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Things your tired of in movies

I don't like it when the bad guy gets killed at the end and never gets to experience the consequences of their actions.

For me it's not a scene, but a technique that will immediately take me out of the movie. I'm talking about the camera strapped to the chest and aimed at the actor's face. For some reason the minute this gets used it just stops the movie cold for me until the sequence is done. I can't stand the technique.
Ew, yeah, I can't stand this either. I honestly don't understand what this effect is trying to convey. It just always looks retarded.
It works when the character is in a daze or running scared.

It's used a lot in horror flicks when people are running scared for their lives. Strangely enough, the only movie I can name at the moment is "Get Him to the Greek", a comedy. The fat comedian gets stabbed with an adrenaline needle, switches to chest cam and his eyes pop open and he runs around like a mad man.
"I'M ALIIIIIVVVVVE!!!!!!!!"

I thought that scene was hilarious. :rommie:

Personal pet peeve is when they run the credits at the begining of the film. Seriously, give us the studio, the title, the names of the two biggist stars ... and start the damned thing.
This is one of the few things I really dislike about the Bond movies.
I like the montages at the beginning of the Bond movies and I wouldn't want to see them go.

Fight scenes where the camera is so bloody close to the fighting I can't tell who is doing what. It's just a close up blur of arms and legs moving about and then someone's on their back. I want to SEE the fight dangit!
It's an effective way of showing confusion like in Batman Begins where the bad guys didn't know who or what they were fighting.

As for shaky cam, I like it. Done appropriately, it's can be more interesting than your basic point-the-camera-and-just-film-it style.
 
How about when a man and woman are finished having sex and laying in bed, the blanket is exposing the mans chest while the blanket is up to the woman's neck. I have never seen a L-shaped blanket before.

And who covers up right after sex anyway?
 
Or when a character calls a character and tells them to turn the News on, then when the character does turn on the tv, it's at the exact point to get all the important information. They never turn it on when the story is over, or even in the middle of it.

Ever been watching the news and they say "after this commercial, an update on the hostage crisis/alien invasion/pie eating contest/whatever" ? So the other character sees that, thinks "my friend needs that info", so he has to look for his phone, then look up his number, misdials, tries again, finally calls him and connects and tells him to turn on the TV right as the news comes back from commercial. Why is that so hard to believe?

And if it's a major event, then the 24 hour news channels will be replaying it constantly, so the odds of a character turning on the news channel and it being the event that's important to the plot of the movie are actually pretty good.
 
Or when a character calls a character and tells them to turn the News on, then when the character does turn on the tv, it's at the exact point to get all the important information. They never turn it on when the story is over, or even in the middle of it.

Yep, that's a good one. Or when the tv/radio "interrupts the broadcast" for some plot-related specific information that would not be near important enough to justify breaking into programming in real life.

A character racking the slide of a gun every single time they draw it, especially if it happens multiple times in a single scene. You rack the side once, and the gun is loaded. You don't have to do it again. If you rack it again, it ejects an unfired cartridge.

Oh, yeah. When somebody has a "now I mean business" moment and works the slide, which means that, no matter what happened before that point, the gun wouldn't be able to fire.

A revolver with a silencer/suppressor is always good for an eye-roll, too.

Also all the easily accessible, easy-to-crawl-through ventilation ducts that you never see in real life.



Justin
 
Johnny Depp

3D films

Plots that I can solve five minutes into the movie. Why doesn't Jeffrey Deaver do film work?
 
30 year olds playing 15 year olds.
Well, that convention isn't going to disappear any time soon, unless they change the child labor laws. Underage actors have limits on how many hours they can work, and a tutor has to be present on the set to ensure they keep up their education. So we get over-18 actors playing high schoolers. Thus it has ever been, and thus it shall ever be.

I recall an episode of Fame (yeah, I used to watch it!) where a substitute teacher fell in love with Nia Peeples' character and said "She's no ordinary 16-year-old!" And I thought, "Yeah, she's about 25!"
 
A character racking the slide of a gun
A movie I saw a while back, soldiers go into a massive cave after a monster, obviously hours go by the way it's shot, when they finally come upon the monster, they all work their charginbg handles. Which mean they were carrying unloaded guns up to that point!

