Makes sense, move it out of the way until it's neededLooking good.
Here's a strange thought about the transporter control console. Have it placed on a pivot so it could be swivelled to one side (something akin to the CONN & OPS of the Enterprise-D).
Yes! Something I absolutely love is when designers reuse set elements just like the crews would during production in order to save money. Gives a unified design language and kinda pays homage to the art department.Ok, I went back to my original concept and decided to be happy with it rather than continue to second-guess every choice, because I do prefer how it looks.
I started modeling the "corridor plug" from TNG engineering. The longer right-hand section will be the transporter controls, while the left area (pretty much a reuse of the panel I already had modeled) will have isolinear chips and such. I'll probably incorporate some greebles from the transporter room as well somewhere.
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Oh man, who let Drex and Okuda go through there...?
AWESOME!Had to tweak the consoles somewhat to make the LCARS fit, but that's good as it now guarantees they're pretty accurate. The LCARS themselves are inspired by both the TNG engineering panels and the transporter room.
I also replaced the two ceiling spotlights with an inset panel as on the TNG transporter room, as this provides less harsh lighting; and I simplified the side wall a bit, it was too busy before.
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Doug Drexler and Mike Okuda were two of the more well known Art Department wizards on TNG, DS9, VOY and ENT.
I assume because the last post looks insanely good like the set dec crew was all over it already?Yes. I know who they are. I'm not sure why that comment was made, especially with lack of okudagrams in that version... Anywhoo....
Yeah, that WIP image adds the black accent lines and informational labels the Trek art department used to make things look more functional. My favorite is the cellular regeneration chamber which was... a tanning bed? Sensory deprivation chamber? Single-person jacuzzi? ...some sort of found object, but the shiny white surface didn't resolve on camera at all, so Drexler or Okuda or somebody had to break out the graphic tape and tech it up in a few minutes before the scene started shooting.I assume because the last post looks insanely good like the set dec crew was all over it already?
Yes. I know who they are. I'm not sure why that comment was made, especially with lack of okudagrams in that version... Anywhoo....
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