I've seen gratuitous nudity and gratuitous violence but I think that might be the first time I've thought of an entire series itself as being gratuitous.
Phase 1. Induce immortality
Phase 2. ???
Phase 3. Profit
Amen. This episode did exactly the thing I was praying to god it would never do: Reveal that this massively fucked up change of the human condition was all due to some shadowy "EVIL CAPITALISTS" (TM). If the families are really that powerful, I don't see why they need to make everyone immortal to make a profit and control the world.
Of course, we don't even know if the families are really human. That's one of the things that really pissed me off. "Children of Earth" gave us a definitive ending. "Miracle Day" didn't. We know as little about the families now as we did when they were first introduced back in "Immortal Sins."
So now they have two immortals? Hmm. Could be interesting if they do a season 5. I imagine we'll be seeing Rex and Kitzenger and the 'Plan B' guys in black next time. Now we have two vampires with a soul (to use an Angel analogy). Rex is Spike! :P Which would be amusing if John Hart shows up!
A couple
Angel references crossed my mind during the episode.
1. Jack was in Shanghai during the Boxer Rebellion. So were Angel, Spike, Darla, & Drusilla.

2. I wonder if the Blessing ever crosses paths with the Deeper Well where Illyria and a bunch of the other Old Ones were buried in "A Hole in the World"?
I think the defining characteristic of this show was lack of payoff. The Blessing had all the purpose and functionality of a godlike toaster oven. It's activated by Jack's blood and that's all we need to know about it apparently. I kept expecting Jilly to develop into a character with some important relation to the Families, but it turns out they were just fans of her mad PR skillz. What exactly was the point of that character and why was she a main cast member instead of just some occasional guest star who instead assisted Oswald Danes, who should have had the importance to the Families that she did in order to justify his initial elevation to super-stardom by them? Instead, he has no relation or importance to them whatsoever. Jack's lover is introduced with a full episode focusing on him, and then is casually discarded in the next without so much as a line of dialogue. Why not make him the head of the Families? Saving the Families for a followup is probably going to wind up biting them in the ass as well, because I don't think people are going to tolerate another ten episodes of mysteries about them without knowing if there will be a payoff to their story. They should have just wrapped it up here instead of going for Plan B.
I wouldn't have minded a brief little cliffhanger with Jilly & that other guy talking about Plan B if there had been more resolution & revelations in this episode. Instead, it felt like the whole thing only existed to promote another endless series of dull mysteries in Season 5. This kind of stringing along is exactly the reason why I grew annoyed with
The X-Files. But at least I can kinda forgive
The X-Files because jerking us around was all that that show ever could do. I hold
Torchwood to a higher standard because at least "Children of Earth" gave us an ending.
Yeah. For a minute there I thought the CIA traitor was going to join Jack, Gwwn, and Rex as the new "Torchwood"
That would have made me more interested in a 5th season than immortal Rex does.
I'd kind of like if Torchwood went back to a more conventional structure, myself. Season 2 hit their stride with a balance between being deadly serious and yet not taking themselves that seriously. I mean, for just compare "Kiss Kiss, Bang Bang" to "Day One." "Day One" was just a complete mess. Sex gas! It should've been a crazy romp, but they just had to be so freaking grim about it, it was just weird. Now, "Kiss Kiss," from the beginning with the joyriding blowfish, the barfight, and Captain John wanting to nail a stray dog was appropriately over-the-top and self-aware. Even an episode like "Sleepers" which was some freaky, disturbing shit had one of the funniest bits in the show with Ianto's reaction to Owen not being able to understand what "the phones are down" means.
"Children of Earth" was season-one grim, but it was grim about things that should've been grim, so it worked. "Miracle Day" started to get some of the season two spirit back into it, which is probably most of the reason I'm going easier on it than I should be.
A season 5 of standalones, or mini-arcs, or even a more subtle, Doctor-Who-style season-long plot would be a much more enjoyable Torchwood for me, I wager, and it'd be easier to produce for a longer run of episodes than trying to keep everything tight for what should've ended up being a ten-hour movie but wasn't.
Agreed. A return to a more stand-alone-ish structure is the only way I can imagine getting back into this show. And even then, I'm iffy on that. "Children of Earth," while amazing, was never fun. "Miracle Day" was just total shite. And no matter what they do, I'm not sure I'll ever be able to get over the fact that it's just not the same without Owen, Tosh, & Ianto.
The rules for immortality changed practically every episode. Even if they said you could heal from massive injuries, it wouldn't matter as they'd likely change it a couple of episodes later.
Yeah. It would have been more consistent had they not had Sierra walking around with her head on backwards in episode 2.
you notice he never does that to River? Sucker for a pretty face
More importantly, why doesn't Stormcage ever return River's vortex manipulator to the Time Agency?
Maybe the Time Agency doesn't exist during the era during which River is imprisoned, so there's no one to return it to? Or maybe the Time Agency during this time is considered by the Stormcage people to be even more rogue & untrustworthy than River is.