It was the best of times, it was the worst of times.
I saw TOS Trek first as a little kid, thought the Wrath of Khan was the most awesome thing ever when I first saw it (still my favourite Trek movie), grew up with TNG Trek in my teens. TNG Trek was a curious thing; it had bigger budgets and eventually more dramatic ambition, it took the SF action format to new places and I think it has to be said that it eventually owned the televised medium in a way no Trek show has done before or since. Yet it also still felt a bit... second-hand. I can't help agreeing with
Justin Rye that in retrospect it feels like this:
Justin Rye said:
ST:TOS was a respectable effort (for the sixties) to produce intelligent SF. It at least tried to make sense, and featured US TV's first interracial kiss. ST:TNG has bigger budgets but less integrity: it reuses the setting not because it was good, but to guarantee an audience for minimal risk and creative investment. So it can't imperil its ratings by depicting a world where most humans aren't WASPs, women are as important as men, and moral codes can be irreconcilable... The diversity-stifling corporate control of the media has formularised [sic] Star Trek into a soap-opera using sci-fi special effects; a genre in its own right, supplanting SF in the minds of the viewers and in the ecosystem of big-budget TV productions. Resistance is futile…
This feeling is what prevents me, in retrospect, from being whole-heartedly able to pronounce the Nineties as any kind of Golden Age. More content wasn't necessarily better, and while TNG had some great content, still:
on average it wasn't actually all that much better than the Original Series, and more importantly it wasn't really the boundary-pushing exercise for its time that original Trek had been. It was ultimately... safer.
DS9 had its moments and took some genuine dramatic risks, but the funny thing was that the more spin-off series came out, the more Trek as a whole seemed to sag under the weight of its own legacy. TOS had already pushed the limits of nonsensical continuity, and gotten away with it because the other elements of the show felt fresh. By the time DS9 was trying to extract some freshness from the premise -- and to their credit, they did manage it to an extent -- it was like the Trek premise was wading through quicksand. Then after DS9 the last attempts at real dramatic risk-taking ended, and despite potentially daring attempts at reinvention, ultimately the safeness of the setting and unwillingness to risk departure from formula ensured that VOY and then ENT sank.
It all feels like a lesson in why many SF authors are so wary about shared universes; without a strong, decisive and (frankly) ruthless creative vision to guide them, they can turn into messes, overstuffed with mediocrity that detracts even from whatever good things they otherwise achieve. Ultimately that's why TNG and what's come after it has rather palled for me; in a funny way, the four and a half decade-old Original Series and its setting
still feel fresher and more promising than the overcrowded, overdetermined kludge of a Trek universe that resulted from the Nineties.
I think the instinct to "reboot" the Original Series, or at least to revisit that era, was actually a sound one: although I fear that Abrams' cavalier approach to it may have sunk it out of the gate as anything other than a Fast and Furious clone with Trek trappings.