I agree with a lot of this and frankly I keep trying to distance myself from the miniskirts question. The standard narrative is that they became a key symbol of empowerment and I have no problem with that being in many ways true where they were a statement of choice and not an imposition.
What, however, is more of a concern is the revisionism that TOS was intended as a driving force for that movement in society as a whole rather than a commercial product capitalising on it. Theiss's outfits for the "babe of the week" were about anything but empowerment, they were about creating something that would keep men watching and it was by all accounts frequently the case that Roddenberry's attitudes were pretty regressive even when you take the period into account, he saw the women he cast as being first and foremost flesh he put on display in order to get rich.
That's a long way from the legacy many of us would like to ascribe to a beloved TV show.
100% agreed. Gene was less than perfect and sometimes I wonder if he was stuck in the middle between the suits and selling real ideas, or if he was just doing anything to rake in the rubes. The truth might be in the middle. But even in a cartoon show, Lisa SImpson mentioned the myth of Jebediah Springfield had a part to play along with the underlying reality. Could the same be true to varying extents for the likes of Roddenberry and other entertainers of the day? What impetus starts positive change? Even if there's an irony involved?
And I would wager that the "babe of the week" was to appeal to a certain broad demographic in an attempt to bolster ratings, since sci-fi wasn't popular back then. Now that I'm thinking about it, it might have been part of their definition of "adult sci-fi" as well and I hadn't even thought of it that way. Lost in Space was kid material and Trek dealt with mature themes but the "exploit the women to attract casual/general audiences" never occurred to me. It's still exploitative, and yet there are people who defend - at least the miniskirts, but that's definitely not the same league as "babe of the week". I have to concede that. It's not unlike showing pictures of people doing certain things with the most contentious camera angles and zoom-ins while saying "NC17 shows are wrong, let me show you one to demonstrate why". Will people look for a message or just enjoy the show? Like that song about the walrus, the show's makers could be trolling their audience as well. Was Gene was doing that?
Roddenberry could definitely have been regressive and even admitted in the 70s he liked using people as sex objects and alluding men be that way too ("Inside Star Trek", 1976) --
-- and in the 80s he hadn't changed his mind at all since TNG's intention was to have Troi having cliched anatomy choices that DC Fontana managed to get Gene to NOT use, of which something similar was in Star Trek V (which he called "apocryphal" but not necessarily for THAT reason)... unfortunately episodes like "Justice" only showed Gene's idealism gone amok. And TV censors, aside from "sex always sells" (except for when it doesn't), still had a thing against male parts and all that. Heck, even Burt Ward had to have his parts tucked under and drugged... yet the same censors didn't care about how tight those sweatpants were in Trek. So it's still not all on him. "Those were the days" really were complex in their alleged simplicity. But should everybody be exploitable or nobody? Or everyone depending on context/reason/law/regulation? Entertainment is its own bubble, not always interacting with real life mores, much less being copacetic with them. We show heroes on TV trespassing and breaking in and stealing stuff, exploiting royally the owner of the stuff - that's not right to do in real life. The number of permutations not addressed here is technically considerable.