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Illegal downloads

All fan-created material--fanfic, fan films, fan art, etc.--are copyright violations under current law.

If even actors who played in the actual TV shows take part in fan films, and kinda every company allows it to happen, then there's definately something wrong with the current law.
 
^^ I wasn't deriding anyone's work, I was pointing out that if it uses Copyrighted material, it would have to be in the same category as a fan film (unless permission was obtained, of course).

Well then all you're doing is sidestepping my point; if Shakespeare was under copyright then a whole body of work simply would not have been able to be produced.

Who said anything about less valuable?
If intellectual property is given less protection than physical property, then it is less valuable.

Intellectual property is by definition different from physical property and therefore needs different protection. To retread the thread before, you can't treat an idea like a house just because both are "important". Comparing it to a house simply ignores what intellectual property actually is, how it behaves and how people interact with it.
 
All fan-created material--fanfic, fan films, fan art, etc.--are copyright violations under current law.
Not unless somebody is making a profit from them.

Well then all you're doing is sidestepping my point; if Shakespeare was under copyright then a whole body of work simply would not have been able to be produced.
That's very likely true. Some other body of work would have been produced instead.

Intellectual property is by definition different from physical property and therefore needs different protection. To retread the thread before, you can't treat an idea like a house just because both are "important". Comparing it to a house simply ignores what intellectual property actually is, how it behaves and how people interact with it.
The difference is that it's easier to steal, and people don't take it as seriously. So, yes, it does need different protection. Not less protection.
 
Okay, then. I'll take your word for that. It doesn't really change anything. People should still own what they create.
 
^^ Nothing much.

You do get to own it--for a while. Then everybody else gets to. :shrug:
Well, that's very generous. :rommie: But I still haven't seen any justification for allowing the government to "eminent domain" novels, music, art et cetera when people are allowed to keep their homes, businesses, automobiles and so on.
 
I already explained it. No one creates art without drawing on existing art--which would be illegal if all art was privately owned in perpetuity.

Owning your art for a limited time is the compromise you make for being able to draw on what's come before.
 
And I've already explained that deriving inspiration from existing works is not the same as plagiarizing. How is Psychohistorical Crisis impossible with Foundation still under Copyright?
 
And I've already explained that reuse of artistic material vitalizes and encourages the creation of new media and enriches all of society and the restriction of the ability for people to create artwork based on their culture is harmful.

But then you called me a socialist, so I guess the importance and relevancy didn't really sink in.

On a related topic, I came across this quote tonight as I've been reading this book:

I am a little scared of it becoming too difficult, for one simple reason - and I have to refer to analog times. I grew up as a pirating kid. It was even before television. I had inherited a crank projector and a box of eight-millimeter films from my dad, all Charlie Chaplin and Buster Keaton stuff. So of course I was traveling with this machine - I was at every birthday party and I was the projectionist. And when they got too bad, because I showed them hundreds of times, I started to cut them up, and I found this little machine - my friend had one - that could paste them together and make new movies out of them. And it worked beautifully - Buster Keaton and Charles Lloyd suddenly interactive was fantastic! So I am very, very scared that for a contemporary generation of kids that possibility to take it and use it and do what they want to with it is all of a sudden gone, because they block it all and it is out there but you can't eat it anymore and use it for your imagination. So my heart beats for every fourteen-year-old who cracks any of these.

-Wim Wenders, 2002

At the end of the day, though, an artist has the ultimate control over their work... if you don't want people to interact with your work, just don't release it to the public. Keep it locked away in your basement and never let it enter someone else's head. But the desire to retell, remix and reuse media is practically intrinsic to human nature and to restrict it as you desire is to hamstring the basis of the creative process for everyone. If you had your way, we would all suffer for it. And that's a real shame.
 
I already explained it. No one creates art without drawing on existing art--which would be illegal if all art was privately owned in perpetuity.

