plasma conduit”, “nutrino emissions”, “power matrix”, etc… instead of free-talk or laymen explanations of scientific phenomena. Moreover, the babble adds authenticity to B’Elanna’s status as an engineer, and gives us the impression that these space travellers are intellectually sophisticated, not just some space-bound renegades or something.
Technobabble was prevalent in most of the latter Trek series, and in itself can’t be used as a primary criticism of Voyager. However, more often with Voyager than any of the other series, the technobabble often went hand-in-hand with a deus ex machina ending, and/or to facilitate the BRB resolution to an episode.
Though most of all, I found Voyager’s characters to be immensely appealing.
IMO, the worst thing about the series. Comparing and contrasting the relative myriad of characters established on DS9, particularly over the mid-to-later seasons, the Voyager characters fare very poorly. Similarly, they do not hold up well against the casts for TOS or TNG either. Enterprise, you can make an argument that character-for-character Voyager has a better raft of people, but that’s about it.
Janeway: She’s a bit too emotional for my tastes, and is a bit hypocritical about her treatment of the prime directive (though what star fleet captain isn’t?). Nonetheless, she definitely harbors a lot of interesting internal conflicts in carrying out her duty as a captain, and is an easy character to relate to because of it. I will concede she is no Picard though Sisco has nothing on her. Sisco doesn’t possess the kind of conviction you’d expect of a Star Fleet captain, and feels very secondary to the whole Bejor-Kardasia conflict. In fact, the only aspect about him I don’t find to be bland is his relationship with his son, and some of the tribulations he faces in the loss of his wife.
Janeway’s attitude towards the PD is ridiculous. Despite often being preachy and judgemental around it, she often violates it on a whim. Prime examples, the series finale, she has no problem in changing the entire timeline of the universe to save two crew members? WTF? How selfish is that? Just because she couldn’t deal with their loss? The second example is worse still, she chastises Captain Ransom of the Equinox for exploiting aliens to get home quicker, conveniently forgetting that she agreed a pact with the Borg to commit genocide against Species 8472 in exchange for passage through Borg space? Again, WTF?
You also can’t fault her sense of priorities. At the end of the premiere you have the speech about getting home as fast as possible, yet by the second or third episode she has the ship stopping off looking in nearby gas clouds for coffee? Eh?
Also love the fact that she feels it appropriate to poke her nose into the affairs of others, and downright preach the values and morals of the Federation to all and sundry, often imposing those views on others. Again, liberal view of the PD anyone?
Of course it goes without saying that it’s hardly a surprise that Mulgrew wasn’t first choice to play Janeway, I’m just surprised that she was second choice. Woefully miscast, and as much as TOS could rely on Shatner, and TNG could rely on Stewart, Voyager simply did not have the strong lead that it desperately needed at times.
Tuvok: I have no idea how he compares to Spock.
Quite simply, he doesn’t. There was little character development over the course of the seven years, and a pretty uncharismatic character. You could argue that this is down to him being Vulcan, but that makes no difference, Spock was charismatic under the same restrictions.
Tom Paris: There’s no question that Paris is a cliché’d “bad boy” persona, especially with the show’s over-emphasis on his simplistic tastes (Captain Proton? Come on!). Still, there is something to be said for his progression from a rebel/criminal into a more responsible man. What personality evolution do you get out of people like O’Brien, Dax, Quark, Diana Troy, etc?
Paris is one of the better characters from the show, but take his progression and run it against someone like Garak from DS9, or even Damar. There’s little comparison. Paris’ journey is fairly simplistic and often he just appears to be maneuvered from A to B with little finesse. As mentioned above, they really should have pushed the Paris/Kim dynamic in the same manner that DS9 did with O’Brien and Bashir. The Paris/Torres dynamic never did anything for me.
B’Elanna Torres: IMO, she is leagues more interesting than Jordi LeForge. From what I’ve seen, the only remotely interesting aspect of LeForge is his visor, which is only majorly explored in one episode, while having minor recognition in a couple others (for instance, LeForge at one point mentions his superior vision allows him to detect the signs of a human lying). B’Elanna, however, has a far more developed backstory about her half Cling-On heritage, she is far more crucial to the story, and has an existent set of conflicts (being a Maquis, racial conflicts, love relationship, etc).
Laforge of the first two seasons, yes, without a doubt. Overall, much more open to debate, although I do tend to agree. Personally, I much preferred O’Brien, and Trip from Enterprise was the best character on that show, and better than either. As far as engineers go, it’s hard to look past Scotty for likeability, but the development of that character wasn’t as significant on TOS as character development wasn’t one of the key themes in those days.
The Doctor: The mere fact that the Doctor is a holographic projection makes him a fascinating character. There really is no other Doctor in the series who can compete with the ethical dilemmas of holograms gaining recognition as sentient beings, having unique properties such as not needing nourishment or sleep, being able to add routines to his program to alter his personality, etc. He basically exemplifies what science fiction is all about: exploring human issues through the lives of characters subject to the reality of whatever futuristic setting they pertain to.
Well I can make an obvious argument for Bashir, but that might spoil things. Again though, in terms of ships doctors, as great a character as the EMH is, and he is, IMO, the best character on VOY, he pales in comparison to Bones I’m afraid. At least we can say quite categorically that he’s better than Dr Crusher, and IMO, Phlox.
