All fan-created material--fanfic, fan films, fan art, etc.--are copyright violations under current law.
All fan-created material--fanfic, fan films, fan art, etc.--are copyright violations under current law.
^^ I wasn't deriding anyone's work, I was pointing out that if it uses Copyrighted material, it would have to be in the same category as a fan film (unless permission was obtained, of course).
If intellectual property is given less protection than physical property, then it is less valuable.Who said anything about less valuable?
Not unless somebody is making a profit from them.All fan-created material--fanfic, fan films, fan art, etc.--are copyright violations under current law.
That's very likely true. Some other body of work would have been produced instead.Well then all you're doing is sidestepping my point; if Shakespeare was under copyright then a whole body of work simply would not have been able to be produced.
The difference is that it's easier to steal, and people don't take it as seriously. So, yes, it does need different protection. Not less protection.Intellectual property is by definition different from physical property and therefore needs different protection. To retread the thread before, you can't treat an idea like a house just because both are "important". Comparing it to a house simply ignores what intellectual property actually is, how it behaves and how people interact with it.
By forcing them to be creative instead of derivative? It does not compute.
There's a false dichotomy if I ever saw one.
There is no creative work--none--that isn't somehow derivative of others. "There's nothing new under the sun," as they say.
Not unless somebody is making a profit from them.All fan-created material--fanfic, fan films, fan art, etc.--are copyright violations under current law.
Okay, then. I'll take your word for that. It doesn't really change anything. People should still own what they create.
Well, that's very generous.You do get to own it--for a while. Then everybody else gets to.![]()
I am a little scared of it becoming too difficult, for one simple reason - and I have to refer to analog times. I grew up as a pirating kid. It was even before television. I had inherited a crank projector and a box of eight-millimeter films from my dad, all Charlie Chaplin and Buster Keaton stuff. So of course I was traveling with this machine - I was at every birthday party and I was the projectionist. And when they got too bad, because I showed them hundreds of times, I started to cut them up, and I found this little machine - my friend had one - that could paste them together and make new movies out of them. And it worked beautifully - Buster Keaton and Charles Lloyd suddenly interactive was fantastic! So I am very, very scared that for a contemporary generation of kids that possibility to take it and use it and do what they want to with it is all of a sudden gone, because they block it all and it is out there but you can't eat it anymore and use it for your imagination. So my heart beats for every fourteen-year-old who cracks any of these.
I already explained it. No one creates art without drawing on existing art--which would be illegal if all art was privately owned in perpetuity.
Owning your art for a limited time is the compromise you make for being able to draw on what's come before.
I already explained it. No one creates art without drawing on existing art--which would be illegal if all art was privately owned in perpetuity.
Owning your art for a limited time is the compromise you make for being able to draw on what's come before.
ok my art is like at times original drawing on nothing at all .. not even light. but then to see this one needs to shine light upon it to tell the originality of these things. Robert, there is an exception to every rule/law, you should know that? btw art laws are for losers who.., anyway what ever art is the art law If I collected all the money I have "given" away as art, I could bankrupt three to four galactic banking syndicates.. LOL
maybe take this topic to a new thread? while i download something or other that is archived for the heck of it.
I already explained it. No one creates art without drawing on existing art--which would be illegal if all art was privately owned in perpetuity.
Owning your art for a limited time is the compromise you make for being able to draw on what's come before.
ok my art is like at times original drawing on nothing at all .. not even light. but then to see this one needs to shine light upon it to tell the originality of these things. Robert, there is an exception to every rule/law, you should know that? btw art laws are for losers who.., anyway what ever art is the art law If I collected all the money I have "given" away as art, I could bankrupt three to four galactic banking syndicates.. LOL
maybe take this topic to a new thread? while i download something or other that is archived for the heck of it.
I can't totally parse your post but you seem to be saying your art is 100% original. Sorry, but it isn't. As if no one's ever made LSD-induced drawings before...
Or, the ability to plagiarize reduces creativity while protection of intellectual property forces people to do their own damn work (or admit they're incapable of it).And I've already explained that reuse of artistic material vitalizes and encourages the creation of new media and enriches all of society and the restriction of the ability for people to create artwork based on their culture is harmful.
And how does protection of intellectual property interfere with children playing?On a related topic, I came across this quote tonight as I've been reading this book:
-Wim Wenders, 2002I am a little scared of it becoming too difficult, for one simple reason - and I have to refer to analog times. I grew up as a pirating kid. It was even before television. I had inherited a crank projector and a box of eight-millimeter films from my dad, all Charlie Chaplin and Buster Keaton stuff. So of course I was traveling with this machine - I was at every birthday party and I was the projectionist. And when they got too bad, because I showed them hundreds of times, I started to cut them up, and I found this little machine - my friend had one - that could paste them together and make new movies out of them. And it worked beautifully - Buster Keaton and Charles Lloyd suddenly interactive was fantastic! So I am very, very scared that for a contemporary generation of kids that possibility to take it and use it and do what they want to with it is all of a sudden gone, because they block it all and it is out there but you can't eat it anymore and use it for your imagination. So my heart beats for every fourteen-year-old who cracks any of these.
Well, oddly enough, I don't want to live in a world where the only way an artist can protect his work is to hide it from people. You keep talking about how you want culture to be enriched, but everything you say opposes that end.At the end of the day, though, an artist has the ultimate control over their work... if you don't want people to interact with your work, just don't release it to the public. Keep it locked away in your basement and never let it enter someone else's head. But the desire to retell, remix and reuse media is practically intrinsic to human nature and to restrict it as you desire is to hamstring the basis of the creative process for everyone. If you had your way, we would all suffer for it. And that's a real shame.
And how does protection of intellectual property interfere with children playing?
Oh, dear. What did the world do before YouTube?![]()
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