This is one of the few things I really dislike about the Bond movies.
I like the montages at the beginning of the Bond movies and I wouldn't want to see them go.
Consider the beginnings of the Star Wars movies,
you see the title and they start the story ... perfect.


How about when a man and woman are finished having sex and laying in bed, the blanket is exposing the mans chest while the blanket is up to the woman's neck. I have never seen a L-shaped blanket before.
And who covers up right after sex anyway?
You're too hot and sweaty at that point.

:)
 
How about TV sex scenes where both partners have all their underwear on? How are they... ya know... ?
 
Oh, and I'm tired of Adam Sandler movies, but that's been going on for 10 years now.

Only 10? It's been more like 15 for me, hell I'd go as far as to say 20 which extends back into his SNL days where I never found him funny. Oh, he put a piece of tin-foil on his head, talked with a Cajun accent and said he was "Satellite Man." Sorry, you're right Junior Year peers Sandler IS hilarious!

Hey, cut me a break, I was trying to be generous! Really, the only Sandler movie off the top of my head that I liked was Happy Gilmore, and that was 15 years ago.

A character racking the slide of a gun every single time they draw it, especially if it happens multiple times in a single scene. You rack the side once, and the gun is loaded. You don't have to do it again. If you rack it again, it ejects an unfired cartridge.

The slide-racking sound effect overdubbed when someone has simply drawn the gun. Even if it's a revolver. Guns don't make noises just because you've pulled them out of their holster.

For me, the worst culprit of this isn't any film or movie, but rather in DS9's "Past Tense." The characters did it with their shotguns every time they wanted to emphasize a point. What happened to good ol' fashioned voice inflection?

Or when a character calls a character and tells them to turn the News on, then when the character does turn on the tv, it's at the exact point to get all the important information. They never turn it on when the story is over, or even in the middle of it.

To expand on this, when a character tells another to turn on the TV, but no one mentions which channel. This is especially noticeable if it's a news item that isn't catastrophic or apocalyptic, but something kind of ordinary (a specific murder, a store opening, whatever).
 
the worst one for guns was in Doctor Who The End of Time Part II where the Doctor kept turning around between aiming a revolver at two different people and EVERY TIME he turned he took the safety off!

3D, lens flares, JJ doing Star Trek...

Britain only consisting of London, all British people being either Cockneys, posh or Scots, America winning the war on their own... crappy geography...
 
. . . The slide-racking sound effect overdubbed when someone has simply drawn the gun. Even if it's a revolver. Guns don't make noises just because you've pulled them out of their holster.
On a related note: Revolvers that shoot seven, eight, ten or twelve rounds without reloading.

. . . Also all the easily accessible, easy-to-crawl-through ventilation ducts that you never see in real life.
Didn't you know that every commercial and industrial building has ventilation ducts wide enough for a grown man to crawl through? And some ships have them as well! :)
 
Extra scenes that only appear after the 15-minute end credit sequences. :brickwall:

You don't have to stay for those scenes, you know, they almost never have anything to do with the main story and are usually just an extra little bit of geek-service put there to thank the people with enough respect for the craft of movie-making to sit through the credit sequence, which usually don't even approach 15-minutes long to view.
 
I watched the Special Director's Criterion Extended Unrated Edition cut of "Das Boot". The credits alone lasted 9 days and came in it's own boxed set of Bluerays. :lol:
 
I absolutely hate the technique of pushing the film or pushing the camera. They did it twice in Die Another Day and I groaned loudly. My buddy knew why and started to laugh.
 
Fight scenes where the camera is so bloody close to the fighting I can't tell who is doing what. It's just a close up blur of arms and legs moving about and then someone's on their back. I want to SEE the fight dangit!
It's an effective way of showing confusion like in Batman Begins where the bad guys didn't know who or what they were fighting.

As for shaky cam, I like it. Done appropriately, it's can be more interesting than your basic point-the-camera-and-just-film-it style.

I can see that POV from the "bad guys confused" standpoint, but now and then you want to see the martial artist in Batman - something even the comics do from time to time. They did do it in "The Dark Knight" and I loved those parts.

With shaky cam, I think it has its place, but in a spectacle movie such as Transformers were seeing the big robots is part of the magic, only see flashes of silver and gold metal flash by the screen doesn't particularly excite me.
 
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