Oh great, this is gonna have fanboys in an uproar. Heath Ledger all over again. How about we wait untill we actually see a performance. You know, the thing any character is supposed to be judge up on.
Okay, I can understand that. You can't really judge the entire look from single image especially without the costume. It is jus --
*EDIT* Just to make it clear, I like it sofar. But I'm gonna wait and see what Jared makes of the character first, before I comment.
Wait, what? You can't bitch about people judging the look before seeing the performance and then immediately judge it yourself. Hypocrite much?
I dunno, I always thought of the Joker as a bit more dichotomous, what with the clownish "sillier" appearance hiding the more diabolical and crazy nature underneath. Something a child wouldn't be fearful of at first glance, not until the monstrous nature leaked through.
But I guess these are just darker and different times.
Master filmmaker Ted Turner would be proud.
If Leto's Joker look is flipping some people out, just imagine if he'd been sporting his "New52" look.
The Joker wasn't silly at first. He was a a serial killer.I think the Leto pic captures the crazy, and Joker's all about the crazy. The look is spot on for this project. Three thumbs up.
I dunno, I always thought of the Joker as a bit more dichotomous, what with the clownish "sillier" appearance hiding the more diabolical and crazy nature underneath. Something a child wouldn't be fearful of at first glance, not until the monstrous nature leaked through.
But I guess these are just darker and different times.
The Joker wasn't silly at first. He was a a serial killer.
This is not a kid friendly face.
Which is why I mention his look and provided a picture.The Joker wasn't silly at first. He was a a serial killer.
This is not a kid friendly face.
Being a serial killer isn't how you describe his look. That's how you describeed his being.
I get that everything in media these days is about pushing the bar further into darker territory, be it the lead characters on TV shows (Sopranos, Dexter, Breaking Bad) or characters like the Joker. I personally think we lose too much in this process when things get pushed too far away from the adaptation trying too hard to appear edgy or relevant when these things have survived for as long as they have for a reason that may not be what's tapped into save the name and some small superficial similarities.
The Joker wasn't silly at first. He was a a serial killer.
This is not a kid friendly face.
Being a serial killer isn't how you describe his look. That's how you describeed his being.
I get that everything in media these days is about pushing the bar further into darker territory, be it the lead characters on TV shows (Sopranos, Dexter, Breaking Bad) or characters like the Joker. I personally think we lose too much in this process when things get pushed too far away from the adaptation trying too hard to appear edgy or relevant when these things have survived for as long as they have for a reason that may not be what's tapped into save the name and some small superficial similarities.
No, it's mostly about trying to portray the character with an aesthetic that reaches outside of older comics to connect with other forms and experiences of the present moment.
No, it's mostly about trying to portray the character with an aesthetic that reaches outside of older comics to connect with other forms and experiences of the present moment.
Why won't something more classic that leaps from the page not connect as well? It seems to work well for that other movie company for the most part...
Marvel? They've taken more than a few liberties from page to screen.No, it's mostly about trying to portray the character with an aesthetic that reaches outside of older comics to connect with other forms and experiences of the present moment.
Why won't something more classic that leaps from the page not connect as well? It seems to work well for that other movie company for the most part...
No, it's mostly about trying to portray the character with an aesthetic that reaches outside of older comics to connect with other forms and experiences of the present moment.
Why won't something more classic that leaps from the page not connect as well? It seems to work well for that other movie company for the most part...
That always a terrible reason for a creative choice.
That always a terrible reason for a creative choice.
Marvel? They've taken more than a few liberties from page to screen.
Just tell me a good story. I don't give a shit about how well it aligns with the comics or other movies or whatever. Shit, the one good thing about comics is that they can appropriate whatever tone they want.
Heck, unless you told someone who didn't know that the picture of Mamoa's Aquaman WAS Aquaman, there's zero chance they'd guess that based only on the information in the picture.
Again, why do the two have to be mutually exclusive? Like it's impossible to tell a fantastic story without also being a good adaptation of the source material? Why can't we have both? It's possible. I see it time and time again.
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