Re: The OFFICIAL STNG-R discussion thread!
Nope
Maybe the 4 foot will end up looking a lot better in HD.
Nope
Maybe the 4 foot will end up looking a lot better in HD.
Can't wait to see the shots in eps like 'Booby Trap' & 'Time Squared' in 1080p HDIt would have been a travesty to lose this brilliant & painstaking model work for cheap CGI. So many great VFX shots in the series - too many to list.
As for the live action... can't wait to see that as well!
The soundstages of season 1 won't look too good though, particularly ones like The Arsenal of Freedom or Skin of Evil, but it'll still be great![]()
Can't wait to see the shots in eps like 'Booby Trap' & 'Time Squared' in 1080p HDIt would have been a travesty to lose this brilliant & painstaking model work for cheap CGI. So many great VFX shots in the series - too many to list.
As for the live action... can't wait to see that as well!
The soundstages of season 1 won't look too good though, particularly ones like The Arsenal of Freedom or Skin of Evil, but it'll still be great![]()
Can't wait to see the shots in eps like 'Booby Trap' & 'Time Squared' in 1080p HDIt would have been a travesty to lose this brilliant & painstaking model work for cheap CGI. So many great VFX shots in the series - too many to list.
As for the live action... can't wait to see that as well!
The soundstages of season 1 won't look too good though, particularly ones like The Arsenal of Freedom or Skin of Evil, but it'll still be great![]()
The could touch them up a bit. Almost 25 years since the first episode aired. They can do that now pretty easily.
I can't PM you so give me an e-mail address.
I can't PM you so give me an e-mail address.
Ho-humm. The FAQ says private-messaging enables at 28 posts, but it didn't. Thanks for the offer, but I'd rather not post my mail address in public.
The soundstages of season 1 won't look too good though, particularly ones like The Arsenal of Freedom or Skin of Evil, but it'll still be great![]()
Better tell it to AntonyF. Can you PM me then? I tried something to see if it'll work...
The soundstages of season 1 won't look too good though, particularly ones like The Arsenal of Freedom or Skin of Evil, but it'll still be great![]()
The cool thing about those episodes is that, particularly with "Arsenal of Freedom," the backdrop is a solid color like blue or orange and can be chroma-keyed in the digital realm and replaced with more jungle or desert and better skies with clouds and moons.
The soundstages of season 1 won't look too good though, particularly ones like The Arsenal of Freedom or Skin of Evil, but it'll still be great![]()
The cool thing about those episodes is that, particularly with "Arsenal of Freedom," the backdrop is a solid color like blue or orange and can be chroma-keyed in the digital realm and replaced with more jungle or desert and better skies with clouds and moons.
Yes I thought this when I saw the episode but I was uncertain as to whether or not they could such a thing because of the environment, trees/leaves etc and the camera movements, but I might be underestimating todays technology?!
Whenever the Enterprise went to warp (the slingshot effect) the lights went out because the move was done in camera at ILM, it was too difficult and time consuming to do multiple passes on the model for that effect. It wasn’t until they did GENERATIONS that the 1701-D could warp with the lights on: and it was because all those shots used a CG 1701-D. Same with the USS Voyager: a CG ship was used in place of the model to warp with the lights on. The trailer preview has the ship with the lights on. So they did a fix while recompositing.
The soundstages of season 1 won't look too good though, particularly ones like The Arsenal of Freedom or Skin of Evil, but it'll still be great![]()
The cool thing about those episodes is that, particularly with "Arsenal of Freedom," the backdrop is a solid color like blue or orange and can be chroma-keyed in the digital realm and replaced with more jungle or desert and better skies with clouds and moons.
Yes I thought this when I saw the episode but I was uncertain as to whether or not they could such a thing because of the environment, trees/leaves etc and the camera movements, but I might be underestimating todays technology?!
Someone on the Trekmovie comment thread posted this:
http://www.trekbbs.com/showpost.php?p=5254195&postcount=337Whenever the Enterprise went to warp (the slingshot effect) the lights went out because the move was done in camera at ILM, it was too difficult and time consuming to do multiple passes on the model for that effect. It wasn’t until they did GENERATIONS that the 1701-D could warp with the lights on: and it was because all those shots used a CG 1701-D. Same with the USS Voyager: a CG ship was used in place of the model to warp with the lights on. The trailer preview has the ship with the lights on. So they did a fix while recompositing.
Ok didn't notice that...chalk it up to low rez.
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