Well, you mentioned the bay of the Vengeance, where you’ve got the challenge of running across this place that really does feel like it’s the inside of an airplane hangar. When you go in there, what’s your reaction when you see the space you’re gonna have to jog across so many times?
Pegg
Yeah, it was immense. It’s always very important to J.J. that we are surrounded by physicality, that we’re never really relying on too much green screen. Certainly from my experience in the film, there was very little green screen work done. We always had some kind of physical prop around us and we were always in touch with some solid object, you know, and that set that was down at hangar in West LA, which is essentially a gigantic warehouse that people use if a sound studio is not big enough. That was all there and when it was lit up, when the kind of emergency lights were flashing. It was insane. It was 100 meters long, it was like half a mile. It was ridiculous. I ran it three times, sprinted it as fast as I possibly could, and it was extraordinarily fun.
Q
Fun and not completely exhausting?
Pegg
Oh, I threw up after the third one because I’d only just had my dinner. We were doing a night shoot and I kind of...
J.J. has this thing where he makes you want to do your very best all of the time. He never demands it of you. He never kind of like plays any game in asking for it. He never even physically asks you to do it, but you always want to do your best for J.J., because it’s J,J,. So, I ran faster than I’ve run since I was a kid and broke the land speed record. All of the crew applauded and I felt really good about myself, because, you know, I’m the oldest of the crew members and then J.J. said, “That was great, Simon. Would you do it again,” and I was like, “Yeah, yeah, just give me one minute.” Then I kind of got my breath back and I did it again and then I did it again and then I had excuse myself and go throw up.