Not at all. I loved the movie, but I could care less whether anyone else loved it or hated it.
You might consider saying "I couldn't care less" for maximum effect. Saying, "I could care less," indicates that you actually do care.
It's only when the haters have silly reasons for hating it, or tell me that I'm a moron for liking the movie, that I pipe in.
Fair enough.
But putting that "I liked the new movie better thread..." in the I-X is a troll move. Leave the old times alone and let them love their TOS and TNG.
Go see RedletterMedia's review of the film. In a nutshell: He likes the movie, but points out the film's rightful flaws while at the same time telling everyone that those flaws are inconsequential to the enjoyment of the movie.
As much as enjoy this guy's shtick, you are talking about a comedy vlog on the internet. If a comedy film critic likes the film, then it must be good?
I agree that if you turn your brain off, the film is fun romp. The second you start thinking, however, you realize that the film isn't particularly well written. Kirk happens to get jettisoned onto a planet, right where Spock-Prime is marooned, right where Scotty is to transwarp beam them? The coincidences are so unbelievable that some film critics interpreted all this as the hand of fate (as RLM puts it "The will of the force").
Details like this could have been fixed with a little more script work and the film still would have been fun fantasy adventure flick. That these details were not fixed and the script writers used rather lazy narrative solutions is a detail that deserves criticism.
What troubles me about RLM's review is that he valorizes flaws like this in the form of an either/or fallacy:
1. You can have an intelligent, boring (commercially unsuccessful) Science Fiction film.
OR
2. You can have a big dumb action adventure film (and make gobs of money).
RLM adds a third premise
3. Films only exist to make money.
to justify choosing #2 over #1.
Audiences are big fat stupid people, so you can only feed them garbage from a trough. That is feint praise indeed for the virtues of a film that aims to served to this audience.
Basically, Star Trek has to be dumbed down to succeed with modern audiences. This is almost exactly the same justification he used to excuse the flaws in the film Avatar.
Well, by his reckoning here, any stupid film that manages to make gobs of money by selling out to the lowest common denominator deserves cannot be criticized, because films only exist to make money.
If we replace aesthetic criteria with financial criteria, however, we find that the world is already populated with dubious success stories. "Hey, the Spice Girls sold more records than the Beetles, they made money, so you can't really criticize their music."
Well no, even popular films can have some ambition. And being designed for a popular audience is not a get-out-jail-free card.
Star Trek, if it is to be something that genuinely deserves caring about (rather than serving our passing fetish for nostalgia flicks), has to be something more than just big dumb entertainment. Otherwise, it might as well just be the A-Team in space or Dukes of Hazard with phasers.
In short, you have to aim for that middle ground which RLM chickens out on grounds of alleged impossibility.