The Porky Pig “son of a bitch” clip was made for one of Warner Brothers' “Breakdowns” reels, probably in the early 1940s. Every year they'd put together a reel of jokes, bloopers and outtakes to be shown at the studio Christmas party. These gag reels weren't meant to be seen by the general public. But, of course, everything winds up being available for public consumption these days, especially in the internet age.. . . Cartoon clip made specifically for WB Executives. It was never meant to be seen outside the boardroom.
The men on Trek TOS were given pointed sideburns to make their hairstyles look more “futuristic.” It wasn't a general fashion at the time. Long sideburns became fashionable in the early 1970s, along with those horrible blow-dried haircuts.One word: Sideburns![]()
The men on Trek TOS were given pointed sideburns to make their hairstyles look more “futuristic.”One word: Sideburns![]()
The men on Trek TOS were given pointed sideburns to make their hairstyles look more “futuristic.” It wasn't a general fashion at the time. Long sideburns became fashionable in the early 1970s, along with those horrible blow-dried haircuts.One word: Sideburns![]()
The men on Trek TOS were given pointed sideburns to make their hairstyles look more “futuristic.”One word: Sideburns![]()
Yeah, but weren't they just imitating human form?Of course, it wasn't just "Starfleet." Heck, it wasn't even just "The Federation." You can see that even the Kelvans (well except Kelinda) in "By Any Other Name" had pointy sideburns.
Kelinda had other pointy things.You can see that even the Kelvans (well except Kelinda) in “By Any Other Name” had pointy sideburns.
They never went to the Sunset Strip?The pointy sideburns was a compromise solution to the matter of giving the characters futuristic hairstyles while enabling the cast to go about their daily lives in 20th Century Los Angeles.
That's not that they had fewer lights, it's that they were lighting dramatically. It's cheaper and faster to pump up the ambient light on a set (a la TNG) so you spend less time lighting each setup. The flat overlit look of the 80s shows is as distinctive as the dramatic lighting used in the 60s.I would say the use of lighting. If you look closely, in TNG and later series the light seems to come from everywere. In TOS, you can tell where the lamps are. It would seem that TOS have fewer lamps than the later series, and less distributed.
I have to agree that I think it's the colour.
Like you say, one has to remember that colour TV was quite brand new back then. I guess people wanted lots colour on the screen (colour TVs weren't cheap).
![]()
We use essential cookies to make this site work, and optional cookies to enhance your experience.