Owning your art for a limited time is the compromise you make for being able to draw on what's come before.

ok my art is like at times original drawing on nothing at all .. not even light. but then to see this one needs to shine light upon it to tell the originality of these things. Robert, there is an exception to every rule/law, you should know that? btw art laws are for losers who.., anyway what ever art is the art law If I collected all the money I have "given" away as art, I could bankrupt three to four galactic banking syndicates.. LOL


maybe take this topic to a new thread? while i download something or other that is archived for the heck of it.
 
I already explained it. No one creates art without drawing on existing art--which would be illegal if all art was privately owned in perpetuity.

Owning your art for a limited time is the compromise you make for being able to draw on what's come before.

ok my art is like at times original drawing on nothing at all .. not even light. but then to see this one needs to shine light upon it to tell the originality of these things. Robert, there is an exception to every rule/law, you should know that? btw art laws are for losers who.., anyway what ever art is the art law If I collected all the money I have "given" away as art, I could bankrupt three to four galactic banking syndicates.. LOL


maybe take this topic to a new thread? while i download something or other that is archived for the heck of it.

I can't totally parse your post but you seem to be saying your art is 100% original. Sorry, but it isn't. As if no one's ever made LSD-induced drawings before...
 
I already explained it. No one creates art without drawing on existing art--which would be illegal if all art was privately owned in perpetuity.

Owning your art for a limited time is the compromise you make for being able to draw on what's come before.

ok my art is like at times original drawing on nothing at all .. not even light. but then to see this one needs to shine light upon it to tell the originality of these things. Robert, there is an exception to every rule/law, you should know that? btw art laws are for losers who.., anyway what ever art is the art law If I collected all the money I have "given" away as art, I could bankrupt three to four galactic banking syndicates.. LOL


maybe take this topic to a new thread? while i download something or other that is archived for the heck of it.

I can't totally parse your post but you seem to be saying your art is 100% original. Sorry, but it isn't. As if no one's ever made LSD-induced drawings before...


more then even the most potent LSD-induced drawings but really man what is ...

what is your sample size?

just the present existence that we know ., cough cough and love ...

the multiplex of myriad existences that are possible. and have will and are occurring in the timeless bliss.

or something larger where the probability envelope includes all of GOD"S creation starting with when his peepee turned to seeds of woe.. and beget life in this puny universe where we are..

or perhaps just that illusion of everything that is neither real nor unreal or surreal so there is no matter of either new or old just illusions of thought. that manifest times expressions inducing hallucinatory redundancy. there of..
 
And I've already explained that reuse of artistic material vitalizes and encourages the creation of new media and enriches all of society and the restriction of the ability for people to create artwork based on their culture is harmful.
Or, the ability to plagiarize reduces creativity while protection of intellectual property forces people to do their own damn work (or admit they're incapable of it).

On a related topic, I came across this quote tonight as I've been reading this book:

I am a little scared of it becoming too difficult, for one simple reason - and I have to refer to analog times. I grew up as a pirating kid. It was even before television. I had inherited a crank projector and a box of eight-millimeter films from my dad, all Charlie Chaplin and Buster Keaton stuff. So of course I was traveling with this machine - I was at every birthday party and I was the projectionist. And when they got too bad, because I showed them hundreds of times, I started to cut them up, and I found this little machine - my friend had one - that could paste them together and make new movies out of them. And it worked beautifully - Buster Keaton and Charles Lloyd suddenly interactive was fantastic! So I am very, very scared that for a contemporary generation of kids that possibility to take it and use it and do what they want to with it is all of a sudden gone, because they block it all and it is out there but you can't eat it anymore and use it for your imagination. So my heart beats for every fourteen-year-old who cracks any of these.
-Wim Wenders, 2002
And how does protection of intellectual property interfere with children playing?

At the end of the day, though, an artist has the ultimate control over their work... if you don't want people to interact with your work, just don't release it to the public. Keep it locked away in your basement and never let it enter someone else's head. But the desire to retell, remix and reuse media is practically intrinsic to human nature and to restrict it as you desire is to hamstring the basis of the creative process for everyone. If you had your way, we would all suffer for it. And that's a real shame.
Well, oddly enough, I don't want to live in a world where the only way an artist can protect his work is to hide it from people. You keep talking about how you want culture to be enriched, but everything you say opposes that end.
 
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