7 of 9: There’s no doubt the phrases “we are the borg” “you shall be assimilated”, “the collective”, “irrelevant”, “inefficient”, etc, have been painfully overused thanks to this character. However, 7 offers us the opportunity to view someone who is completely unfamiliar with what it is to be human, and view how she adapts to it. Her struggles are authentic, and we can always sympathize how she can find solace in her past behaviors as a borg seeing how irrational human behavior must seem to her. There is also no denying that 7 is an incredible actor. Virtually the entire show, she portrays this rigid personality who works tenuously, but in one episode she adopts the personality of the Doctor. Her imitations of him are so masterful, one has to wonder what kind of acting role she cannot fulfill.
Personally, I actually liked the character, and think that she gets far more stick than she deserves. That being said, the detractors DO have a point to a degree. As much decent development that she may have had, they had to go and spoil it by putting her in the catsuit again. A Blatent attempt at boosting the viewers with a bit of T’n’A, which didn’t work. Thankfully, she was a half-decent character though.
I’ll admit I’m not too fond of Harry or Chicoté, though once again the same can be said of every series. In TNG, Wes is the most vile, execrable thing to ever grace television (I exaggerate, but he truly is annoyingly juvenile, especially in the matters of love as seen in the episode “Dauphin”). Then there’s Kira, who despite having an interesting backstory that validates her personality traits, nonetheless comes off as a painfully emotional character, and Sisco who (as mentioned before) seems to have a fairly banal involvement in the story, and doesn’t possess anywhere near the same conviction or authority as Janeway or Picard do.
Both were awful, with very little development. Kim’s still an ensign at the end of the series? Even the former criminal’s managed to get back into the good books and earn himself a promotion, but not Harry!
Wesley was the most irritating character in Sci-Fi, bar perhaps Jar Jar Binks, at least for the first couple of seasons. Seasons 3 and 4 Wesley are much better. Kira, no comparison. Kira’s feistier than Torres and it’s played a lot more genuinely. Sisco over Janeway, again, there’s no comparison. Sisko’s relationship with his son, Jake, and his attitude towards the Bajorans and their faith, and his role in it, are all journeys in themselves, and all far more interesting and meaningful than any Janeway development that I can remember.
Oh, and just for kicks, Voyager has the best cast of minor characters. While TNG has Whoopi Goldberg (lol), and DS9 has Nog and O’Brian’s wife, Voyager has a creepy male Vulcan in Vorak, a sociopath beta-zoid, and a stuttering, awkard, but ultimately brilliant man in Barkley.
Watch the seven seasons of DS9 and then come back. Even the most ardent of Voyager fans would have to admit that DS9 trumps all other Treks on the peripheral characters front. Garak for example, is considered peripheral, but is one of the more rounded characters of any of the Trek shows. Beyond that you literally have about 20 characters that can be considered peripheral and contribute massively towards the narrative and the environment of DS9.
There are some aspects of Voyager that I suspect go under-appreciated. Not to sound superficial, but there is something to be said for Voyager’s presentation and special effects. What I found particularly impressive was the atmosphere of Borg ships, and much of the same can be said for the design of the hunters, species 8472, the phage, the khazon, etc. Sure, there were a lot of generic looking alien species, many of which only had minor changes in skin color or in nose design. Though, (sounding like a broken record here) other Star Treks also suffer from this issue on occasion.
Presentation and special effects are similar for all of the Treks, production values are high and for their respective times, state of the art. Voyager’s were no better, no worse IMO.
In conclusion, I can’t really understand why this series receives so much hatred. It almost makes me feel embarrassed at the nights I spent watching 5-6 episodes in a row, which I cannot say is also true of DS9, which dabbles too much with politics and sometimes feels direction-less, not to mention over-exploring what are at first intriguing character relationships (Odo and Quark constantly bickering, for instance). I’ll definitely concede that Voyager has its flaws. For example, there’s one episode where Paris goes at trans-warp speed, but the issue is never explored again, or how the Borg Civil War suddenly had no impact based on the season finale. Still, it seems to me there is far too much backlash towards a series that has consistently explored thought-provoking ethical issues, has an amazingly varied crew (black Vulcan, female commander, tol’axian, half cling-on, former borg, etc) that compliment each other well, and a respectable, consistent theme, all of which draw me to admire this show profoundly.
DS9 is far more demanding. It would be easy to try and say that it caters to a more dedicated audience, but I don’t personally feel that you could prove that either way. Suffice to say, DS9 is critically better regarded, largely because it was bolder than Voyager, it was different, and it dared to be different at a time when Voyager was just becoming more and more bland and safe. It took Trek in a completely different direction and set a new tone that was unfamiliar to Trek at the time. Voyager, by contrast, added little to the franchise. Most of what it offered had been done both before, and better, by either TOS or TNG.
As for the relationships, DS9 had by far the most complex set of dynamics of any of the Star Trek series. The Odo/Quark one in particular is one of the key strengths of DS9. Whilst this probably won’t be apparent from the first couple of seasons alone, by the end of the series, it’s perfectly obvious.
Voyager DID produce some standout episodes. Sadly, these were few and far between. The show had a relatively weak cast, that told uninspiring and often unoriginal stories, and despite having a fantastic premise, proceeded to play everything safe and became of the greatest missed opportunities in the whole franchise.
I apologize in advance for butchering the spelling of many names, as I am not that well versed in Star Trek culture just yet :P Also keep in mind that most of my arguments are subjectively based, so feel free to disagree with me. In fact, I wouldn’t mind seeing some persuasive evidence as to why this show is not well received, as it might allow me to appreciate Star Trek more fully.
The best thing that you could do really, to give yourself a balanced and considered position would be to watch the rest of TNG and the rest of DS9. I have no problem with people holding their own opinions, and if you like Voyager, good luck to you, but as always with opinions, everyone’s got one, and often they’ll challenge your own
